本文選題：信天游 + 口頭詩(shī)學(xué)��； 參考：《延安大學(xué)》2014年碩士論文

【摘要】：信天游是中國(guó)西北一帶民間生產(chǎn)生活中常見(jiàn)的一種即興歌唱的藝術(shù)形式，其內(nèi)容豐富，形式自由靈活，具有濃郁的地方特色和鮮活的文化生命力。作為一種依然不斷流傳和發(fā)展的活形態(tài)口頭傳統(tǒng)藝術(shù)，信天游是用方言演唱，并根據(jù)某些具體的韻律模式和語(yǔ)義規(guī)則所排列起來(lái)的詩(shī)歌形式。在信天游的歌詞中存在著大量的重復(fù)的句子或者是意義相同可替換的短語(yǔ)，這些都可以看作是信天游程式的具體運(yùn)用。其歌者在繼承傳統(tǒng)演唱的過(guò)程中，按照儉省的原則，靈活運(yùn)用程式創(chuàng)作的方式，從而組成新的程式系統(tǒng)。 信天游中經(jīng)常出現(xiàn)的比興手法也是一種程式化的創(chuàng)作，類似于口頭詩(shī)學(xué)理論中的“主題”。歌手在主題創(chuàng)作時(shí)，往往沿用已經(jīng)基本成熟建立起來(lái)的某些固定主題來(lái)表現(xiàn)當(dāng)時(shí)的事件或抒發(fā)某種特定的情感。這些已成熟的固定主題也許數(shù)量有限，但出現(xiàn)的頻率卻很高，常常先是以某一自然景物或生活物象興起從而預(yù)示一定的主題內(nèi)容，這種創(chuàng)作不僅能體現(xiàn)出演唱的連貫性，也能更容易地引起歌者和聽(tīng)眾之間的情感共鳴。 信天游的口頭詩(shī)學(xué)研究就是把具有明顯口頭傳統(tǒng)特點(diǎn)的信天游置于口頭傳統(tǒng)文化的大背景下，對(duì)其創(chuàng)作和流傳中的程式加以分析，從而揭示出其內(nèi)在的編創(chuàng)規(guī)律。
[Abstract]:Xintian Tour is a common form of impromptu singing in folk production and life in Northwest China. It is rich in content, free and flexible in form, with rich local characteristics and fresh cultural vitality. As a living form of traditional art, Xintian Tour is a kind of traditional oral art, which is sung in dialect and arranged according to some specific prosodic patterns and semantic rules. There are a large number of repetitive sentences or phrases with the same meaning in the lyrics of Xintian Tour, which can be regarded as the concrete application of Xintian Tour program. In the process of inheriting the traditional singing, its singers, according to the principle of frugality, use the way of program creation flexibly, thus forming a new program system. Bixing is also a stylized creation, similar to the theme of oral poetics. In the creation of themes, singers often use certain fixed themes that have been established to express events or express certain emotions. These mature fixed themes may be a limited number, but the frequency is very high, often with a natural scene or life objects rise to predict a certain theme content, this kind of creation not only can reflect the continuity of singing, It is also easier to evoke emotional resonance between the singer and the audience. The study of oral poetics of Xin Tianyou is to put Xintian Tour with obvious oral tradition under the background of oral traditional culture and to analyze the program in its creation and circulation so as to reveal its inherent rules of creation and creation.
【學(xué)位授予單位】：延安大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J607
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本文編號(hào)：1791535