本文選題：蒙古族音樂元素 + 創(chuàng)作與演奏特點��； 參考：《音樂創(chuàng)作》2015年05期

【摘要】：在廣闊無垠的內蒙古大草原,蒙漢族音樂相互交融,而且運用廣泛。其中蒙古族音樂的特點和演唱(奏)技巧,二人臺音樂的特點及其演奏特點,在李鎮(zhèn)竹笛作品得到了廣泛的運用。這些作品,無不體現(xiàn)出對廣闊無垠的內蒙古大草原和憨厚純樸的蒙古族人民的深厚情緣,以及對草原和草原人民的赤誠愛心,折射出歌頌和贊美蒙古族人民的豪爽、彪悍、豁達以及美麗富饒、迷人大草原的"草原情懷"。
[Abstract]:In the vast Inner Mongolia prairie, Mongolian and Han music intermingled and was widely used. Among them, the characteristics of Mongolian music and singing (playing) skills, the characteristics of two-person Taiwan music and its playing characteristics, have been widely used in Li Zhen's bamboo flute works. All of these works reflect the deep affection for the vast inner Mongolia prairie and the simple and honest Mongolian people, and the sincere love for the grasslands and the people of the grasslands, reflecting the praise and praise of the Mongolian people for their bravery and fervor, Open-minded and beautiful and rich, charming prairie, the "prairie feelings."
【作者單位】： 集寧師范學院音樂系;
【分類號】：J632.11
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本文編號：1785000