本文選題：民族音樂 + 國際傳播��； 參考：《湖南師范大學》2013年碩士論文

【摘要】：我國民族音樂文化自古都是中華民族文化的重要組成部分,有著豐富而深厚的哲學、美學價值以及獨特的文化和音樂藝術魅力。我國自夏商時期便有與外族音樂文化交流的文字記載,到隋唐時期我國民族音樂國際傳播達到鼎盛時期,直至清朝中后期,民族音樂國際傳播一度中斷。隨著新中國的成立,改革開放的深化,國家持續(xù)的發(fā)展,我國將民族音樂文化推向世界的意愿日益增強。同時,世界也渴望了解中國文化。自20世紀8090年代至今,我國積極探索民族音樂國際傳播的道路,主要采取音樂文化展演、音樂會、音樂節(jié)、國際音樂比賽等動態(tài)傳播途徑。然而這些途徑在當今信息化的社會中已經(jīng)受到制約,不能最大限度的傳播我國民族音樂文化。這也是本文研究的緣由。 本文共包括：緒論、正文、結語三個部分。緒論在提出問題基礎上,闡明該文章的理論研究價值、實踐研究價值、目前研究動態(tài)、研究方法。正文由三個章節(jié)組成。第一章：闡述我國民族音樂國際傳播的歷史發(fā)展以及意義,找出我國民族音樂國際傳播特點以及歷史成因；第二章：我國民族音樂國際傳播的現(xiàn)狀,其中包括音樂文化貿(mào)易、音樂文化交流、音樂文化教育三個方面。從這三方面找出目前我國民族音樂國際傳播的弊端以及較為薄弱的地方。第三章：我國民族音樂國際傳播的策略研究。這一章主要針對第一、二章談到歷史成因和現(xiàn)狀問題進行研究。首先提出了民族音樂國際網(wǎng)絡化傳播,應該充分開發(fā)和利用網(wǎng)絡這個當今遍及最廣、速度最快、涵蓋量最大的傳播途徑；第二,在遍布世界各地的孔子學院中開設民族音樂課程。向主動愿意和喜歡漢語、漢文化的華人華僑、外國友人傳授中國民族音樂文化。并且針對孔子學院教學的特點,提供了一些可供參考教學安排；第三,對多元化的傳播途徑進行探討和研究。 本文得出的結論是：在國家大力實施文化“走出去”戰(zhàn)略的今天,我國民族音樂國際傳播不能只停留在讓外國人觀看民族音樂展演、聽音樂會、參加音樂節(jié)等“看熱鬧”的層面上面,而是應該讓世界各地人們能以中國文化的審美哲學、音樂體系去理解、鑒賞、表現(xiàn)、評論中國音樂。并且在傳播過程中加強民族音樂圖書和音像制品海外出版、民族音樂海外網(wǎng)絡傳播、民族音樂海外教育等靜態(tài)傳播途徑,注重民族音樂國際傳播的文化性、深度性、高效性。通過民族音樂國際傳播,讓世界了解中國的文化、思維習慣、審美觀念,以音樂的柔性觸碰彼此心靈深處,加深相互的理解和溝通。
[Abstract]:Chinese national music culture has been an important part of Chinese culture since ancient times, with rich and profound philosophy, aesthetic value, unique culture and music art charm.Since the Xia and Shang dynasties, there have been written records of the exchange of music and culture between China and other nationalities, until the Sui and Tang dynasties, when the international dissemination of folk music reached its peak, until the middle and late Qing Dynasty, the international dissemination of folk music was once interrupted.With the founding of New China, the deepening of reform and opening up, and the continuous development of the country, the willingness of our country to push the folk music culture to the world is increasing day by day.At the same time, the world is also eager to understand Chinese culture.Since the 1980s, China has been actively exploring the way of international dissemination of national music, mainly by means of music cultural exhibitions, concerts, music festivals, international music competitions, and so on.However, these ways have been restricted in today's information society, and can not spread our national music culture to the maximum extent.This is also the reason for this study.This paper includes three parts: introduction, text and conclusion.On the basis of putting forward the questions, the introduction clarifies the theoretical research value, the practical research value, the current research trends and the research methods of this article.The text consists of three chapters.Chapter one: expound the historical development and significance of international dissemination of Chinese folk music, find out the characteristics and historical causes of international communication of Chinese folk music, chapter two: the present situation of international communication of Chinese folk music, including the trade of music culture,There are three aspects of music culture communication and music culture education.From these three aspects, find out the malpractice and weakness of international dissemination of Chinese folk music at present.Chapter three: the strategy of international dissemination of Chinese folk music.This chapter mainly aims at the first chapter, the second chapter talks about the historical origin and the present situation question carries on the research.First of all, it is proposed that the international network dissemination of folk music should be fully developed and utilized, which is the most widespread, fastest, and largest amount of communication channel. Second,Folk music courses are offered in Confucius Institutes all over the world.Teach Chinese folk music culture to Chinese, Chinese and foreign friends who are willing and interested in Chinese and Han culture.And according to the characteristics of Confucius Institute teaching, it provides some teaching arrangements for reference. Third, to explore and study the diversified ways of communication.The conclusion of this paper is: today, when the country vigorously implements the strategy of "going out", the international dissemination of Chinese folk music cannot only stop at allowing foreigners to watch national music performances and listen to concerts.Participation in music festivals and other "watching" level, but should let people around the world with the aesthetic philosophy of Chinese culture, music system to understand, appreciate, show and comment on Chinese music.And in the process of dissemination, strengthen the national music books and audio-visual products overseas publication, ethnic music overseas network dissemination, ethnic music overseas education and other static channels of communication, pay attention to the international dissemination of national music culture, depth, high efficiency.Through the international dissemination of folk music, the world can understand Chinese culture, thinking habits, aesthetic concepts, touch each other with the softness of music, deepen mutual understanding and communication.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J607;G206

【參考文獻】

相關期刊論文 前10條

1 張爽婷;;視圖時代民族音樂的網(wǎng)絡化發(fā)展[J];大眾文藝(理論);2008年07期

2 吳雅莉;;21世紀以來中外音樂交流研究述略[J];大眾文藝(理論);2009年15期

3 李盟華;;立足本土的走出——中國民族音樂走向世界的思索[J];中國科教創(chuàng)新導刊;2008年22期

4 魯姝瑾;;簡述音樂傳播中 傳播渠道的發(fā)展[J];大眾文藝;2009年24期

5 陳新鳳;;中華民族音樂文化國際傳播的三個問題[J];福建師范大學學報(哲學社會科學版);2012年06期

6 馬春蓮;中外音樂文化交流與傳播的歷時性觀察[J];河南教育學院學報(哲學社會科學版);2004年01期

7 李未醉,蘇前忠;簡論古代中越音樂交流[J];交響.西安音樂學院學報;2002年04期

8 李未醉;;論古代中國與馬來西亞的音樂交流[J];交響-西安音樂學院學報;2008年03期

9 馮彬彬;中外音樂交流述略[J];美與時代;2004年10期

10 修子建;新媒體時代的音樂狀況[J];南京藝術學院學報(音樂及表演版);2002年03期

相關碩士學位論文 前2條

1 閆江涌;魏晉南北朝時期中外音樂交流研究[D];安徽大學;2007年

2 陳園;對二胡藝術走向世界問題的探討[D];天津音樂學院;2007年

，

本文編號：1772123