本文選題：趙元任 + 聲樂作品�。� 參考：《華中師范大學(xué)》2006年碩士論文

【摘要】：趙元任是中國近現(xiàn)代史上的杰出人物，留美期間曾在哈佛大學(xué)和康奈爾大學(xué)學(xué)習(xí)和聲、對(duì)位、作曲、聲樂和鋼琴，早在1913年就開始音樂創(chuàng)作。他創(chuàng)作的聲樂作品采用民族性的題材，吸收中國民族音樂的因素，注重民族風(fēng)格的語言，吸收西洋音樂技法，探索民族化的發(fā)展道路。他在音樂創(chuàng)作上有著突出的成就，是我國近現(xiàn)代史上音樂創(chuàng)作的先驅(qū)人物。本文選取“趙元任的聲樂作品”這一視角，試圖對(duì)趙元任的音樂生活、聲樂作品、創(chuàng)作風(fēng)格進(jìn)行深入地認(rèn)識(shí)和理解，對(duì)其聲樂作品的民族性進(jìn)行較為系統(tǒng)地論述，在前人研究的基礎(chǔ)上不斷地探索，并在嘗試對(duì)其聲樂作品的演唱提出自己的認(rèn)識(shí)和見解。 本文主要從以下幾個(gè)章節(jié)來探討趙元任聲樂作品的民族性： 第一章，趙元任的生平及時(shí)代背景。趙元任的生平按照年代和生活階段，分為家庭背景、求學(xué)時(shí)期、教學(xué)生涯、美滿婚姻四個(gè)方面，并側(cè)重于對(duì)趙元任音樂生活的介紹；趙元任所處的時(shí)代背景則主要從留美學(xué)生的文化背景和新音樂的文化背景方面展開論述。通過對(duì)生平和時(shí)代背景的分析，可以看出趙元任從小接受中國傳統(tǒng)的文化教育，受中國民族傳統(tǒng)文化的熏陶，這些早期教育對(duì)他性格的形成和以后生活、事業(yè)的發(fā)展有較大的影響，并成為其音樂創(chuàng)作民族性的根源。 第二章，趙元任的聲樂作品及其分類。這一章根據(jù)趙元任聲樂作品的不同題材來進(jìn)行分類和概述，包括創(chuàng)作歌曲、編配歌曲和編配傳統(tǒng)民歌三大類，創(chuàng)作歌曲中又可分為新式譜寫的歌曲；兒童教育歌曲；民眾教育歌曲；家庭生活歌曲；校歌、團(tuán)歌及運(yùn)動(dòng)會(huì)歌和社會(huì)現(xiàn)實(shí)歌曲6種題材類型。通過對(duì)歌曲的分類和概述，可以看出趙元任創(chuàng)作的聲樂作品關(guān)注民族性的題材，編配的歌曲和傳統(tǒng)民歌更透視出他對(duì)民族音樂的熱愛。 第三章，趙元任聲樂作品創(chuàng)作的民族風(fēng)格。趙元任聲樂作品中的民族風(fēng)格，首先體現(xiàn)在他對(duì)民族音樂因素的運(yùn)用上，，包括對(duì)民歌、戲曲曲藝、吟詩調(diào)的吸收借鑒：其次體現(xiàn)在創(chuàng)作中對(duì)民族語言的追求上，包括中國語言如何同曲調(diào)更好地結(jié)合，歌唱中的讀音與歸韻如何更為準(zhǔn)確，在這些方面趙元任都有自己的見解和原則；第三
[Abstract]:Zhao Yuanren is an outstanding figure in the modern history of China. He studied harmony, opposition, composition, vocal music and piano at Harvard University and Cornell University during his stay in the United States, and began to compose music as early as 1913.His vocal music works adopt the theme of nationality, absorb the factors of Chinese folk music, pay attention to the language of national style, absorb western musical techniques, and explore the way of nationalization.He has outstanding achievements in music creation and is the pioneer of music creation in modern history of our country.From the perspective of Zhao Yuanren's vocal music works, this paper tries to make a deep understanding and understanding of Zhao Yuanren's musical life, vocal music works and creative style, and systematically discusses the nationality of his vocal music works.On the basis of previous studies, the author tries to put forward his own understanding and opinions on the singing of his vocal music works.This paper mainly discusses the nationality of Zhao Yuanren's vocal music works from the following chapters:The first chapter, Zhao Yuanren's life and the background of the times.Zhao Yuanren's life is divided into four aspects: family background, schooling period, teaching career, and happy marriage according to the age and stage of life, and focuses on the introduction of Zhao Yuanren's musical life.Zhao Yuanren's background is mainly from the cultural background of students studying in the United States and the cultural background of new music.Through the analysis of his life and the background of the times, we can see that Zhao Yuanren received Chinese traditional cultural education from childhood and was influenced by Chinese traditional culture. These early education brought about the formation of his character and his future life.The development of the cause has great influence and becomes the root of its music creation nationality.The second chapter, Zhao Yuanren's vocal music works and their classification.This chapter is classified and summarized according to different subjects of Zhao Yuanren's vocal music works, including writing songs, arranging songs and allocating traditional folk songs, which can be divided into new songs, children's education songs, and children's education songs.Popular education songs; family life songs; school songs, group songs and sports songs and social reality songs 6 theme types.Through the classification and summary of the songs, it can be seen that Zhao Yuanren's vocal music works focus on the theme of nationality, and his love of national music is also reflected by his songs and traditional folk songs.Chapter three, the national style of Zhao Yuanren's vocal music works.The national style in Zhao Yuanren's vocal music works is first reflected in his application of folk music factors, including the absorption and reference of folk songs, traditional Chinese opera and poetry, and the second is the pursuit of national language in his creation.Including how to better integrate Chinese language with melody, how to pronounce and rhyme more accurately in singing, Zhao Yuanren has his own opinions and principles in these aspects; third,
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J616

【引證文獻(xiàn)】

相關(guān)期刊論文 前2條

1 林菲菲;;《教我如何不想他》藝術(shù)歌曲的分析[J];考試周刊;2010年35期

2 李海鷗;;藝術(shù)歌曲中的永恒經(jīng)典——歌曲《教我如何不想他》創(chuàng)作特征探析[J];音樂創(chuàng)作;2008年01期

相關(guān)碩士學(xué)位論文 前1條

1 李靜;中國早期藝術(shù)歌曲對(duì)中國專業(yè)聲樂教學(xué)的影響[D];華東師范大學(xué);2013年

本文編號(hào)：1763781