本文選題：和弦外音 + 中國元素��； 參考：《哈爾濱師范大學》2014年碩士論文

【摘要】：古斯塔夫馬勒(Gustv Mahler,1860—1911),19世紀浪漫主義晚期作曲家，奧地利的著名指揮家，也是浪漫派音樂的代表人物之一，他被譽為歐洲的音樂大師。他的創(chuàng)作尤其到了晚年，達到了爐火純青的程度。交響聲樂套曲《大地之歌》是他晚年及所有作品中最重要最精煉的一部。他采用了中國的瑰麗詩章—唐詩作為題材，用自己的獨特創(chuàng)作風格結合了中國傳統(tǒng)的五聲調式和西方浪漫主義時期的創(chuàng)作技法詮釋了自己的人生境遇和對人生的感悟。既有浪漫時期的個性化又不失傳統(tǒng)。尤其在和弦外音的運用上以其精湛的創(chuàng)作技法表現(xiàn)了馬勒晚年時期的創(chuàng)作思維和技術的純熟。該作品一共包括六個樂章，中國元素貫穿始終，馬勒在和聲的運用上似乎用盡了心思，，完美的體現(xiàn)了中西合璧。用西方的音樂語言來表述中國詩篇，可謂是一絕。 本文以《大地之歌》的和聲運用為研究對象，從以下三個方面展開論述： 第一章：主要介紹馬勒生平、時代背景及作品簡介。圍繞《大地之歌》從作曲家的創(chuàng)作特點、《大地之歌》交響聲樂套曲的創(chuàng)作背景和歌詞幾個方面進行研究。筆者在本章概括的介紹了作曲家的生平、時代背景，從宏觀上闡述了《大地之歌》的內容及人們?yōu)槭裁磳@部作品的喜愛和垂青。 第二章：《大地之歌》和聲語言運用即和弦外音的運用。本章從幾個方面論述，即：和聲特征、和弦外音在五聲調式中的體現(xiàn)、和弦外音在音樂形象上的運用；同時，梗概的介紹了作曲家在和弦外音的規(guī)范化、和聲背景和綜合上的運用。該章節(jié)主要介紹了該作品的和聲特點及和弦外音的巧妙運用。這是從和聲語言上對整首作品的音樂思想進行了詳細的分析。 第三章：《大地之歌》“中國元素”的運用。主要介紹音樂主題與動機中的“中國元素”，即以五聲調式的分析為主，其次是分析具有五聲特點的七聲自然調式主題在作品中的運用。還有“中國元素”和聲處理技法。再次論述了作曲家在這首作品里傾注的精力和心血。通過和聲的運用來表達他對人生的感悟和創(chuàng)作的。 該論文以馬勒的聲樂套曲《大地之歌》研究對象，在研究和聲技法的精湛獨到的同時加入音樂人文的介紹，繼而解讀了交響聲樂作品中的藝術內涵和人生哲理。更好的分析音樂作品的同時探究了作曲家的創(chuàng)作思維和學習了和聲技法的運用。
[Abstract]:Gustav?Gustv Mahlern, a late 19th century romantic composer, a famous Austrian conductor and one of the representative figures of romantic music, is known as the European music master.His creation, especially in his later years, reached the level of perfection.Song of the Earth is the most important and refined piece of his old age and all his works.He adopted the magnificent Chinese poetry-Tang poetry as the subject matter, combined his unique creative style with the Chinese traditional five-tone style and the Western Romantic period of creative techniques to interpret his life situation and understanding of life.Both the romantic period of personalization without losing the tradition.Especially in the use of chord external sound with its exquisite creative techniques to show Maler's creative thinking and technical proficiency in his later years.The work consists of six movements, Chinese elements throughout, Muller seems to use the use of harmony in the mind, the perfect embodiment of the combination of Chinese and Western.The use of western musical language to express Chinese poetry can be said to be an absolute.This paper discusses the application of harmony in Song of the Earth from the following three aspects:Chapter one: mainly introduces the life of Mahler, the background of the times and the brief introduction of his works.Based on the characteristics of composers, the background and lyrics of symphonic vocal ensemble are studied.In this chapter, the author introduces the life of the composer, the background of the times, from a macro point of view of the "Song of the Earth" and why people love this work and favor.Chapter two: song of the Earth, the use of harmony language is the use of chord.This chapter discusses from several aspects, that is, the characteristics of harmony, the expression of chord external sound in the five-tone form, the application of chord external sound in music image, and at the same time, it briefly introduces the standardization of the composer in the external chord sound.The use of harmony background and synthesis.This chapter mainly introduces the characteristics of harmony and the skillful use of chord external sound.This is a detailed analysis of the music thought of the whole work from the harmony language.Chapter three: the use of the Chinese elements.This paper mainly introduces the "Chinese elements" in the musical theme and motivation, that is, the analysis of the pentatonic style, followed by the analysis of the application of the seven-tone natural tone theme with the five-tone characteristics in the works.There are also "Chinese elements" harmony processing techniques.Again discussed the composer in this work put in the energy and painstaking effort.Through the use of harmony to express his understanding of life and creation.In this paper, the research object of Mahler's vocal music ensemble, "Song of the Earth", is introduced into the music humanities while studying the exquisite and unique harmony techniques, and then the artistic connotation and the philosophy of life in the symphony vocal music works are interpreted.Better analysis of music works at the same time explore the composer's creative thinking and learn the use of harmony techniques.
【學位授予單位】：哈爾濱師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J605

【參考文獻】

相關期刊論文 前3條

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2 周榮生;論馬勒音樂創(chuàng)作中的宗教情感[J];音樂藝術.上海音樂學院學報;1994年03期

3 田守玉;馬勒和他的辭世之作《大地之歌》[J];視聽技術;1998年01期

本文編號：1746120