本文選題：米亞斯科夫斯基 + 第六交響曲　； 參考：《哈爾濱師范大學(xué)》2014年碩士論文

【摘要】：19世紀(jì)末至20世紀(jì)初是俄羅斯專業(yè)音樂創(chuàng)作的高峰時(shí)期，各種音樂形式、音樂體裁都不斷豐富，交響樂更是在傳統(tǒng)的基礎(chǔ)上又加入了新的色彩并得以發(fā)展，其中以創(chuàng)作了27首交響曲而著稱的交響樂大師米亞斯科夫斯基創(chuàng)作出了許多優(yōu)秀經(jīng)典的作品，這些作品大多取材于蘇聯(lián)現(xiàn)實(shí)生活，反映了當(dāng)時(shí)的時(shí)代背景和社會(huì)現(xiàn)狀，作品內(nèi)容十分具有理論意義和現(xiàn)實(shí)意義。 《第六交響曲》是米亞斯科夫斯基杰出的代表作之一，這是第一部反映十月革命的交響曲，在俄羅斯交響樂中占有重要地位，曾一度被譽(yù)為“蘇聯(lián)第一交響曲”，它完全依據(jù)斗爭(zhēng)、彷徨、渴望、勝利的結(jié)構(gòu)完成創(chuàng)作，被認(rèn)為表達(dá)了對(duì)革命的經(jīng)驗(yàn)的總結(jié)。作曲家在作品中細(xì)致深刻的描寫了自己對(duì)十月革命的親身體驗(yàn)，充分表現(xiàn)了普通俄國(guó)知識(shí)分子在社會(huì)巨變時(shí)刻的心理狀態(tài)，，因此作品既擁有出眾的外在聽覺效果，同時(shí)又具有相當(dāng)深刻的內(nèi)涵。 本文是從曲式結(jié)構(gòu)的角度對(duì)米亞斯科夫斯基《第六交響曲》的分析，旨在通過對(duì)作曲家交響曲的分析，探索曲式與內(nèi)容的內(nèi)在聯(lián)系，發(fā)現(xiàn)其曲式結(jié)構(gòu)的內(nèi)在規(guī)律，更好的為理論研究提供借鑒，為專業(yè)音樂創(chuàng)作提供更多的思路、方式方法，也為學(xué)習(xí)、繼承、借鑒和傳播優(yōu)秀的交響音樂提供一些參考依據(jù)。
[Abstract]:From the end of the 19th century to the beginning of the 20th century, it was the peak period of Russian professional music creation. All kinds of music forms and musical genres were constantly enriched, and symphonies added new colors and developed on the basis of tradition.Among them, the symphony master Miaskovsky, who is famous for his 27 symphonies, has created many excellent classical works, most of which are drawn from the real life of the Soviet Union, reflecting the background of the times and the social situation at that time.The content of the work is of great theoretical and practical significance."Symphony No. 6" is one of Miaskovsky's outstanding masterpieces. It is the first symphony reflecting the October Revolution. It plays an important role in the Russian symphony and was once known as "the first Symphony of the Soviet Union".It is based entirely on the structure of struggle, hesitation, desire, and victory, and is considered to represent a summary of revolutionary experience.In his works, the composer describes his own personal experience of the October Revolution, which fully shows the psychological state of the ordinary Russian intellectuals at the time of great social change. Therefore, the works have outstanding external auditory effects.At the same time has quite profound connotation.This paper is an analysis of Miaskovsky's Symphony No. 6 from the point of view of the structure of the composition. The purpose of this paper is to explore the internal relationship between the form and the content of the symphony of the composer, and to find out the internal law of the structure of the composition.Better to provide reference for theoretical research, for professional music creation to provide more ideas, methods, but also for learning, inheritance, reference and dissemination of excellent symphony music to provide some reference.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J614.3

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