本文選題：《漢書》　切入點(diǎn)：班固　出處：《陜西師范大學(xué)》2014年碩士論文

【摘要】：《漢書》是由班固編撰的中國歷史上第一部紀(jì)傳體斷代史巨著,是即司馬遷編撰的《史記》之后又一部重要的史書�！稘h書》中的學(xué)術(shù)思想是統(tǒng)一在儒家這面旗下,“宣揚(yáng)漢德”是班固編撰·《漢書》的主旨�！稘h書》主要講述漢家歷史,從西漢初建漢高祖元年(公元前206年),到王莽政權(quán)地皇四年(公元23年)間的史事,共230年。全書不僅規(guī)模宏大,而且內(nèi)容豐富,其中也涉及有關(guān)于音樂的內(nèi)容。 本論文以東漢初年政治、經(jīng)濟(jì)、文化歷史等為背景,把《漢書》本體作為文獻(xiàn)依據(jù),通過分析《漢書》中有關(guān)音樂的內(nèi)容,系統(tǒng)的梳理探索《漢書》中的音樂思想,進(jìn)而全面的了解東漢時期音樂思想的傳承過程�！稘h書》作為一部官方史書,其哲學(xué)思想必然有明顯的官方意識,是為統(tǒng)治階級服務(wù)的思想體系。東漢是易學(xué)與儒家思想盛行的時代,因此《漢書》中的音樂思想所體現(xiàn)出來的正統(tǒng)儒家思想和神學(xué)色彩是十分濃厚的,《漢書》中很重視音樂的社會作用,書中強(qiáng)調(diào)“禮節(jié)民心,樂和民聲,政以行之,刑以防之,禮樂政行。四達(dá)而不悖,則王道備矣”,認(rèn)為禮樂是君王統(tǒng)治必備不能缺少的,為了使得禮樂更加具有神秘性和權(quán)威性,《漢書》的音樂思想被賦予了濃厚的神秘色彩。本論文中對《漢書》的音樂思想研究,主要是以《漢書》中的《禮樂志》和《律歷志》為文獻(xiàn)本體,其他篇章中能體現(xiàn)音樂思想的內(nèi)容很少。 全文共分為六個章節(jié),四個部分。緒論為一個部分,主要說明本論文的選題意義與研究目的、分析本課題的研究現(xiàn)狀及研究成果綜述,以及介紹本論文的寫作思路和研究期望等。 本論文的第二部分是第二章和第三章,第二章為班固與《漢書》,主要是對《漢書》及其撰書作者班固進(jìn)行介紹,探索班固對《漢書》的編撰思想。第三章為《漢書》音樂思想產(chǎn)生的時代和文化背景,主要介紹了《漢書》產(chǎn)生在東漢初年,東漢初年獨(dú)尊儒術(shù),宣揚(yáng)漢德,今文經(jīng)學(xué)、古文經(jīng)學(xué)及讖緯神學(xué)必然對《漢書》中音樂思想產(chǎn)生潛移默化的影響。 論文的第三部分是第四章、第五章、和第六章,是論文的核心內(nèi)容。第四章為《漢書》中的音樂內(nèi)容,表現(xiàn)音樂思想的內(nèi)容主要是在《律歷志》、《禮樂志》兩志當(dāng)中,而在其他篇章當(dāng)中涉及很少,因此筆者在本章節(jié)中只對《律歷志》、《禮樂志》.的音樂內(nèi)容進(jìn)行相關(guān)介紹。第五章為《漢書》中的音樂思想,主要論述了《漢書》中的儒家禮樂思想和《漢書》音樂思想的神秘色彩。第六章《漢書》音樂思想的價值,這一章通過之前的內(nèi)容,分析《漢書》音樂思想的價值,《漢書》的音樂思想價值包括在東漢初期的現(xiàn)實(shí)意義和對后世的影響,首先,《漢書》創(chuàng)作于東漢繁盛時期,通過對《漢書》進(jìn)行研究,會發(fā)現(xiàn)東漢的儒家音樂思想不僅繼承了傳統(tǒng)的儒家思想,又與傳統(tǒng)的儒家音樂思想不徑相同,體現(xiàn)出東漢特有的思想特征,具有迎合社會現(xiàn)狀的時代性,所以對《漢書》的音樂思想研究,具有深遠(yuǎn)的現(xiàn)實(shí)意義和價值。
[Abstract]:Han Shu is the first monumental historical work in Chinese history compiled by Ban Gu, and it is also an important historical book after "Records of the History" compiled by Si Maqian. The academic thought in "Han Shu" is unified under the rule of Confucianism."propagandizing Hande" is the gist of Bangu's compilation of Han Shu. "Hanshu" mainly tells the history of the Han family, from the first year of the Western Han Dynasty (206 BC) to the fourth year (23 AD) of the Emperor of Wang Mang.The book is not only large-scale, but also rich in content, which also involves the content of music.Based on the background of politics, economy, culture and history in the beginning of the Eastern Han Dynasty, this paper takes the "Han Shu" as the literature basis, through the analysis of the music content in the "Han Shu", systematically combs and explores the music thought in the "Han Shu".As an official historical book, the philosophy of Han Shu must have obvious official consciousness and serve for the ruling class.The Eastern Han Dynasty was a time when the Book of changes and Confucianism prevailed. Therefore, the orthodox Confucian thought and theological color embodied in the music thought in Han Shu were very strong. In Han Shu, the social function of music was attached great importance to, and the book emphasized "courtesy of the people,"Music and people's voice, the government to act, punishment to prevent it, courtesy of the government.In order to make the music more mysterious and authoritative, the music thought of Han Shu was endowed with a strong mystery.In this thesis, the music thoughts of Han Shu are mainly studied in the book of Han Dynasty, and the contents of music thoughts are seldom reflected in other chapters.The full text is divided into six chapters, four parts.The introduction is a part which mainly explains the significance and research purpose of this thesis, analyzes the research status quo and research results, and introduces the writing ideas and research expectations of this paper.The second part of this thesis is the second and third chapters, the second chapter is the class Gu and the Han Dynasty book, mainly is carries on the introduction to the Han Dynasty book and its author Pan Gu, explores the Bangu to the Han Dynasty book compilation thought.The third chapter is the time and cultural background of the music thought of "Han Shu". It mainly introduces that Han Shu was born in the early years of the Eastern Han Dynasty.The ancient Chinese classics and the theology of prophecy must have a subtle influence on the music thought in Han Shu.The third part is the fourth chapter, the fifth chapter, and the sixth chapter, is the core content of the thesis.The fourth chapter is the music content in Han Dynasty Book. The content of music thought is mainly in the two chapters of the Book of Law and Music, but it is seldom involved in other chapters. Therefore, the author only deals with the contents of the Book of laws and Music in this chapter.The music content of the related introduction.The fifth chapter is the music thought in Han Shu, which mainly discusses the mystical color of Confucian Rites and Music thought in Han Shu.Chapter VI: the value of the music thought of "Han Shu", this chapter analyzes the value of the music thought of "Han Shu", including the realistic significance in the early Eastern Han Dynasty and its influence on the later generations through the content before the passage of this chapter.First of all, Han Shu was created in the prosperous period of the Eastern Han Dynasty. By studying Han Shu, we can find that the Confucian music thought of the Eastern Han Dynasty not only inherited the traditional Confucian thought, but also was not the same as the traditional Confucian music thought.It reflects the unique ideological characteristics of the Eastern Han Dynasty and has the characteristics of the times in accordance with the social situation. Therefore, the study of the music thought of Han Shu has far-reaching practical significance and value.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J609.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 馮潔軒;論鄭衛(wèi)之音[J];音樂研究;1984年01期

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本文編號：1711226