本文選題：流行音樂　切入點：流行音樂演唱會　出處：《山東師范大學》2006年碩士論文

【摘要】： 流行音樂演唱會是當今社會重要的文化現(xiàn)象之一,擁有眾多的欣賞者與巨大的影響力。作為有著充盈生命力的一種文化景觀,流行音樂演唱會理應(yīng)受到理論界的關(guān)注,然而,目前國內(nèi)的研究成果并不多,而現(xiàn)有的某些成果,也還不夠深入。其中,最突出的表現(xiàn)就是,對流行音樂的認識至今仍然比較模糊,對流行音樂本身的審美價值及其社會作用評價也還不夠公允。這種學術(shù)研究的滯后性,直接影響了對流行音樂演唱會這一審美文化現(xiàn)象的深入研究。正是基于這種情況,本文試圖從審美文化的角度,結(jié)合相關(guān)個案,對流行音樂會予以深入系統(tǒng)地探討。 本文主要分為五個部分: 第一,流行音樂概述。主要辨析流行音樂的概念,考察流行音樂的歷史,并闡述研究流行音樂演唱會的視角和方法。首先,對流行音樂的概念進行辨析,指出“流行音樂”不等于“流行的音樂”或“通俗的音樂”,流行音樂較為貼切的稱呼應(yīng)該是“大眾音樂”,并進一步論述了流行音樂產(chǎn)生的前提和基礎(chǔ)。在此基礎(chǔ)上,指出流行音樂既是一種藝術(shù)形式,又是一種大眾文化現(xiàn)象,因此,我們應(yīng)該從美學與審美社會學的雙重視角來切入,對流行音樂進行審視。其次,考察了流行音樂的歷史,并介紹了流行音樂的類型。 第二,流行音樂演唱會的構(gòu)成。論述了流行音樂演唱會的三種類型:一般流行音樂演唱會、搖滾音樂演唱會、前衛(wèi)音樂演唱會,并分別闡述了其所獨具的審美特征。一般流行音樂會,從廣義上說,是相對于嚴肅音樂會而言的;狹義上的一般流行音樂演唱會,是指搖滾音樂演唱會、前衛(wèi)音樂演唱會的前身,是音樂廣場最直接的繼承者,同時也促進了搖滾音樂演唱會、前衛(wèi)音樂演唱會的發(fā)展與革新。搖滾音樂會是當代流行音樂會的代表類型。其特征是:用吉他、鋼琴、鼓、薩克斯等樂器伴奏,演唱者音調(diào)奮亢喧鬧,其樂句簡單而不重復,節(jié)奏富有強烈的動力感。前衛(wèi)音樂演唱會,它可以說是通俗與嚴肅的雜交,有三種情形,一是以用傳統(tǒng)管弦樂隊演奏流行音樂為特征的流行音樂會,二是以用電聲樂隊演奏傳統(tǒng)音樂為特征的流行音樂會,三是以用前兩種混合的樂隊演奏復合風格的音樂為特征的流行音樂會。混合實際上造成混雜的拼盤,從而顯現(xiàn)了后現(xiàn)代的特征。 第三,流行音樂演唱會的審美特征。主要從行為、形態(tài)、觀念三個方面,分析探討了流行音樂演唱會的審美特征。觀念方面,流行音樂會和其他音樂會都有
[Abstract]:Pop music concert is one of the most important cultural phenomena in today's society, it has many appreciators and great influence. As a kind of cultural landscape full of vitality, pop music concert should be paid attention to by the theorists, however, At present, there are not many domestic research achievements, and some of the existing achievements are not deep enough. Among them, the most prominent manifestation is that the understanding of pop music is still rather vague. The evaluation of the aesthetic value and social function of pop music itself is also not fair. The lag of this academic research has directly affected the in-depth study of the aesthetic cultural phenomenon of pop music concert. From the angle of aesthetic culture and related cases, this paper tries to make a deep and systematic discussion on pop concerts. This paper is divided into five parts:. First, the summary of pop music. It mainly analyzes the concept of pop music, inspects the history of pop music, and expounds the perspective and method of studying pop music concert. It is pointed out that "pop music" is not equal to "popular music" or "popular music", and the more appropriate term for pop music should be "popular music". It is pointed out that pop music is not only an art form but also a mass cultural phenomenon. Therefore, we should examine pop music from the perspective of aesthetics and aesthetic sociology. Secondly, it examines the history of pop music. It also introduces the types of pop music. Secondly, the composition of pop concert. It discusses three types of pop concert: general pop concert, rock concert, avantgarde music concert, And separately elaborated its unique esthetic characteristic. The general pop concert, from the broad sense, is relative to the serious concert, the narrow sense general pop music concert, is refers to the rock music concert, The predecessor of the avantgarde music concert was the most direct successor to the music square and also promoted the rock concert. The development and innovation of avantgarde music concerts. Rock music will be the representative type of contemporary pop concerts. The rhythm has a strong sense of motivation. Avant-garde music concerts, which can be said to be a mix of pop and serious, have three situations, one is a pop concert featuring pop music played by a traditional orchestra, The second is a pop concert characterized by traditional music played by an electro acoustic band, and the third is a pop concert characterized by playing a composite style of music with the first two mixed bands. The mixing actually results in a mixed platter. Thus showing the characteristics of post-modern. Third, the aesthetic characteristics of pop concert. Mainly from three aspects of behavior, form and concept, the aesthetic characteristics of pop music concert are analyzed and discussed. In concept, pop concert and other concerts have
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J601

【引證文獻】

相關(guān)碩士學位論文 前3條

1 王聚伍;流行音樂事象中的劉歡演唱風格研究[D];河南大學;2011年

2 胡紅艷;1986-1996年中國大陸流行音樂的文化精神[D];南京藝術(shù)學院;2008年

3 雷湘;廣東流行音樂的發(fā)展歷程及文化特征[D];南京藝術(shù)學院;2008年

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本文編號：1691929