本文選題：桑桐　切入點(diǎn)：內(nèi)蒙古民歌主題小曲七首　出處：《首都師范大學(xué)》2006年碩士論文

【摘要】：本文主要通過對桑桐先生在五十年代創(chuàng)作的《內(nèi)蒙古民歌主題小曲七首》的具體分析來探究桑桐先生在中國民族風(fēng)格鋼琴作品創(chuàng)作上的寫作手法和創(chuàng)新精神。 從1709年展出第一架鋼琴至今，這一鍵盤樂器已經(jīng)發(fā)展了近三百年。這三百年間，西方各個時期的音樂大師們?yōu)檫@一樂器寫出了浩瀚的優(yōu)秀作品，成為人類文明的寶貴遺產(chǎn)。 清朝中葉以后，鋼琴作為外國的貢品送進(jìn)中國的朝廷，并于清朝末期與中國“廢科舉、興學(xué)堂”的文化教育改革聯(lián)系起來之后，當(dāng)它隨著中圍的以“學(xué)堂樂歌”為標(biāo)志的新型學(xué)校音樂教育聯(lián)系在一起，并作為群眾文化生活中的一個有機(jī)組成部分之后，開始被廣大中國人民(特別是青年知識分子)所認(rèn)識、所接受、所喜愛。鋼琴這一外來樂器在中國發(fā)展到今天，我國的音樂家們不僅努力的掌握西方音樂大師的優(yōu)秀作品，同時為這一樂器創(chuàng)作了大量的、具有中國民族風(fēng)格的音樂作品。本文選了桑桐先生的《內(nèi)蒙古民歌主題小曲七首》進(jìn)行分析，來探究桑桐先生在中國民族風(fēng)格鋼琴作品創(chuàng)作中的特點(diǎn)。 桑桐先生是一位卓越的作曲家、音樂理論家和音樂教育家�！秲�(nèi)蒙古民歌主題小曲七首》是桑桐先生鋼琴曲中的一首重要作品，于1957年作為第六屆國際青年聯(lián)歡節(jié)的參賽作品獲得了創(chuàng)作銅獎。這套組曲在中國民歌配置和聲語言、和聲變奏、和聲織體的多樣化以及用最精煉的手段取得完美的效果方面，都作了有益的嘗試。本文從這首作品的曲式結(jié)構(gòu)、主題樂
[Abstract]:Through the concrete analysis of "Inner Mongolia Folk songs" by Mr. Sang Tong in the fifties, this paper probes into the writing technique and innovative spirit of Mr. Sang Tong in the creation of piano works of Chinese national style. Since the first piano was exhibited in 1709, the keyboard instrument has been developed for nearly 300 years. During these 300 years, the music masters of various periods in the West have written a great deal of excellent works for this instrument, which has become a precious heritage of human civilization. After the middle of the Qing Dynasty, the piano was sent to the imperial court of China as a tribute of foreign countries, and was connected with the cultural and educational reform of "abolishing imperial examinations and prospering schools" in the late Qing Dynasty. When it was linked with the new school music education symbolized by "school songs" in Zhongwei, and as an integral part of the cultural life of the masses, Began to be recognized, accepted and loved by the broad masses of Chinese people (especially young intellectuals). Piano, a foreign musical instrument, has developed in China today, and musicians in our country have not only tried their best to master the outstanding works of western masters of music, At the same time, a large number of musical works with Chinese national style have been created for this instrument. To explore the characteristics of Mr. Sang Tong in the creation of Chinese national style piano works. Sang Tong is an outstanding composer, music theorist and music educationalist. "Seven Folk songs in Inner Mongolia" is one of the important works of Mr. Sang Tong's piano music. In 1957, as the sixth International Youth Festival, the entries won the bronze prize for creation. This set of suites has achieved perfect results in the allocation of harmony language, harmony variation, variety of harmony texture and the most refined means in Chinese folk songs. This article is based on the musical structure of this work, the theme of music.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J614.5

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前4條

1 彭晶;桑桐《民歌主題鋼琴小曲九首》的藝術(shù)價值和當(dāng)代意義[D];江西師范大學(xué);2010年

2 黃佳穎;何少英《八首中國民歌鋼琴小品》研究[D];江西師范大學(xué);2011年

3 陳黎麗;建國后十七年中國鋼琴代表作品及特點(diǎn)分析[D];福建師范大學(xué);2007年

4 李南;建國初期民族調(diào)式和聲探索的成果[D];武漢音樂學(xué)院;2010年

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本文編號：1682546