本文選題：音高組織　切入點：調(diào)性　出處：《上海音樂學院》2005年碩士論文　論文類型：學位論文

【摘要】：本文以后調(diào)性時期中較為成熟并有較大影響的兩種理論體系——對稱理論與音級集合理論作為研究對象。首先以音高組織體系中“材料單位的確定和還原”、“‘中心’的表現(xiàn)形式以及確立方式”作為基本參照點,通過對二十世紀各風格流派音樂作品中的音高組織現(xiàn)象以及理論思路的梳理,試圖對“調(diào)性”的表現(xiàn)方式以及與“無調(diào)性”的關(guān)系進行分析。在對后調(diào)性理論文獻作了初步的梳理的基礎(chǔ)上,本文針對“對稱理論”與“音級集合理論”的材料與組織邏輯的理論思路分別進行了梳理與闡述,將“對稱理論”分為“非功能調(diào)性音樂作品音高組織的對稱性”、“循環(huán)集合”和“十二音調(diào)性”三個層次,將“音級集合理論”分為“作為基本材料的音級集合”、“音級集合之間的聯(lián)系方式”和“集合結(jié)合體與結(jié)構(gòu)功能”三個層次。進而,通過二者之間的比較,并結(jié)合西方音樂及其音高組織理論的歷史發(fā)展進程,尋找這兩種音高組織理論各自突現(xiàn)出的思維發(fā)展脈絡(luò)與切入視角的淵源。并從音程結(jié)合作為構(gòu)建材料的結(jié)構(gòu)功能、“中心”的建構(gòu)、對稱原則等角度進行進一步的觀察,試圖更深入認識理解無調(diào)性音樂及其理論的本質(zhì)。最后,對音高組織理論在音樂作品中以及整體的分析理論中的功能與價值做出判斷。
[Abstract]:Two kinds of theory systems, symmetry theory and sound level set theory, which are more mature and have great influence in the later tonality period of this paper, are taken as research objects. Firstly, "determination and reduction of material units", "Center" in pitch structure system is taken as the research object. As a basic reference point, By combing the phenomenon of pitch organization and the theoretical ideas in various genres of music in the 20th century, This paper attempts to analyze the expression of "tonality" and its relationship with "anatonicity". In this paper, the theoretical ideas of material and organization logic of "symmetry theory" and "sound level set theory" are combed and expounded respectively. The theory of symmetry is divided into three levels: "Symmetry of pitch organization of non-functional musical works", "cyclic set" and "twelve tones". The theory of sound level set is divided into three levels: "the sound level set as the basic material", "the way of connection between the sound level sets" and "the combination of the set and the structure function". Combining with the historical development of western music and its pitch organization theory, Looking for the origin of the thought development and angle of view of the two kinds of pitch organization theory, and making further observation from the angle of the combination of interval as the structural function of construction material, the construction of "center", the principle of symmetry, etc. This paper tries to understand the essence of atonal music and its theory deeply. Finally, it makes a judgment on the function and value of pitch organization theory in music works and in the whole analysis theory.
【學位授予單位】：上海音樂學院
【學位級別】：碩士
【學位授予年份】：2005
【分類號】：J613.6

【引證文獻】

相關(guān)碩士學位論文 前1條

1 楊歌;十二音調(diào)性音樂理論的研究[D];四川音樂學院;2013年

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本文編號：1649141