本文選題：民族聲樂　切入點(diǎn)：文化多元化　出處：《山西大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：隨著經(jīng)濟(jì)全球化進(jìn)程的加快,世界向多極化趨勢(shì)發(fā)展,國與國聯(lián)系密切,世界文化交流越來越頻繁,文化藝術(shù)在國家交流、政治經(jīng)濟(jì)發(fā)展和社會(huì)生活中的比重日益增加,文化發(fā)展呈現(xiàn)多元化態(tài)勢(shì)。音樂作為文化一個(gè)必不可少的分支,其多元化發(fā)展已成必然趨勢(shì)。在文化多元化的大環(huán)境下,我國的民族聲樂多元化步伐日漸加快。因此對(duì)于我國當(dāng)代民族聲樂多元化的研究成為一種必要,本研究目的在于探究我國民族聲樂的多元化發(fā)展道路,使得我國的民族聲樂尤其是傳統(tǒng)民族聲樂在得到保護(hù)的同時(shí)實(shí)現(xiàn)創(chuàng)新性發(fā)展。隨著時(shí)代的發(fā)展,我國的民族聲樂經(jīng)歷了一系列的改革,西學(xué)東漸也好,唱法爭(zhēng)論也罷,中國的民族聲樂在探索中發(fā)展,在發(fā)展中進(jìn)步,發(fā)展到今天的多元并存,既是世界文化的大融合對(duì)聲樂藝術(shù)的促進(jìn),也是我國國情下發(fā)展的必然進(jìn)程。民族聲樂的多元化成為發(fā)展的必然趨勢(shì),隨著我們對(duì)聲樂演唱技巧的更高更新要求,演唱風(fēng)格要多元化,我們的創(chuàng)作作品也要多元化,以符合或者適應(yīng)時(shí)代的新要求,從各方面告別單一化模式。本文通過文獻(xiàn)收集法,查閱相關(guān)理論資料,將搜集的各種文字和信息資料進(jìn)行歸納整合融會(huì)貫通,對(duì)文化多元化的概念進(jìn)行更深層次的理解和分析。另外,通過對(duì)國內(nèi)外聲樂發(fā)展的對(duì)比研究方法,探討我國民族聲樂多元化發(fā)展的可行途徑。研究?jī)?nèi)容主要有以下四個(gè)方面：第一部分,闡述我國民族聲樂多元化大環(huán)境——文化的多元化,對(duì)比分析世界文化多元化與我國的文化多元化,概述在文化多元化的大背景下的音樂多元化；第二部分,論述我國民族聲樂的現(xiàn)狀,著重分析我國民族聲樂在多元化發(fā)展條件下存在的問題；第三部分,從演唱方法的多元化、新作品的多元化以及審美的多元化三個(gè)角度出發(fā),論述我國的民族聲樂多元化的特征；第四部分,提出我國民族聲樂堅(jiān)持多元化發(fā)展的策略及途徑。
[Abstract]:With the acceleration of the process of economic globalization, the world is moving towards a multipolar trend, with close ties between countries, more and more frequent cultural exchanges in the world, cultural and artistic exchanges in countries, and an increasing proportion of political and economic development and social life. As an indispensable branch of culture, music has become an inevitable trend in the development of culture. Therefore, it is necessary to study the diversity of national vocal music in contemporary China. The purpose of this study is to explore the development of the diversification of national vocal music in China. It makes our national vocal music, especially the traditional national vocal music, to achieve innovative development while it is protected. With the development of the times, our national vocal music has undergone a series of reforms. The development of Chinese national vocal music in exploration, progress in development, and development to today's pluralistic coexistence, is not only a great fusion of world culture to promote the vocal music art. The diversification of national vocal music has become an inevitable trend of development. With our higher demands on vocal singing skills, singing styles should be diversified, and our creative works should also be diversified. In order to meet or adapt to the new requirements of the times, from all aspects to bid farewell to the single mode. Through literature collection, consulting relevant theoretical materials, the collection of text and information materials will be summarized and integrated, A deeper understanding and analysis of the concept of cultural diversity. In addition, through the comparative study of the development of vocal music at home and abroad, The main contents of this study are as follows: the first part expounds the cultural diversity of the diversity of national vocal music in China. Comparing and analyzing the world cultural diversity and our country's cultural diversity, summarizing the music diversity under the background of the cultural diversity; the second part, discussing the present situation of the national vocal music in our country, The third part, from the aspects of singing method diversification, new works diversification and aesthetic diversification, analyzes the existing problems of Chinese national vocal music under the condition of pluralistic development, the third part, from the three angles of singing method diversification, new works diversification and aesthetic diversification. This paper discusses the characteristics of national vocal music diversification in China, and in part 4th, puts forward the strategies and approaches for the development of national vocal music in China.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J616.2

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本文編號(hào)：1638961