本文選題：后蔡仲德時(shí)代　切入點(diǎn)：中國(guó)音樂(lè)美學(xué)史　出處：《南京藝術(shù)學(xué)院學(xué)報(bào)(音樂(lè)與表演)》2015年04期 　論文類(lèi)型：期刊論文

【摘要】：本文為中國(guó)音樂(lè)美學(xué)學(xué)會(huì)成立30周年、蔡仲德《中國(guó)音樂(lè)美學(xué)》(1995年)出版20周年之際而作。認(rèn)為,依據(jù)年會(huì)的議題,很有必要對(duì)中國(guó)音樂(lè)美學(xué)史學(xué)科在當(dāng)下所面臨的種種問(wèn)題進(jìn)行歸納總結(jié)與認(rèn)真的檢討。文章從"后蔡仲德時(shí)代中國(guó)音樂(lè)美學(xué)史學(xué)科建設(shè)問(wèn)題";"‘照著講’:傳承蔡仲德現(xiàn)有成果的作用及其意義";"‘接著講’:中國(guó)音樂(lè)美學(xué)史教學(xué)與研究的拓展與前瞻"等三個(gè)方面談?wù)勛约旱恼J(rèn)知與心得,以此求證于方家,并與諸位同仁共勉。
[Abstract]:This paper is devoted to the 30th anniversary of the founding of the Chinese Society of Musical Aesthetics and the 20th anniversary of Cai Zhongde's "Chinese Music Aesthetics" (1995). It is necessary to sum up and seriously review the problems facing the subject of Chinese music and aesthetic history in the present time. The article begins with "the construction of the discipline of Chinese music aesthetics in the post-Cai Zhongde era". The function and significance of the present achievements of Germany ";'go on and talk about: the Development and Prospect of the Teaching and Research of the History of Chinese Music Aesthetics" and talk about their own cognition and experience. In this way to verify the Fangjia, and with your colleagues to encourage.
【作者單位】： 西安音樂(lè)學(xué)院音樂(lè)學(xué)系;
【分類(lèi)號(hào)】：J601

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 葉明春;;音樂(lè)意義闡釋的人文視野——?jiǎng)⒊腥A《傾聽(tīng)弦外之音:音樂(lè)美的文化之維》一書(shū)讀后[J];美與時(shí)代(下);2014年06期

【二級(jí)參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 吳毓清;《，

本文編號(hào)：1625125