圖什業(yè)圖烏力格爾三種說唱風(fēng)格的比較研究
發(fā)布時間:2018-03-16 02:36
本文選題:烏力格爾 切入點:圖什業(yè)圖 出處:《內(nèi)蒙古大學(xué)》2013年碩士論文 論文類型:學(xué)位論文
【摘要】:“烏力格爾”蒙語意為“說書”,“蒙古說書”,在蒙漢民族文化互動交融中傳承發(fā)展,藝術(shù)積累深厚,文化底蘊古老而豐富,在2006年第一批入選中國國家級非物質(zhì)文化遺產(chǎn)保護名錄。圖什業(yè)圖地區(qū)(今科爾沁右翼中旗)是蒙古族曲種“胡仁·烏力格爾”的流傳地之一。本文以圖什業(yè)圖地區(qū)自然人文、烏力格爾說唱傳統(tǒng)為背景,以廣為流傳在此的烏力格爾的三種說唱風(fēng)格(上派——額爾敦珠日合派、中派——布仁巴雅爾派、下派——孟根高力套派)為主要研究對象,通過田野調(diào)查,選取不同說唱風(fēng)格的代表性傳承人,對各自的演唱文本進行分析比較;通過與藝人們的訪談,對圖什業(yè)圖地區(qū)烏力格爾藝術(shù)的當下傳承情況、未來的發(fā)展與創(chuàng)新進行研討,力求經(jīng)過分析三種說唱風(fēng)格各自個性化技藝特征,為其創(chuàng)新表演形式找到一條相通之路,從創(chuàng)新的角度開辟烏力格爾藝術(shù)的新途徑,使古老的蒙古族曲藝煥發(fā)出新的藝術(shù)青春與活力。闡述筆者的觀點:圖什業(yè)圖地區(qū)烏力格爾藝術(shù)三種說唱風(fēng)格的傳承人,應(yīng)根據(jù)自身說唱的技藝特點,應(yīng)該在保留原傳統(tǒng)說唱模式、創(chuàng)新派說唱模式中進行選擇,科學(xué)合理的把烏力格爾傳承下去,使其真正與現(xiàn)代生活接軌,重獲生命力。
[Abstract]:"Uliger" means "storytelling" and "Mongolian storytelling". It inherits and develops in the process of cultural interaction between Mongolian and Han nationalities, with deep accumulation of art and ancient and rich cultural heritage. In 2006, the first batch was selected into the list of China's national intangible cultural heritage protection. Tushi Yitu (present Horqin right-wing central flag) is one of the popular places of Mongolian music species Hu Ren Uliger. Uliger rap tradition as the background, Uliger's three kinds of rap styles (upper school-ErDunzhu Japanese school, middle school-Bujinbayar school, lower faction-Menghengaolitsu school) as the main research object, the main research object is Uliger's three kinds of rap styles (upper school-ErDunzhu Japanese school, middle school-Bujinbayar school, lower school-Menghengaolitsu school). Through field investigation, select representative inheritors of different rap styles, analyze and compare their singing texts; through interviews with artists, to the current inheritance of Uliger art in Tushi Tu area, The future development and innovation of the study, through the analysis of the three kinds of rapper style of individualized technical characteristics, for its innovative performance form to find a common way, from the perspective of innovation to open up a new way of Uliger art, This paper expounds the author's view that the inheritors of the three kinds of rap styles of Uliger art in Tushi Tu area should be based on the technical characteristics of their own rap. We should choose between the original traditional rap mode and the innovative rap mode, and carry on the scientific and reasonable inheritance of Uliger, so that it can truly connect with modern life and regain its vitality.
【學(xué)位授予單位】:內(nèi)蒙古大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J642.2
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