本文選題：鋼琴夜曲　切入點：菲爾德　出處：《陜西師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：“夜曲”是浪漫主義時期產(chǎn)生的風(fēng)格獨特的鋼琴詩意小品,它是十九世紀非常重要且?guī)в絮r明時代特征的鋼琴音樂體裁。菲爾德作為鋼琴夜曲的首創(chuàng)者,他的18首鋼琴夜曲在整個鋼琴音樂史上有著重要的地位。而真正將鋼琴夜曲這一體裁發(fā)展成熟的是偉大的鋼琴詩人肖邦。肖邦在開始的創(chuàng)作中承襲了菲爾德鋼琴夜曲的形式,但他并沒有抄襲菲爾德,在之后的夜曲創(chuàng)作中肖邦開辟了一條自己的道路,將最初只是單純表達浪漫、優(yōu)雅的沙龍音樂擴大規(guī)模,并加入他自己特有的風(fēng)格,使之發(fā)展成了有著深刻思想和豐富的內(nèi)涵、成熟的鋼琴體裁。一般來說對兩個作曲家進行研究,常用的方法是比較研究,但是筆者在查閱資料時發(fā)現(xiàn)在菲爾德和肖邦之間不僅僅是比較不同的關(guān)系。在許多文獻資料中都提到了菲爾德與肖邦之間的傳承性,但筆者在國內(nèi)的權(quán)威文獻網(wǎng)站查找后發(fā)現(xiàn),首先國內(nèi)對于菲爾德并不十分重視。誠然,菲爾德的在他輝煌的時期過后確實埋沒在歷史的長河中,但是菲爾德對鋼琴音樂發(fā)展的推動是不能被忽略的。本文總結(jié)夜曲從菲爾德到肖邦的演變過程,探究出肖邦夜曲繼承了菲爾德夜曲的創(chuàng)作結(jié)構(gòu),同時將夜曲抒情如歌的旋律風(fēng)格也延續(xù)下來。而肖邦在其夜曲中的創(chuàng)新發(fā)展是將聲樂性的旋律與器樂性巧妙地結(jié)合起來,并在夜曲中加入戲劇性的強烈對比,使夜曲從原來風(fēng)格單一的沙龍小品變成了結(jié)構(gòu)成熟、內(nèi)容表達豐富的鋼琴體裁。同時通過研對夜曲特征的總結(jié),從風(fēng)格特征的把握,演奏技法分析、技術(shù)難點如何練習(xí)這些問題為切入點對夜曲的演奏給出方法和建議,從而希望為更好的理解和演奏鋼琴夜曲這一體裁提供幫助。 文章分為六個章節(jié)： 第一章引言,主要闡述本論題研究的價值和意義、國內(nèi)外已有的文獻綜述以及要解決的問題； 第二章主要簡述鋼琴夜曲誕生的背景及創(chuàng)始人菲爾德的生平,之后從曲式結(jié)構(gòu)、調(diào)式調(diào)性與和聲、伴奏織體四方面來對分析菲爾德鋼琴夜曲的創(chuàng)作特征,從音色、速度、情緒來對菲爾德夜曲的風(fēng)格特征進行探討,并總結(jié)歸納出菲爾德夜曲的主要特點； 第三章介紹肖邦的生平,并根據(jù)第二章菲爾德夜曲的特征,找到肖邦對菲爾德夜曲的傳承； 第四章分析肖邦夜曲的創(chuàng)作技法和藝術(shù)風(fēng)格,并結(jié)合譜例,探究肖邦對鋼琴夜曲的創(chuàng)新和發(fā)展； 第五章結(jié)合前文對夜曲特征的總結(jié),對夜曲中的技術(shù)要點和難點提出筆者對于夜曲的演奏的思考和建議； 最后是文章的結(jié)語對文章進行總結(jié)。
[Abstract]:Nocturne is a unique piano poetic sketch produced during the Romantic period. In 19th century, it was a very important piano music genre with distinctive characteristics of the times. Field was the pioneer of piano nocturne. His 18 piano nocturns played an important role in the whole history of piano music. What really developed the genre of piano nocturne was the great piano poet Chopin. Chopin inherited the form of Field's piano nocturne in his initial creation. But instead of plagiarizing Field, Chopin opened up his own path in his later nocturnal creations, expanding the original, purely romantic, elegant salon music into his own unique style. It has developed into a mature piano genre with profound ideas and rich connotations. Generally speaking, two composers are studied in a comparative way. However, the author found that the relationship between Field and Chopin is not only quite different from that of Chopin. The inheritance between Field and Chopin is mentioned in many documents, but the author finds that after searching the domestic authoritative literature website, First of all, the domestic people do not attach great importance to the field. Indeed, it is true that after his glorious period, Field was buried in the long stream of history. However, the development of piano music can not be ignored by Field. This paper summarizes the evolution of Nocturne from Field to Chopin, and explores that Chopin Nocturne inherits the creative structure of Field Nocturne. At the same time, the lyrical melodic style of nocturne is also continued. And Chopin's innovative development in his nocturne is to combine the melodies of vocal music with instrumental music skillfully, and to add a dramatic contrast to nocturne. Nocturne from the original style of a single salon sketch into a mature structure, rich expression of the piano genre. At the same time, through the study of the characteristics of Nocturne, from the style characteristics of grasp, playing techniques analysis, The technical difficulties how to practice these problems is the starting point for the Nocturne playing methods and suggestions, so as to better understand and play piano Nocturne this genre to provide help. The article is divided into six chapters:. The first chapter introduces the value and significance of the research on this topic, the literature review at home and abroad and the problems to be solved. The second chapter mainly describes the background of the birth of piano nocturne and the life of the founder, then analyzes the creative characteristics of field's piano nocturne from four aspects: form structure, tonality and harmony, accompaniment texture, timbre and speed. The emotion comes to discuss the style characteristic of the field nocturne, and summarizes the main characteristic of the field nocturne; The third chapter introduces the life of Chopin, and according to the characteristics of the second chapter of Field Nocturne, find Chopin's inheritance of Field Nocturne; Chapter 4th analyzes the creative techniques and artistic style of Chopin Nocturne, and explores Chopin's innovation and development of piano Nocturne. Chapter 5th combined with the previous summary of the characteristics of Nocturne, the technical points and difficulties in Nocturne put forward the author's thoughts and suggestions for the Nocturne performance; Finally, the conclusion of the article summarizes the article.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J624.1

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