本文選題：左手技法　切入點：演奏技法　出處：《人民音樂》2011年11期 　論文類型：期刊論文

【摘要】：正傳統(tǒng)箏曲的演奏,左手主要采用按、滑、揉、顫等技法對右手通過托、劈、勾、抹等技法彈奏出的旋律進行色彩性潤飾和功能性潤飾。色彩性潤飾通過左手的按、滑、揉、顫等技法增強旋律的地方風格與韻味,不構成移調、轉調。功能性潤飾則
[Abstract]:In traditional Zheng performance, the left hand mainly uses the techniques of pressing, sliding, rubbing, shaking, etc., to carry on the color retouching and functional retouching of the melody played by the right hand through the techniques of support, wedge, hook, wipe, etc. The color retouchment is carried out by the press, slide, and rub of the left hand. Techniques such as tremor enhance the local style and flavor of the melody and do not constitute a shift or change of tune. Functional retouchment
【作者單位】： 銅陵學院文學與藝術傳媒系;銅陵市淮河路小學;
【基金】：安徽省哲學社會科學規(guī)劃項目(AHSK09—10D192)
【分類號】：J632.32

【參考文獻】

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本文編號：1613485