本文選題：延邊地區(qū)　切入點：鋼琴　出處：《延邊大學(xué)》2006年碩士論文　論文類型：學(xué)位論文

【摘要】：鋼琴藝術(shù)在世界已有近三百年的歷史，在延邊地區(qū)也有近百年的發(fā)展歷程。本文以延邊地區(qū)社會歷史為背景，綜合延邊鋼琴音樂的主要資料，重點分析從誕生期到現(xiàn)今為止延邊地區(qū)鋼琴音樂發(fā)展的幾個階段，全面系統(tǒng)地論述延邊地區(qū)鋼琴音樂的形成與發(fā)展軌跡。同時研究和探索鋼琴音樂對整個延邊地區(qū)音樂發(fā)展和普及上的貢獻(xiàn)，通過梳理延邊地區(qū)鋼琴音樂的歷史發(fā)展過程，對延邊鋼琴音樂的發(fā)展史進(jìn)行準(zhǔn)確的定位，以有助于延邊音樂史的研究。 1896年，天主教進(jìn)入延邊地區(qū)，其中不乏一些有才能的鋼琴師。他們在教會設(shè)置了鋼琴課程，給很多人創(chuàng)造了學(xué)習(xí)鋼琴音樂的機(jī)會，也是最早使用鋼琴的地方。1903年基督教進(jìn)入延邊地區(qū)傳教，開辦了教會學(xué)校并且開始使用鋼琴。從教會開始，延邊地區(qū)鋼琴音樂逐步發(fā)展起來，時至現(xiàn)在，延邊地區(qū)鋼琴音樂已形成了一定的規(guī)模。然而，目前學(xué)術(shù)界對延邊地區(qū)鋼琴音樂發(fā)展軌跡尚無系統(tǒng)的研究，有關(guān)論述幾乎沒有。正確認(rèn)識它的歷史，回顧其發(fā)展歷程并從中吸取經(jīng)驗，作為今后延邊地區(qū)鋼琴音樂發(fā)展道路上的精神源泉，對正在走向繁榮的延邊地區(qū)鋼琴音樂的發(fā)展具有非常重要的現(xiàn)實意義。 為了把握延邊鋼琴音樂的發(fā)展脈搏，筆者專訪了延邊諸多知名的音樂教育家和作曲家，搜集了曾經(jīng)在延邊地區(qū)使用的鋼琴圖片，實地考究了它們現(xiàn)在留存的地方。同時，對延邊鋼琴教學(xué)所使用的教材進(jìn)行了縱向的研究，回顧了延邊鋼琴對外交流的發(fā)展歷程，從中可以折射出社會的發(fā)展、時代的進(jìn)步對延邊地區(qū)鋼琴音樂發(fā)展的重要影響。 本文主要從以下幾個方面來了解延邊地區(qū)鋼琴音樂發(fā)展的過程：第二章講述了“延邊地區(qū)鋼琴音樂發(fā)展的啟蒙期”(從解放前到1949年)，包括“延邊地區(qū)鋼琴音樂發(fā)展的歷史背景”、“鋼琴在延邊地區(qū)的出現(xiàn)”、“鋼琴在延邊地區(qū)的最早應(yīng)用”、“歷史人物”等內(nèi)容；第三章講述了“延邊地區(qū)鋼琴音樂發(fā)展的形成期”(從1949年到1979年)，，包括“延邊地區(qū)音樂教育機(jī)構(gòu)的產(chǎn)生”、“教育家”、“教學(xué)設(shè)備”、“使用的教材”、“作品、作曲家”等內(nèi)容；第四章講述了“延邊地區(qū)鋼琴音樂發(fā)展的成型期”(從1980年到2006年)，包括“延邊地區(qū)鋼琴音樂在學(xué)校的發(fā)展”、“延邊地區(qū)鋼琴音樂在社會的發(fā)展”、“延邊地區(qū)鋼琴音樂發(fā)展現(xiàn)狀”等內(nèi)容。 筆者嘗試通過以上的研究來闡明延邊地區(qū)鋼琴音樂的發(fā)展歷史，正確認(rèn)識延邊地區(qū)鋼琴音樂發(fā)展軌跡，進(jìn)而探討鋼琴音樂發(fā)展對整個延邊地區(qū)音樂發(fā)展和普及上的影響及貢獻(xiàn)，以便更好地了解歷史、尊重歷史、證實歷史，為延邊地區(qū)鋼琴音樂發(fā)展史提供有力的史料佐證，為延邊音樂發(fā)展史的研究添磚加瓦，盡一份微薄之力。
[Abstract]:Piano art has a history of nearly 300 years in the world, and a development course of nearly 100 years in Yanbian area. This paper, based on the social history of Yanbian area, synthesizes the main materials of Yanbian piano music. Emphasis is placed on the analysis of several stages of the development of piano music in Yanbian from its birth period to the present day. The formation and development track of the piano music in Yanbian area is discussed systematically. At the same time, the contribution of piano music to the development and popularization of the whole Yanbian area is studied and explored, and the historical development process of the piano music in Yanbian area is combed out. The history of the development of Yanbian piano music accurate positioning, in order to contribute to the study of the history of Yanbian music. In 1896, Catholicism entered Yanbian, including some talented pianists. They set up piano courses in the church, creating opportunities for many people to learn piano music. In 1903, Christianity entered the Yanbian area to preach, opened a church school and started using piano. From the church on, the piano music in Yanbian developed gradually, until now. The piano music in Yanbian area has formed a certain scale. However, at present, there is no systematic research on the track of piano music development in Yanbian area in academic circles. Reviewing its development course and drawing lessons from it, as the spiritual source of the future development of piano music in Yanbian area, is of great practical significance to the development of piano music in Yanbian area, which is moving towards prosperity. In order to grasp the pulse of the development of Yanbian piano music, the author interviewed many famous music educators and composers in Yanbian, collected the piano pictures once used in Yanbian area, and studied on the spot where they exist now. At the same time, This paper makes a longitudinal study on the teaching materials used in the teaching of the piano in Yanbian, and reviews the development course of the external communication of the piano in Yanbian, which can reflect the development of the society and the important influence of the progress of the times on the development of piano music in the area of Yanbian. This article mainly from the following aspects to understand the development of piano music in Yanbian area process: the second chapter describes the "Yanbian area piano music development enlightenment period" (from the liberation to 1949), including "Yanbian area piano music hair" The historical background of the exhibition, the appearance of piano in Yanbian, the earliest application of piano in Yanbian, historical figures, etc. The third chapter describes the forming period of piano music development in Yanbian area (from 1949 to 1979), including the emergence of musical education institutions in Yanbian area, educator, teaching equipment, teaching materials, works, composers, etc. Chapter 4th tells about the forming period of the development of piano music in Yanbian area (from 1980 to 2006), including "the development of piano music in schools in Yanbian area", "the development of piano music in society in Yanbian area", "piano music in Yanbian area" Development status quo, etc. The author attempts to clarify the history of the development of piano music in Yanbian area through the above research, correctly understand the track of piano music development in Yanbian area, and then probe into the influence and contribution of the development of piano music to the development and popularization of the whole Yanbian area. In order to better understand history, respect history, confirm history, provide strong historical evidence for the history of piano music development in Yanbian area, contribute to the study of the history of Yanbian music development, and make a modest contribution.
【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J624.1

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 金艷花;中國朝鮮族鋼琴音樂創(chuàng)作發(fā)展軌跡研究[D];延邊大學(xué);2005年

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