本文選題：博白客家　切入點(diǎn)：民間信仰　出處：《陜西師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：“斬大幡”是廣西博白客家的民間信仰儀式,人在遭遇生活困境時(shí)為轉(zhuǎn)換命運(yùn)而作的集體祈福儀式,其信仰體系隸屬于宗教信仰與民間信仰結(jié)合的多元體。儀式由一個(gè)特殊的群體——道公來(lái)執(zhí)行,儀式的始末均由音聲所覆蓋,音聲的形式多樣,肢體動(dòng)作豐富,音樂(lè)特點(diǎn)鮮明,文化底蘊(yùn)深厚,是我國(guó)儀式音樂(lè)中獨(dú)具特色的組成部分。 本文在實(shí)地田野調(diào)查的基礎(chǔ)上,對(duì)“斬大幡”的儀式生存背景與儀式構(gòu)成有了大致的掌握,并從文化及音樂(lè)本體的角度出發(fā)對(duì)儀式中的歌調(diào)進(jìn)行了詳盡的分析。本文結(jié)合了“信仰——儀式——音聲”三元結(jié)構(gòu)模式理論,試圖尋找“當(dāng)?shù)匦叛觥獢卮筢x式——斬大幡儀式中的音聲”三者之間的關(guān)系。 本文共五個(gè)章節(jié)構(gòu)成： 第一章“生存背景”本章介紹了“斬大幡”儀式所在地的自然地理環(huán)境、民系淵源以及文化生態(tài),著重介紹了與儀式聯(lián)系最為緊密的當(dāng)?shù)匦叛鲶w系。 第二章“執(zhí)儀人與儀式”本章將當(dāng)?shù)氐牡拦偷拦鶇⒓拥膬x式進(jìn)行著重介紹,包括道公的成長(zhǎng)、職能以及儀式的種類、內(nèi)容。 第三章“斬大幡儀式之概貌”本章運(yùn)用描述與分析的方式,將“斬大幡”儀式的信仰體系、儀式所在場(chǎng)地、儀式參與者、儀式用具的形態(tài)一一呈現(xiàn)出來(lái),并以實(shí)錄的形式將儀式重現(xiàn)于文章中。 第四章“儀式歌調(diào)形態(tài)分析”本章對(duì)“斬大幡”儀式中歌調(diào)進(jìn)行詞曲結(jié)構(gòu)、旋法特征、調(diào)式音列、節(jié)奏律動(dòng)等多方面的分析并對(duì)器樂(lè)部分做簡(jiǎn)單陳述。 第五章“斬大幡”儀式的功能與內(nèi)涵”本章對(duì)“斬大幡”儀式內(nèi)涵以及象征符號(hào)進(jìn)行論述與解釋,并將其功能予以分類且論述。
[Abstract]:"chopping the banner" is the folk belief ceremony of the Hakka people in Bobai, Guangxi. When people encounter difficulties in life, they pray collectively for the purpose of changing their destinies. Its belief system belongs to the pluralistic body of the combination of religious belief and folk belief. The ritual is carried out by a special group-the Taoist public. The ceremony is all covered by the sound, the forms of the sound are various, the body movements are rich, and the music features are bright. The cultural background is profound, is our country ritual music has the characteristic constituent. On the basis of field investigation, this paper has a general understanding of the living background and ritual composition of the ritual of "chopping the big banners". From the point of view of culture and music ontology, this paper makes a detailed analysis of the tune of songs in ritual. This paper combines the theory of "belief-rituality-sound" ternary structure pattern, This paper tries to find out the relationship between the local faith and the sound in the ceremony. This paper consists of five chapters:. The first chapter "Survival background" this chapter introduces the natural geographical environment, ethnic origin and cultural ecology of the site of the ceremony, with emphasis on the local belief system, which is most closely related to the ceremony. In the second chapter, the author introduces the ceremony attended by the local Taoist and Taoist officials, including the growth, function, types and contents of the ceremony. Chapter three, "A general picture of the chopping ceremony," this chapter, by means of description and analysis, presents the belief system, the venue, the participants, and the form of the ritual utensils of the ceremony. The ceremony is reproduced in the text in the form of an actual record. Chapter 4th, "Analysis of the Morphology of ritual songs," this chapter makes a brief statement of the instrumental music in this chapter, including the structure of ci and music, the characteristics of rotation, the tone series, rhythm and rhythm. This chapter discusses and explains the meaning and symbol of the ceremony, and classifies and discusses its function.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J607

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