本文選題：19世紀末20世紀初　切入點：印象主義　出處：《湖南師范大學》2006年碩士論文　論文類型：學位論文

【摘要】：如同在科學上一樣,十九世紀末二十世紀初在藝術上是一個偉大的時代。其時印象主義音樂的發(fā)展,可以說是一個在整個西方音樂史中占有顯赫地位的重要時期,也是一個從其音樂形態(tài)、人文內容等方面來看發(fā)生重要革新、變化的時期,在此期間,音樂與其它人文學科之間的融合也達到了一個較高的程度,它們之間互相借鑒、滲透、發(fā)展,一起構成了當時豐富多彩、光輝燦爛的文化景象,順應了時代的發(fā)展。 關于音樂其自身發(fā)展的研究,以及怎樣將西方音樂的發(fā)展,置于一個歷史、社會、全文化的背景當中去探討,是我們所關注的,本文擬從多元化的研究視角出發(fā),并將立足于當時的社會、時代,探討印象主義音樂與當時其他藝術門類、文藝思潮所發(fā)生的共振,并將藝術作為第一坐標,來解讀世紀之交的印象主義音樂(主要集中于德彪西的音樂),的確是一場必然的偉大的變革。將十九世紀印象主義音樂的發(fā)展置于一個較開放的視野當中來考察,以及拋開一些文化上的局限去看待音樂自身的演變過程,這也將有助于我們更好地獲取音樂中的某種文化信息,更好地去理解其中所折射的社會生活和人文價值。
[Abstract]:As in science, the end of 19th century and the beginning of 20th century were a great time in art. At that time, the development of Impressionist music could be said to be an important period in the history of western music. It is also a period of important innovation and change in terms of its musical form and humanistic content. During this period, the fusion between music and other humanities disciplines has also reached a relatively high degree. They have drawn lessons from each other and infiltrated each other. Development, together with the rich and colorful, brilliant cultural scene, in line with the development of the times. The research on the development of music itself and how to put the development of western music in a historical, social and cultural background is our concern. And will be based on the society at that time, the times, to explore the Impressionist music and other categories of art, literary trends of thought occurred in the resonance, and art as the first coordinate, To interpret the Impressionist music at the turn of the century (mainly focused on Debussy's music is indeed an inevitable great change.) put the development of Impressionist music in 19th century in a more open field of vision. It is also helpful for us to get some cultural information and to understand the social life and humanistic value reflected in it.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J609.5

【引證文獻】

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本文編號：1600104