本文選題：當(dāng)代民族聲樂　切入點(diǎn)：開放　出處：《湖南師范大學(xué)》2006年碩士論文　論文類型：學(xué)位論文

【摘要】： 時(shí)至21世紀(jì)，當(dāng)代民族聲樂取得了相當(dāng)?shù)倪M(jìn)步與可喜的成績。突出表現(xiàn)為在融會(huì)了美聲唱法發(fā)聲方法后，其發(fā)聲和演唱技法的科學(xué)性得到了進(jìn)一步的提升。從而大大增強(qiáng)了對(duì)作品駕馭與表現(xiàn)能力，也涌現(xiàn)了大量優(yōu)秀的民族聲樂人才。但是同時(shí)關(guān)于民族聲樂是要方法還是要風(fēng)格的爭(zhēng)論屢見不鮮，媒體與大：眾更是針對(duì)目前民族聲樂“千人一腔、萬人一調(diào)”的現(xiàn)象提出了批判和質(zhì)疑。 本文從理論上傳達(dá)了一種對(duì)當(dāng)代民族聲樂發(fā)展的類似宏觀調(diào)控的理念，試圖喚起民族聲樂行業(yè)有志之士對(duì)本行業(yè)的一種責(zé)任感。即我們必須承認(rèn)“一花獨(dú)放”的民族聲樂絕不應(yīng)該成為中國民族聲樂學(xué)派這一概念內(nèi)涵的現(xiàn)實(shí)。我們應(yīng)該努力探尋和倡導(dǎo)中國民族聲樂多元發(fā)展，使其在實(shí)踐中不斷發(fā)展、演變乃至進(jìn)化，從而產(chǎn)生多元的民族聲樂風(fēng)格和流派，乃至建立完整而健全的中國民族聲樂理論、實(shí)踐和教學(xué)體系。 在實(shí)踐上，本文以“開放、拓展、跨界”三大章節(jié)的形式，，層層遞進(jìn)，論述了當(dāng)代民族聲樂應(yīng)該如何放開思維；如何拓展發(fā)展路子，既努力繼承傳統(tǒng)聲樂形式又借鑒流行的表達(dá)方式；以及如何與傳統(tǒng)與流行相融合，進(jìn)而得到創(chuàng)新和突破，達(dá)到一個(gè)新的高度。在提出如何教與學(xué)的具體做法外，還提出不能忽略市場(chǎng)和大眾的需要，倡導(dǎo)民族聲樂教學(xué)、表演與市場(chǎng)的良性互動(dòng)，呼吁媒體的接納性支持與幫助，從而真正意義上地促進(jìn)當(dāng)代民族聲樂的規(guī)范化、特色化發(fā)展。 關(guān)于民族聲樂的發(fā)展，這是一個(gè)宏觀的概念，既需要媒體和社會(huì)引起相當(dāng)?shù)闹匾�，也需要從�?dāng)今的音樂院校民族聲樂專業(yè)設(shè)置方面尋找突破，從具體的教與學(xué)中做起，不僅要拿出成熟而可行的方案，更需要整個(gè)民族聲樂領(lǐng)域，需要廣大文藝工作者為之努力實(shí)踐，只有這樣中國民族聲樂才能真正地實(shí)現(xiàn)“民族的就是世界的”。
[Abstract]:From then to 21th century, the contemporary national vocal music has made considerable progress and gratifying achievements. The scientific nature of its vocalization and singing techniques has been further enhanced, thus greatly enhancing its ability to control and express its works. A large number of outstanding national vocal music talents have also emerged. But at the same time, there is a common debate about whether the national vocal music should be used as a method or style. The media and the big: the masses are even more focused on the current national vocal music. The phenomenon of "one tune of ten thousand people" is criticized and questioned. This paper theoretically conveys a kind of similar macro-control idea to the development of contemporary national vocal music. Trying to arouse a sense of responsibility to the people with lofty aspirations in the national vocal music industry. That is, we must admit that the national vocal music with "one flower and one flower" should never become the reality of the connotation of the concept of Chinese national vocal music school. This effort seeks and advocates the pluralistic development of Chinese national vocal music, It develops, evolves and even evolves in practice, so as to produce diversified national vocal music styles and schools, and even to establish a complete and sound Chinese national vocal music theory, practice and teaching system. In practice, this paper, in the form of three chapters: "opening up, expanding and crossing the border", discusses how the contemporary national vocal music should open up its thinking, how to expand the way of development, It not only inherits the traditional vocal music form but also draws lessons from the popular expression; and how to merge with the tradition and the pop, and then get the innovation and breakthrough, reach a new height. In addition to how to teach and learn the concrete method, We should not ignore the needs of the market and the public, advocate the benign interaction between the national vocal music teaching, the performance and the market, and appeal for the acceptance support and help of the media, so as to promote the standardization and characteristic development of the contemporary national vocal music in a real sense. As for the development of national vocal music, this is a macro concept that requires considerable attention from the media and society, as well as a breakthrough in the setting up of national vocal music majors in today's music academies, starting with concrete teaching and learning. It is not only necessary to come up with a mature and feasible plan, but also the whole field of national vocal music, and the broad masses of literary and art workers should work hard to practice it. Only in this way can the Chinese national vocal music truly realize that "the nation is the world".
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J616.2

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 魏冉;;高校聲樂教學(xué)中培養(yǎng)學(xué)生跨界能力的必要性和措施探討[J];大舞臺(tái);2012年08期

本文編號(hào)：1597192