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  本文選題：合唱　切入點：歌劇　出處：《湖南師范大學》2006年碩士論文　論文類型：學位論文

【摘要】： 國內(nèi)音樂界對于合唱藝術(shù)的理論性研究在整個音樂理論研究方面是一個薄弱環(huán)節(jié)。研究合唱的論文著作很少，研究合唱理論的音樂家也不多，研究成果在國際上有一定影響力的更是鳳毛麟角。我們要向那些音樂教育先進的國家學習，在中小學生階段就開始進行有關(guān)合唱理論方面的學習和研究�？赡茉谖覈鴷簳r不太現(xiàn)實，但是至少在大學階段，尤其是在有音樂專業(yè)的普通高等院校，就應(yīng)該在學習合唱學的同時，進行有關(guān)合唱方面的理論學習和研究，這對提高學生的綜合素質(zhì)是有著很好的作用的。本文的寫作主要是力圖通過對西方歌劇中的合唱作品進行分析，總結(jié)出合唱無論從豐富的音色表現(xiàn)、與多種演唱形式之間的交置以及在戲劇性方面都對歌劇藝術(shù)中起著各種巨大的作用，從而加強高校合唱理論的學習研究廣度和深度，同時也對中國歌劇合唱的創(chuàng)作提供一點參考意見。歌劇合唱創(chuàng)作是一個極為復(fù)雜的藝術(shù)過程，它的多方面的作用在實際作品中的面貌無限豐富、靈活多變，而且各種作用之間在互相滲透、彼此交融。通過對大量的名作進行分析整理，得出的結(jié)論希望對高�！逗铣氛n程的理論教學與研究有一定的補充作用，也可說是希望擴寬合唱理論研究的方向；另外就我國當代音樂創(chuàng)作的整體水平而言，合唱創(chuàng)作是一個相當有成績的方面，在新時期中曾經(jīng)涌現(xiàn)了許多優(yōu)秀的合唱作品，但是歌劇合唱的創(chuàng)作卻是弱項，其主要原因就是對合唱在歌劇中的功能作用缺乏全面的認識，存在著較大的理解誤區(qū)，偏色彩描寫，寫作技法相對單一，，對歌劇的戲劇性功能的作用不大，所以也想通過此文對中國歌劇合唱的創(chuàng)作有一定的幫助。
[Abstract]:The theoretical study of choral art in domestic music circles is a weak link in the whole study of music theory. Research results are even less influential internationally. We should learn from countries with advanced music education. At the stage of primary and secondary school students, they began to study and study the theory of chorus. It may not be realistic for the time being in our country, but at least in the university stage, especially in the ordinary colleges and universities with major in music, We should study and study the theory of choral singing at the same time as the study of choral singing. This is a good way to improve the students' comprehensive quality. The main purpose of this paper is to analyze the choral works in western operas, and to sum up the choral performances in terms of their rich timbre. The intersection with a variety of singing forms and the dramatic aspects of opera play a great role in the art of opera, thus strengthening the breadth and depth of the study of chorus theory in colleges and universities. At the same time, it also provides a little reference for the creation of Chinese opera chorus. Opera chorus creation is an extremely complicated artistic process, and its various functions in the actual works are infinitely rich and flexible. Through the analysis and arrangement of a large number of famous works, it is hoped that the conclusions will be complementary to the theoretical teaching and research of the course of Chorus in colleges and universities. In addition, in terms of the overall level of contemporary music creation in China, chorus creation is a very successful aspect, and many outstanding chorus works have emerged in the new period. But the creation of opera chorus is weak, the main reason is the lack of comprehensive understanding of the function of chorus in opera, there is a greater misunderstanding, partial color description, writing techniques are relatively single, It has little effect on the dramatic function of opera, so it is helpful to the creation of Chinese opera chorus.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J617.2

【引證文獻】

相關(guān)碩士學位論文 前2條

1 王曉勇;中國當代歌劇《蒼原》探微[D];福建師范大學;2009年

2 陳巧巧;陳田鶴清唱劇《河梁話別》和藝術(shù)歌曲研究[D];溫州大學;2013年

本文編號：1592418