本文選題：美學(xué)思想史視野　切入點(diǎn)：20世紀(jì)前期　出處：《上海師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：本文研究的20世紀(jì)前期原創(chuàng)弦樂作品是以小提琴為主，包括大提琴、中提琴和在歌曲伴奏中由弦樂擔(dān)任重要角色的作品。弦樂藝術(shù)誕生在16世紀(jì)初，正是世界格局發(fā)生重大轉(zhuǎn)變的時(shí)期，也是世界歷史發(fā)生重大轉(zhuǎn)折的時(shí)期。它的發(fā)展經(jīng)歷了漫長的歷史階段，從早期的萌芽狀態(tài)、到逐步完善理論體系再到如今的繁榮昌盛，橫跨了幾個(gè)世紀(jì)。中國的音樂文化源遠(yuǎn)流長，可以說是世界上音樂文化發(fā)展最早的國家之一。雖然說弦樂藝術(shù)起源于西方，但是其在東方特別在中國的發(fā)展是不容小覷的。明朝被迫解除百余年的海禁，通商通船，從而為小提琴藝術(shù)傳入中國提供了條件。隨著東西方文化交流得日益密切，小提琴藝術(shù)也茁壯成長，傳播和發(fā)展。20世紀(jì)以來，中國社會(huì)經(jīng)歷了“五四”新文化運(yùn)動(dòng)的洗禮，嶄新的文化浪潮促使新音樂開始勃興，傳統(tǒng)音樂地位下降，中國的新興音樂事業(yè)呈現(xiàn)出一派欣欣向榮的景象。弦樂藝術(shù)在中國的傳播從一開始到整個(gè)過程就是一種社會(huì)文化行為，中國的弦樂藝術(shù)在每個(gè)歷史發(fā)展階段都呈現(xiàn)出不同的文化思想和文化價(jià)值取向。本文正是基于中國美學(xué)思想史的視野，，通過分析20世紀(jì)前期不同類型作曲家既海外華人作曲家、國內(nèi)藝術(shù)院校作曲家和左翼革命隊(duì)伍作曲家的創(chuàng)作情況，指出其美學(xué)特征為來自西洋的良好技藝、傳統(tǒng)經(jīng)典的現(xiàn)代轉(zhuǎn)換、海外精華的本土轉(zhuǎn)換。由于這些作曲家的共同努力，創(chuàng)作了很多為時(shí)代服務(wù)的作品。在五四新文化浪潮推進(jìn)現(xiàn)代化建設(shè)的過程中，這些原創(chuàng)弦樂作品表現(xiàn)出了怎樣的美學(xué)特征？并把這些美學(xué)特征帶入到其發(fā)展的各個(gè)階段，分別是草創(chuàng)期（1915年-1927年）、繁榮期（1927年-1941年）和為時(shí)所用期（1942年-1949年）進(jìn)行驗(yàn)證。這里的美學(xué)特征不同于以往的音樂作品美學(xué)特征，是從未被發(fā)掘的。根據(jù)不同作品、不同階段的發(fā)展歷程，總結(jié)其發(fā)展規(guī)律，探索其形成基礎(chǔ)，分析其藝術(shù)得失，以及對(duì)后世弦樂藝術(shù)創(chuàng)作的影響和對(duì)當(dāng)代社會(huì)主義新文化建設(shè)具有的借鑒作用。
[Abstract]:The original string works studied in this paper in early 20th century are mainly violin-based works, including cello, viola and string music in song accompaniment. String art was born in early 16th century. It is the period when the world pattern has undergone a major change, and the period in which the world history has undergone a major turning point. Its development has gone through a long historical period, from the early embryonic state to the gradual improvement of the theoretical system to the prosperity of the present. The music culture of China has a long history, and it can be said that it is one of the earliest countries in the world to develop the music culture. Although it is said that the string music art originated in the West, However, its development in the East, especially in China, was not to be underestimated. The Ming Dynasty was forced to lift more than a hundred years of sea bans and trade ships, thus providing conditions for violin art to be introduced into China. With the increasing cultural exchanges between the East and the West, Violin art also thrived. Since the 20th century, Chinese society has experienced the baptism of the May 4th New Culture Movement. The new cultural wave has prompted the new music to flourish, and the status of traditional music has declined. China's burgeoning music industry shows a thriving scene. The spread of string art in China from the beginning to the entire process is a social and cultural behavior. Chinese string art presents different cultural thoughts and cultural value orientations in each stage of historical development. This paper is based on the perspective of the history of Chinese aesthetic thought and analyzes the overseas Chinese composers of different types of composers in the early period of 20th century. The creation of composers in domestic art academies and the left wing revolutionary contingent composers has been pointed out that their aesthetic characteristics are good skills from the West, the modern transformation of traditional classics, and the local transformation of the essence of the overseas countries. As a result of the joint efforts of these composers, Created a lot of works to serve the times. In the May 4th New Culture Wave to promote the modernization process, these original string works showed what aesthetic characteristics? And to bring these aesthetic features into each stage of its development, namely, the period of creation (1915-1927), the period of prosperity (1927-1927) and the period of duration (1927-1927). The aesthetic characteristics here are different from those of previous musical works. According to the development process of different works, different stages, summing up the law of its development, exploring its formation basis, analyzing its artistic gain and loss, And the influence to the later generation string music artistic creation and to the contemporary socialism new culture construction has the reference function.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J601;J622

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