本文選題：帕蒂塔　切入點(diǎn)：爵士樂(lè)　出處：《山東師范大學(xué)》2006年碩士論文　論文類型：學(xué)位論文

【摘要】：弗拉季米爾·祖賓斯基是當(dāng)今國(guó)際著名的作曲家、巴揚(yáng)演奏家和教育家,其創(chuàng)作的作品涉及歌劇、舞劇、交響樂(lè)、室內(nèi)樂(lè)及器樂(lè)獨(dú)奏等眾多體裁。其中,他為手風(fēng)琴所創(chuàng)作的大量?jī)?yōu)秀作品在世界手風(fēng)琴界中占據(jù)著十分重要的地位。作為一位非常優(yōu)秀的手風(fēng)琴作曲家,祖賓斯基所創(chuàng)作的作品內(nèi)涵深刻,手法嫻熟、新穎,其知名作品包括:兩首奏鳴曲、三組兒童組曲以及兩首帕蒂塔等。其中,作為他所創(chuàng)作的巴揚(yáng)作品的代表作,他的兩首帕蒂塔——《第一帕蒂塔——爵士印象》(1978年)和《第二帕蒂塔——爵士帕蒂塔》(1990年)以其優(yōu)美的旋律、令人驚嘆的技巧和新穎的音樂(lè)元素成為近年來(lái)在國(guó)際國(guó)內(nèi)大型比賽中經(jīng)常能夠聽到的作品,具有較大的研究?jī)r(jià)值。 本文主要以音樂(lè)本體分析為主線,對(duì)祖賓斯基的這兩首帕蒂塔進(jìn)行深入細(xì)致的研究,由此歸納出這兩首作品的創(chuàng)作特征、音樂(lè)風(fēng)格以及創(chuàng)作手法,并對(duì)作品中所涉及的演奏技法做出相應(yīng)提示。 本文的第一章簡(jiǎn)要介紹了爵士樂(lè)發(fā)展史、爵士樂(lè)音樂(lè)理論、帕蒂塔這種音樂(lè)體裁的歷史沿革以及作曲家的概況等背景性資料。第二章主要是對(duì)《第一帕蒂塔——爵士印象》所包括的五個(gè)樂(lè)章——序曲、托卡塔、詠嘆調(diào)、無(wú)窮動(dòng)和尾聲——進(jìn)行較為細(xì)致的音樂(lè)本體分析,在此基礎(chǔ)上對(duì)于作品中所運(yùn)用的傳統(tǒng)音樂(lè)體裁、爵士音樂(lè)元素等創(chuàng)作特點(diǎn)作出總結(jié),并對(duì)其演奏技法做出提示。第三章沿用第二章的模式對(duì)《第二帕蒂塔——爵士帕蒂塔》所包含的三個(gè)樂(lè)章——小快板、行板和急板——進(jìn)行音樂(lè)分析研究,并由此歸納作品所蘊(yùn)含的爵士樂(lè)特征、巴揚(yáng)化特性等創(chuàng)作特點(diǎn),并簡(jiǎn)要說(shuō)明作品中所使用的演奏技法。第四章是在第二章和第三章分析研究的基礎(chǔ)上對(duì)兩首帕蒂塔進(jìn)行對(duì)比,并對(duì)其創(chuàng)作共性和特性進(jìn)行比較和總結(jié),闡明兩首作品自身所蘊(yùn)含的音樂(lè)價(jià)值。
[Abstract]:Vladimir Zubinski is today's world-renowned composer, Bayan performer and educator. His works cover operas, dance plays, symphonies, chamber music, instrumental solos, and many other genres. As a very good accordion composer, Zubinsky's works are profound, skillful and novel. His famous works include: two sonatas, three sets of children's suites and two Patita. His two Patita, "the first Patita Sir impression" (1978) and "the second Patta-Sir Patita" (1990), have a beautiful melody, Amazing techniques and novel musical elements have become the works which can often be heard in international and domestic large-scale competitions in recent years, and have great research value. This article mainly takes the music ontology analysis as the main line, carries on the thorough careful research to the Zubinsky's two Patita, thus induces the creation characteristic, the music style and the creation technique of the two works. And the performance techniques involved in the works to make a corresponding hint. The first chapter briefly introduces the history of jazz, the theory of jazz music, The historical evolution of the genre of Patita and the general situation of the composer, etc. The second chapter mainly deals with the five pieces of prelude, Tokata, arias, and so on, which are included in the first Patita Jazz impression. Infinitely moving and ending-carries on the more detailed music Noumenon analysis, on this basis to use in the work the traditional music genre, the jazz music element and so on the creation characteristic makes the summary, The third chapter uses the model of the second chapter to analyze and study the three movements of "the second Patita-Sir Patita"-Allegro, Allegro, and Allegro. Based on this, the author summarizes the characteristics of jazz, Bayanization and other creative features, and briefly explains the performing techniques used in the works. Chapter 4th compares the two Patita on the basis of the analysis and research in the second and third chapters. In addition, the author compares and summarizes the generality and characteristics of his creation, and clarifies the musical value of the two works themselves.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J624.3

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 韓媛媛;謝苗諾夫三首《隨想曲》研究[D];山東師范大學(xué);2010年

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本文編號(hào)：1565667