本文選題：《奏鳴曲第一號(hào)》　切入點(diǎn)：謝苗諾夫　出處：《上海音樂(lè)學(xué)院》2013年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：維切斯拉夫·謝苗諾夫(Viatcheslav Semionov)(1946年3月29日——)是當(dāng)代手風(fēng)琴界中集演奏、教學(xué)、和創(chuàng)作于一身的國(guó)際著名手風(fēng)琴演奏家、教育家及作曲家。他是俄羅斯手風(fēng)琴界中僅三位獲得最高殊榮——“人民藝術(shù)家”稱(chēng)號(hào)的音樂(lè)家之一,更是推動(dòng)自由低音手風(fēng)琴蓬勃發(fā)展的不竭動(dòng)力。他不僅自身幾乎囊獲了手風(fēng)琴界重大比賽的桂冠,在教學(xué)中也創(chuàng)立了屬于自己的學(xué)派,著名的手風(fēng)琴演奏家希什金就出自他的門(mén)下。不僅如此,他在手風(fēng)琴音樂(lè)創(chuàng)作方面的貢獻(xiàn)也極為突出�！蹲帏Q曲第一號(hào)》便是他為自由低音巴揚(yáng)手風(fēng)琴所創(chuàng)作的重要作品之一。 謝苗諾夫《奏鳴曲第一號(hào)》這首作品,本人已在學(xué)位音樂(lè)會(huì)及比賽中多次演奏。作為這首作品的演奏者,本人試圖著重對(duì)作品的演奏技術(shù)進(jìn)行研究,同時(shí)對(duì)作曲家寫(xiě)作時(shí)的情感意境以及曲式、和聲、音樂(lè)本體素材進(jìn)行相關(guān)分析,從而有助于演奏者在演奏及學(xué)習(xí)這首作品時(shí)的技術(shù)處理和靈活應(yīng)用以更為準(zhǔn)確的表達(dá)作曲家的寫(xiě)作意圖,揭示作品的音樂(lè)內(nèi)涵,力爭(zhēng)為手風(fēng)琴專(zhuān)業(yè)教學(xué)及完美演繹謝苗諾夫手風(fēng)琴音樂(lè)作品等方面作出自己的努力。 本文分為三個(gè)部分： 第一部分是引言。該部分主要介紹筆者選擇《奏鳴曲第一號(hào)》作為碩士論文研究對(duì)象的目的和意義,以及對(duì)國(guó)內(nèi)外研究現(xiàn)狀的介紹,對(duì)作品有一個(gè)總體的把握。 第二部分是正文、正文分為三章。 第一章主要通過(guò)梳理謝苗諾夫的生平成就及所處的歷史背景來(lái)探索《奏鳴曲第一號(hào)》的創(chuàng)作背景及作品構(gòu)思。 第二章主要是對(duì)《奏鳴曲第一號(hào)》這首作品的音樂(lè)本體分析。涉及到《奏鳴曲第一號(hào)》的結(jié)構(gòu)布局、和聲、以及節(jié)奏特點(diǎn)等。 第三章主要是對(duì)《奏鳴曲第一號(hào)》這首作品的演奏技術(shù)分析。涉及到右手技術(shù)分析,左手技術(shù)分析,風(fēng)箱技術(shù)分析,以及變音器的運(yùn)用(音色音響)等。 第三部分是結(jié)論 《奏鳴曲第一號(hào)》是謝苗諾夫音樂(lè)作品中傳統(tǒng)與現(xiàn)代作曲技法巧妙結(jié)合的典范。樂(lè)曲中個(gè)性鮮明的音樂(lè)形象和氣勢(shì)恢宏的音樂(lè)旋律凸顯其博大精深的文化底蘊(yùn)和寬廣深邃的音樂(lè)思想。本人通過(guò)上述較為全面的研究分析,力圖竭己之力為手風(fēng)琴演奏者完美演繹謝苗諾夫的手風(fēng)琴音樂(lè)作品提供參考和幫助。
[Abstract]:Viatcheslav Semionovo (March 29th 1946) is a famous international accordion player who plays, teaches, and creates accordions. Educator and composer. He is one of only three highest-ranking musicians in the Russian accordion world, the people's Artist, He not only won the title of the accordion competition, but also created his own school in teaching. Hishkin, a famous accordion player, came from his family. Not only that, but his contribution to accordion music was also outstanding. "Sonata No. 1" is one of his important works for the free bass Bayan accordion. This work of Semyonov Sonata No. 1 has been performed many times in degree concerts and competitions. As a performer of this work, I have tried to focus on the study of the performance techniques of the work. At the same time, the author analyzes the emotional mood and the composition, harmony and music material of the composer. Therefore, it is helpful for the performer to deal with and apply flexibly the techniques in performing and learning this work in order to express the composer's writing intention more accurately and to reveal the musical connotation of the work. Strive for accordion professional teaching and perfect interpretation of Semyonov accordion music works and other aspects to make their own efforts. This paper is divided into three parts:. The first part is the introduction. This part mainly introduces the purpose and significance of the author to choose Sonata No. 1 as the research object of the master's thesis, and introduces the present situation of the research at home and abroad, and has a general grasp of the works. The second part is the text, the text is divided into three chapters. The first chapter explores the background and conception of Sonata No. 1 by combing Semyonov's achievements and historical background. The second chapter mainly analyzes the music Noumenon of Sonata No. 1, which involves the structure layout, harmony and rhythm characteristics of Sonata No. 1. The third chapter is mainly about the technical analysis of the performance of Sonata No. 1, which involves the technical analysis of the right hand, the left hand, the bellows, and the use of the phonograph (tone sound) and so on. The third part is the conclusion. "Sonata No. 1" is an example of the skillful combination of traditional and modern composing techniques in Semyonov's musical works. The distinctive musical image and magnificent musical melody in the music highlight its rich and profound cultural background and profound cultural background. Broad and profound musical thoughts. Through the above more comprehensive research and analysis, Try hard to provide reference and help for accordion players to interpret Semyonov's accordion music.
【學(xué)位授予單位】：上海音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J624.3;J614

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本文編號(hào)：1564552