本文選題：鋼琴演奏　切入點(diǎn)：內(nèi)心聽覺　出處：《天津音樂學(xué)院》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：內(nèi)心聽覺作為音樂心理學(xué)的一個重要內(nèi)容,一直得到眾多音樂學(xué)者的重視。近年來,這種“于無聲處聽有聲”的能力也開始慢慢受到廣大音樂教育者和學(xué)習(xí)者的關(guān)注。內(nèi)心聽覺是一種大腦基于以往聽到的音樂與新發(fā)生的音樂音響相結(jié)合的心理活動,具有一定的先導(dǎo)性,在音樂表演中具有重要的作用。相對于實(shí)際聽到的音樂,內(nèi)心聽覺往往不會受到實(shí)際音響的影響,不需要觸動聽覺器官的感受,而是在大腦里想象出近似于某種實(shí)際音樂的音響。研究認(rèn)為,人類都是有一定的記憶能力的。通常人們也是具有不同程度的內(nèi)心聽覺能力的,在大腦中記憶的音樂,經(jīng)過多次反復(fù)聆聽和訓(xùn)練,內(nèi)心聽覺的能力會得到逐步提高。而這種能力的提高也是提高音樂理解能力和實(shí)際演奏能力的一個主要方面,這在音樂表演及教學(xué)過程中具有重要的作用。在鋼琴演奏中學(xué)習(xí)和培養(yǎng)演奏者對優(yōu)質(zhì)音響的感知能力,以敏銳的音樂聽覺和優(yōu)質(zhì)的音色做保證,從而提高演奏者的內(nèi)心聽覺能力可以更精確的理解把握音樂作品。因此,在鋼琴演奏中培養(yǎng)內(nèi)心聽覺是有重要意義的。 本文將內(nèi)心聽覺與鋼琴學(xué)習(xí)相結(jié)合,提出鋼琴學(xué)習(xí)中內(nèi)心聽覺訓(xùn)練方法,把內(nèi)心聽覺的培養(yǎng)貫穿整個鋼琴學(xué)習(xí)的過程,強(qiáng)調(diào)學(xué)習(xí)者應(yīng)該用腦去思考,用心去感受,用聽覺去掌控,做到更直觀更準(zhǔn)確地表現(xiàn)樂曲所要表達(dá)的情感。文章開頭先整體介紹內(nèi)心聽覺的概念和功能,之后分為兩個部分：第一部分研究當(dāng)前鋼琴學(xué)習(xí)的各個過程中,演奏者應(yīng)具備的內(nèi)心聽覺能力以及可能出現(xiàn)的各種問題；第二部分闡述鋼琴學(xué)習(xí)的內(nèi)心聽覺訓(xùn)練方法,從學(xué)琴前的音樂接觸,到初期階段的鋼琴學(xué)習(xí),再到提高階段中的鋼琴學(xué)習(xí),對整個學(xué)習(xí)過程中如何更好地把握內(nèi)心聽覺的涵義進(jìn)行論述和總結(jié),讓更多學(xué)習(xí)者和教育者能夠注重內(nèi)心聽覺能力在鋼琴學(xué)習(xí)中的發(fā)展和培養(yǎng)。
[Abstract]:As an important part of music psychology, inner hearing has been paid much attention by many music scholars in recent years. This ability to "listen to sound in silence" is also beginning to gain the attention of music educators and learners. Inner hearing is a psychological activity of the brain based on the combination of previously heard music and newly occurring musical acoustics. It has a certain forerunner and plays an important role in music performance. Compared with the music actually heard, the inner hearing is often not affected by the actual sound, and does not need to touch the feeling of the auditory organ. It's about imagining sounds in the brain that are similar to some kind of actual music. Research suggests that humans have a certain degree of memory. Usually people also have varying degrees of inner hearing, music that they memorize in the brain. After repeated listening and training, the ability of inner hearing is gradually improved, and this ability is also a major aspect of improving the ability to understand music and to play in practice. This plays an important role in the process of music performance and teaching. Therefore, it is of great significance to improve the player's inner hearing ability to understand and grasp the music works more accurately, therefore, it is of great significance to cultivate the inner hearing in piano playing. This paper combines inner hearing with piano learning, and puts forward the training method of inner hearing in piano learning, which runs through the whole process of piano learning and emphasizes that learners should think and feel with their brains. The first part of the article introduces the concept and function of inner hearing, then it is divided into two parts: the first part studies each process of piano learning. The second part expounds the inner hearing training methods of piano learning, from the musical contact before learning piano to the piano learning in the early stage. Then to improve the stage of piano learning, the whole process of learning how to better grasp the meaning of inner hearing is discussed and summarized, so that more learners and educators can pay attention to the development and cultivation of inner hearing ability in piano learning.
【學(xué)位授予單位】：天津音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J624.1

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本文編號：1562672