略論古典弦樂重奏與現(xiàn)代電子弦樂重奏的排演
發(fā)布時間:2018-03-01 13:11
本文關鍵詞: 古典弦樂四重奏 現(xiàn)代電子弦樂重奏 電子提琴 音準 音色 出處:《山西大學》2006年碩士論文 論文類型:學位論文
【摘要】:弦樂重奏是器樂演奏最豐富的領域之一,它是弦樂藝術的瑰寶,蘊含著極大的潛力。隨著電子音樂、器樂的發(fā)展,弦樂重奏藝術中也逐漸的發(fā)展出了一支新型的弦樂重奏表演形式,即現(xiàn)代電子弦樂重奏。在古典方面,國際上成立了多個如約阿希姆弦樂四重奏團(Joachim Quartet)、巴托克四重奏團(Bartok Quarter)等著名的弦樂四重奏樂團;在現(xiàn)代電子弦樂重奏方面國際樂壇上也出現(xiàn)了以“古典辣妹”(Bond)為代表的多個現(xiàn)代電子提琴組合。同時,在我國也成立了如“古典時尚”等多個形式多樣的電子弦樂重奏組合,由于電子弦樂重奏音樂的通俗化,在國際上很快被普遍的傳播和接受,深受人們的喜愛。鑒于弦樂四重奏作品創(chuàng)作的多樣化和它所特有的藝術表現(xiàn)形式,這就要求演奏者要以古典弦樂四重奏為基礎,具備多方面的素質。研究目的與意義:為了使廣大的弦樂演奏者和音樂愛好者,更好地掌握和了解古典弦樂四重奏藝術,以及由于電子提琴弦樂重奏在國際和國內的文獻性的理論研究還很少,為了迎合時代發(fā)展的潮流,擴展小提琴演奏的表演領域,為了迎合現(xiàn)代人們對藝術多媒表達、多媒欣賞的要求,為那些未曾使用過電子提琴的演奏者和音樂愛好者們對電子提琴的了解、認識和傳播作一些貢獻,將電子弦樂重奏這種新型的演奏方式更好的發(fā)展,這就要求我們在研究古典弦樂四重奏的基礎上對現(xiàn)代電子弦樂四重奏進行理論性的研究。研究方法:本文從古典弦樂重奏和現(xiàn)代電子弦樂重奏這
[Abstract]:String recital is one of the most abundant fields of instrumental music. It is the treasure of string art and has great potential. With the development of electronic music, instrumental music, In the art of string recital, a new form of string ensemble, modern electronic string ensemble, has been gradually developed. A number of famous string quartet orchestras, such as the Joachim string Quartet Joachim Quartette and the Bartok quartet, have been established internationally. In modern electronic string recital, there are also many modern electronic cello combinations represented by "classical hot girl" Bond. At the same time, many electronic string ensembles, such as "classical fashion", have been set up in China. Because of the popularization of electronic string music, it has been widely spread and accepted in the world, and has been loved by people. In view of the diversity of string quartet creation and its unique artistic expression, This requires players to base themselves on classical string quartets and to have a variety of qualities. The purpose and significance of the research are: in order to enable the majority of string players and music lovers to better grasp and understand the art of classical string quartets, And because the theoretical research of electronic cello string recital in the international and domestic literature is still few, in order to meet the trend of the development of the times, expand the performing field of violin performance, in order to cater to modern people to the art of multi-media expression, The requirement of multi-media appreciation will contribute to the understanding, understanding and dissemination of the electronic cello by players and music lovers who have not used the electronic violin, so as to better develop the new style of playing the electronic string recital. This requires us to study the classical string quartet on the basis of the modern electronic string quartet theoretical study. Research methods: this paper from the classical string quartet and the modern electronic string quartet
【學位授予單位】:山西大學
【學位級別】:碩士
【學位授予年份】:2006
【分類號】:J627
【相似文獻】
相關碩士學位論文 前1條
1 郭媛媛;略論古典弦樂重奏與現(xiàn)代電子弦樂重奏的排演[D];山西大學;2006年
,本文編號:1552071
本文鏈接:http://sikaile.net/wenyilunwen/qiyueyz/1552071.html