發(fā)布時間：2018-02-28 19:18

  本文關鍵詞： 安魂彌撒 套曲 邊緣曲式 變體曲式 縱向復節(jié)拍 多調(diào)性 和聲 復調(diào) 管弦樂手法 合唱寫作　出處：《中央音樂學院》2005年碩士論文　論文類型：學位論文

【摘要】： 本杰明·布里頓(Benjamin Britten,1913-1976)是20世紀中葉英國最重要的作曲家之一。布里頓一生的創(chuàng)作幾乎涵蓋了所有的音樂體裁,包括歌劇、舞劇、管弦樂、協(xié)奏曲、合唱、獨唱、室內(nèi)樂、器樂獨奏曲及大量的電影、戲劇和廣播配樂。 本文通過選取布里頓一生創(chuàng)作中最重要的作品之一:為獨唱女高音、男高音、男中音、混聲合唱、童聲合唱、管弦樂隊、室內(nèi)樂隊及管風琴而作的《戰(zhàn)爭安魂曲》,通過對作品的曲式結(jié)構(gòu)及其他創(chuàng)作技法的研究,以期人們進一步了解布里頓《戰(zhàn)爭安魂曲》的音樂創(chuàng)作。 論文由五章構(gòu)成:第一章介紹布里頓的生平與創(chuàng)作分期。第二章簡要介紹安魂彌撒的演進與發(fā)展。第三章介紹《戰(zhàn)爭安魂曲》的創(chuàng)作背景及樂隊編制。第四、五章為本文的重點,其中第四章詳細分析了作品每一樂章的曲式結(jié)構(gòu)。在第五章中,從旋律特征、節(jié)奏節(jié)拍、特性音程及主題的貫穿、和聲、復調(diào)手法及其運用、管弦樂手法及聲樂寫作特點諸方面較為詳細地分析了這些方面的創(chuàng)作技法。從而認識到布里頓在作曲技法方面是傳統(tǒng)基礎上的繼承與創(chuàng)新,并非是人們心中的“一個堅持調(diào)性寫作的保守派作曲家”。結(jié)語中對布里頓創(chuàng)作上的特點進行歸納總結(jié),并對其音樂風格提出了一些自己的觀點和看法。從而得出:布里頓運用自己的音樂語言,形成自己獨具特色、個性鮮明的音樂風格,在流派紛呈的二十世紀音樂中獨樹一幟。
[Abstract]:In the middle of 20th century, Benjamin Brittenton was one of the most important composers in England. In the middle of 20th century, Britten wrote almost all kinds of music, including opera, dance, orchestra, concerto, chorus, solo, chamber music. Instrumental solos and numerous film, drama and radio soundtracks. This paper selects one of the most important works in Brighton's life: solo soprano, tenor, baritone, mixed chorus, children's choral choral, orchestra, The Requiem of War by the Chamber Band and Organ, through the study of the musical structure and other creative techniques of the works, we hope that people can further understand the music creation of Brighton's Requiem of War. The thesis consists of five chapters: the first chapter introduces Britton's life and creative stages. The second chapter briefly introduces the evolution and development of the soul mass. The third chapter introduces the background of the Requiem of the War and the composition of the band. 4th, The five chapters are the focus of this paper, 4th of which analyze the structure of each movement in detail. In Chapter 5th, the rhythm, rhythm, interval and theme are introduced, harmony, polyphonic techniques and their application are also discussed in chapter 5th, which includes the following aspects: rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm, rhythm and rhythm. The orchestral techniques and vocal writing characteristics are analyzed in detail, so as to realize that Brighton inherits and innovates on the basis of tradition in composing techniques. It's not "a conservative composer who insists on tonality writing". The conclusion sums up Brighton's creative characteristics. The author puts forward some views on his musical style and concludes that Brighton, using his own musical language, forms his own unique and distinctive musical style, which is unique in the genre of music in 20th century.
【學位授予單位】：中央音樂學院
【學位級別】：碩士
【學位授予年份】：2005
【分類號】：J614

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相關期刊論文 前2條

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