在時間中逆行——《游戲》文本的非自主回憶
發(fā)布時間:2018-02-24 18:46
本文關(guān)鍵詞: 庫塔克 《游戲》 非自主回憶 互文關(guān)系域 出處:《福建師范大學(xué)學(xué)報(哲學(xué)社會科學(xué)版)》2015年05期 論文類型:期刊論文
【摘要】:匈牙利當(dāng)代作曲家吉爾吉·庫塔克創(chuàng)作的鋼琴曲集《游戲》作為一部具有自傳性質(zhì)的作品,與庫塔克的非自主回憶有著密切關(guān)聯(lián)性。通過一系列的復(fù)述、追憶和重寫,庫塔克的非自主回憶被轉(zhuǎn)化為碎片式的微型音樂文本,從而使自傳體的《游戲》克服時間的單向流動性,過去與現(xiàn)在融合互滲,逝去的時間被追回;同時,由于《游戲》素材來源的主體同一性與互文關(guān)聯(lián)性,形成了《游戲》文本中典型的互文現(xiàn)象。
[Abstract]:As an autobiographical work, the contemporary Hungarian composer Kyrgyz Kutak's collection of piano music, Game, is closely related to Kutark's involuntary memories, through a series of retelling, recalling and rewriting. Kutuk's involuntary memories are transformed into tiny pieces of music, allowing the autobiographical game to overcome the unidirectional fluidity of time, to blend past and present into each other, and to recover the lost time. Due to the identity of the source of the material and the intertextuality, the typical intertextuality in the text of Game is formed.
【作者單位】: 福建師范大學(xué)音樂學(xué)院;
【分類號】:J624.1
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本文編號:1531328
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