本文關(guān)鍵詞： 歌詞 音韻 節(jié)奏 音樂(lè)性 比較　出處：《中國(guó)人民解放軍外國(guó)語(yǔ)學(xué)院》2006年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】： 俄羅斯民族的詩(shī)歌與音樂(lè)以其獨(dú)有的藝術(shù)魅力聞名于世,而優(yōu)秀的歌詞身處其中,兼具詩(shī)、曲特征,凝聚詩(shī)、曲精華,當(dāng)說(shuō)是俄羅斯文化藝術(shù)中的獨(dú)特一族。然而,“歌詞這門(mén)特殊的以語(yǔ)言為材料的藝術(shù),只因?yàn)閷⒆约旱拿\(yùn)同以無(wú)形為重要特色的音樂(lè)結(jié)合了起來(lái),從而往往成為一種既不被文學(xué)界所矚目,又常被音樂(lè)界所遺忘的藝術(shù)”。(晨楓,2002:1)事實(shí)上,歌詞是所有語(yǔ)言藝術(shù)中最早出現(xiàn)的一種形式——它幾乎與人類(lèi)萌芽狀態(tài)的語(yǔ)言表述同時(shí)產(chǎn)生,其詩(shī)化本體乃至詩(shī)化的語(yǔ)言特征,早已使歌詞具有與詩(shī)歌相似、且絕不亞于詩(shī)歌的藝術(shù)魅力。其中,歌詞不僅與詩(shī)歌一樣具有一定的音樂(lè)性和“音韻美”特征,其需“和樂(lè)而唱”的天性,更使歌詞的音樂(lè)性與“音韻美”較詩(shī)歌更為顯著和鮮明。因此,本文選擇“俄語(yǔ)歌詞”作為主要研究對(duì)象,同時(shí)選擇了俄語(yǔ)歌詞的“音韻美”作為研究的主要角度,希望籍此作為對(duì)俄語(yǔ)歌詞初步探索研究的開(kāi)始。 本篇論文主要由緒論、正文、結(jié)論三部分組成。 緒論部分說(shuō)明本文寫(xiě)作的緣起,簡(jiǎn)要介紹與本文研究?jī)?nèi)容密切相關(guān)的學(xué)科、理論研究背景,具體說(shuō)明本文主要研究方法,闡明寫(xiě)作目的。 正文由四章組成: 第一章探尋俄、漢詩(shī)歌與歌詞分化整合的歷史脈絡(luò),在此基礎(chǔ)上總體把握歌詞與詩(shī)歌、歌詞與音樂(lè)之間辨證統(tǒng)一的關(guān)系,從而證明歌詞不僅具有詩(shī)歌所有的包括“音韻美”在內(nèi)的詩(shī)性特征和音樂(lè)性特質(zhì),同時(shí),歌詞源于詩(shī)歌且更為鮮明的音樂(lè)性更為其“音韻美”的充分展現(xiàn)鋪就了至關(guān)重要的平臺(tái)。 第二、三章從語(yǔ)音、韻律兩個(gè)方面探討俄漢歌詞語(yǔ)言的基本特征及其異同,深入體會(huì)這些特征在歌詞中的情感色彩表達(dá),從而從根本上闡明和奠定俄漢歌詞豐富的“音韻美”的語(yǔ)言基礎(chǔ)。 第四章在前文基礎(chǔ)上對(duì)俄漢歌詞的“音韻美”作理論性整理和論述,歸納總結(jié)俄漢歌詞“音韻美”的主要特征,并由此探討“詞曲交融(這里主要指歌詞語(yǔ)言的基本音韻特征與相關(guān)音樂(lè)基本要素的對(duì)應(yīng)結(jié)合)對(duì)俄漢歌詞‘音韻美’的深化和升華。 結(jié)論部分梳理全文脈絡(luò)并總結(jié)全文,闡明本文研究的主要結(jié)論,分析本篇不足。 我們知道,理論力量的產(chǎn)生是建筑在科學(xué)性的規(guī)范化的基礎(chǔ)上的。其中規(guī)范不僅指單一學(xué)科本身的系統(tǒng)性,同時(shí)也指學(xué)科之間的相互作用與影響的體系,這樣就在學(xué)科邊緣、交叉的關(guān)系中,從不同學(xué)科的角度強(qiáng)化了對(duì)同一論題的認(rèn)識(shí)。 近年來(lái),俄、中詩(shī)歌、音樂(lè)理論屆的學(xué)者們就打破學(xué)科界限,把俄、漢詩(shī)歌與音樂(lè)結(jié)合起來(lái)進(jìn)行研究,把握住了俄、漢文學(xué)與藝術(shù)發(fā)展史上的一個(gè)重要現(xiàn)象,開(kāi)拓了一個(gè)新的學(xué)術(shù)研究方向。由此,在俄、漢詩(shī)歌文學(xué)與音樂(lè)文學(xué)交相呼應(yīng)、蓬勃發(fā)展的今天,我們似乎更有必要審視歌詞藝術(shù)的歷史足跡,在古今、中外的觀(guān)照之中,探索出歌詞獨(dú)有的藝術(shù)特征及其發(fā)展變化的規(guī)律,促進(jìn)歌詞、乃至詩(shī)歌藝術(shù)進(jìn)一步的繁榮與發(fā)展。 此外,哪怕是對(duì)于普通的俄語(yǔ)學(xué)習(xí)和研究者來(lái)說(shuō),“學(xué)習(xí)外語(yǔ)和唱外語(yǔ)歌曲是同等重要的……學(xué)好外語(yǔ)歌曲,可以使您更深刻地理解這門(mén)外語(yǔ)的真諦……”(姚光巖,2004:1)�？梢�(jiàn),了解和研究俄語(yǔ)歌詞會(huì)為我們帶來(lái)多方面的實(shí)際意義。 總之,本文以俄、漢歌詞為研究對(duì)象,以俄、漢語(yǔ)言、詩(shī)歌、音樂(lè)文學(xué)理論中的相關(guān)內(nèi)容(如語(yǔ)音學(xué)、語(yǔ)言學(xué)、詩(shī)歌韻律學(xué)、語(yǔ)言學(xué)詩(shī)學(xué)、比較詩(shī)話(huà)學(xué)、民族文化語(yǔ)義學(xué)、詩(shī)歌史學(xué)以及基本樂(lè)理、音樂(lè)音響學(xué)、音樂(lè)史學(xué)等學(xué)科中的相關(guān)理論,尤其是“詩(shī)歌美學(xué)”、“聲樂(lè)語(yǔ)言學(xué)”等新興學(xué)科的相關(guān)學(xué)術(shù)理論)為基礎(chǔ),以“詩(shī)歌與音樂(lè)”和“歌詞”領(lǐng)域已有的理論研究成果為依據(jù),旨在對(duì)俄、漢歌詞的“音韻美”做一個(gè)非�；径州^為“立體”的研究和闡述。討論中既有中、俄兩國(guó)或同一時(shí)期、或相似歷史背景、或同一主題的歌詞的橫向?qū)Ρ?也有中國(guó)或俄羅斯本國(guó)不同歷史時(shí)期和藝術(shù)文化發(fā)展階段歌詞的縱向?qū)Ρ�。以上也是本篇論文研究的新意所在�?br/>[Abstract]:Poetry and music of the Russian nation with its unique artistic charm of famous and excellent lyrics in both poetry and music features, condensed poetry, song essence, as the saying is unique family of Russian culture and art. However, the lyrics "which is a kind of special language is the material of art, just because their fate will be the same as the invisible is the key features of the music together, and often become a are not attracted the attention of the literary world, and often forgotten by the musical art." (Chen Feng, 2002:1) in fact, the lyrics is a form first appeared in all languages in Art -- it is almost the bud and human language at the same time, the linguistic features of the poetic ontology and poetic, poetry and lyrics have already made similar, and no less than the artistic charm of poetry. The lyrics and poetry not only has a certain musical and "Beauty" and "feature, the need to sing" nature, music and lyrics to "beauty" poetry is more significant and distinct. Therefore, this thesis chooses "Russian lyrics" as the main research object, and choose the Russian lyrics of "beauty" as the main research angle, which is intended as a preliminary exploration of the Russian lyrics the beginning of the study.
This paper is mainly composed of three parts: introduction, text and conclusion.
The introduction part explains the origin of this paper, briefly introduces the subjects closely related to the research content, theoretical research background, and illustrates the main research methods in this paper, and expounds the purpose of writing.
The text consists of four chapters:
The first chapter is to explore the Russian, Chinese poetry and lyrics of differentiation and integration of the historical context, on the basis of the overall grasp of the lyrics and poetry, the dialectical unity relationship between lyrics and music, which proves that not only has all the poetry lyrics including "beauty", the poetic features and musical qualities, at the same time, the lyrics from poems and more the distinctive music for its "beauty" of the show paved the important platform.
The second, third chapter discusses the basic characteristics and similarities and differences between Russian and Chinese lyrics from two aspects: voice and prosody, and deeply understands these emotional expressions in lyrics, so as to clarify and lay a foundation for the phonetic beauty of Russian and Chinese lyrics.
The fourth chapter on the basis of above mentioned in Russian and Chinese lyrics of "beauty" theory of reorganization and the elaboration, summarized the main features of summary of Russian and Chinese lyrics "beauty", and then discussed the "lyrics blending (here mainly refers to the basic elements of the corresponding basic phonological features of song lyrics and music with lyrics in Russian and Chinese) the" beauty "deepening and sublimation.
The conclusion is to sort out the full text and summarize the full text, to clarify the main conclusions of this study and to analyze the lack of this article.
We know that the theory of power is based on scientific and standardized. The specification not only refers to the system of the single subject itself, but also refers to the interaction and influence between discipline system, this subject in the edge cross relationship, from different subjects and understanding of the perspective of reinforcement the same topic.
In recent years, Russia, in poetry, music theory scholars will break the boundaries of disciplines, the Russian, Chinese poetry and music combine research, grasp Russia, an important phenomenon in the history of the development of Chinese literature and art, has opened up a new academic research direction. Thus, in Russia. Chinese poetry and music literature echoes, flourishing today, we need to look at the lyrics seem more art history in the ancient and modern, Chinese and foreign footprint, contemplation, and explore the unique artistic characteristics of lyrics and its developing rules, and promote the prosperity and development of the lyrics, poetry and art in the future.
In addition, even for those of ordinary Russian learning and speaking, learning a foreign language and sing English songs are equally important. To learn English songs, so you can understand the language more profound meaning. "(Yao Guangyan, 2004:1). Therefore, the understanding and study of Russian lyrics will bring practical significance in many aspects for us.
In short, the Russian, Chinese lyrics as the research object, in Russia, the Chinese language, poetry and music related content in literary theory (such as linguistics, phonetics, prosody, linguistic poetics, comparative poetry, poetry history and national culture semantics, basic music theory, music acoustics, music and other subjects in the history the related theory, especially the "aesthetics of poetry", "vocal linguistics" and other emerging disciplines related to academic theory) as the foundation, with "poetry and music" and "lyrics" field of the existing theoretical research results as the basis, to the Russian, Chinese lyrics of "beauty" to do a very basic and more three-dimensional the research and discussion in this paper. Both in Russia, or during the same period, or similar historical background, compared with the same topic or lyrics, there are Chinese or Russian in different stages of history and culture and art development period The longitudinal contrast of the lyrics. The above is also the new meaning of this paper.

【學(xué)位授予單位】：中國(guó)人民解放軍外國(guó)語(yǔ)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類(lèi)號(hào)】：I106.2;J614.9

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 徐勵(lì)成;試論拉赫瑪尼諾夫歌劇《阿列科》中“阿列科”的藝術(shù)形象[D];上海師范大學(xué);2011年

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本文編號(hào)：1505187