本文關(guān)鍵詞： 少數(shù)民族 藝術(shù) 價(jià)值 發(fā)展　出處：《云南藝術(shù)學(xué)院》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：云南省與東南亞諸國(guó)接壤，身居中國(guó)漢文化圈、東南亞南傳佛教-伊斯蘭教文化圈和西藏與中亞藏傳佛教文化圈諸文化圈交匯處，云南民族藝術(shù)的發(fā)展具有研究的典型性。如何針對(duì)云南少數(shù)民族藝術(shù)所蘊(yùn)含的民族文化獨(dú)特性，族群認(rèn)同性、以及云南少數(shù)民族藝術(shù)在文化轉(zhuǎn)型中的交流性，開放性，從藝術(shù)人類學(xué)的視角，關(guān)注當(dāng)前社會(huì)變遷中，云南少數(shù)民族藝術(shù)本身多樣性的適從，，理性正確地認(rèn)識(shí)、評(píng)價(jià)、保護(hù)云南少數(shù)民族藝術(shù)資源，是當(dāng)前研究的熱點(diǎn)和核心。 本文以云南雙江拉祜族七十二套路打歌為主要研究對(duì)象，從藝術(shù)人類學(xué)的視角，通過(guò)理論、史料、素材、田野調(diào)查等，對(duì)云南雙江拉祜族七十二套路打歌的內(nèi)容、打歌與拉祜族的生產(chǎn)生活的關(guān)系進(jìn)行闡述，對(duì)拉祜族七十二套路打歌所蘊(yùn)含的深厚文化價(jià)值進(jìn)行了分析，理清了其當(dāng)前社會(huì)轉(zhuǎn)型過(guò)程中的發(fā)展困境，為少數(shù)民族藝術(shù)的發(fā)展提出一些思考和探索。 論文主要內(nèi)容包括以下幾個(gè)方面：拉祜族七十二套路打歌研究的意義、選擇田野調(diào)查點(diǎn)的代表性，主要方法；雙江拉祜族七十二套路打歌的主要內(nèi)容及價(jià)值；分析了拉祜族七十二套路打歌的發(fā)展特點(diǎn)；歸納了雙江拉祜族七十二套路打歌的發(fā)展困境，提出關(guān)于拉祜族七十二套路打歌發(fā)展的意見建議。
[Abstract]:Yunnan Province borders the countries of Southeast Asia and lives in the Chinese and Han cultural circles, the southern Buddhist and Islamic cultural circles in Southeast Asia and the cultural intersections of Tibet and Central Asia in Tibetan Buddhism. The development of Yunnan ethnic art is typical. How to deal with the ethnic cultural uniqueness, ethnic identity, and the communication and openness of Yunnan minority art in the cultural transformation, From the point of view of art anthropology, it is the focus and core of current research on the diversity of minority art in Yunnan, rational and correct understanding, evaluation and protection of Yunnan minority art resources. This paper takes 72 routine songs of Lahu nationality in Shuangjiang, Yunnan Province as the main research object, from the angle of artistic anthropology, through theory, historical materials, material, field investigation, etc., the contents of the songs of the 72 routine of Lahu nationality in Shuangjiang, Yunnan Province, are discussed. The relationship between the singing and the production and life of the Lahu nationality is expounded, the profound cultural value contained in the 72 routine of the Lahu nationality is analyzed, and the predicament of its development in the process of social transformation is clarified. Put forward some thoughts and explorations for the development of minority art. The main contents of this paper are as follows: the significance of the study on the 72 routine songs of Lahu nationality, the representativeness and main methods of selecting the field investigation points, the main content and value of the 72 routine songs of the Lahu nationality in Shuangjiang; This paper analyzes the development characteristics of the 72 routine songs of Lahu nationality, sums up the difficulties of the development of the 72 routine songs of the Lahu nationality in Shuangjiang, and puts forward some suggestions on the development of the 72 routine songs of the Lahu nationality.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J607

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本文編號(hào)：1502002