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春秋戰(zhàn)國(guó)時(shí)期晉音樂(lè)文化研究

發(fā)布時(shí)間:2018-02-04 22:03

  本文關(guān)鍵詞: 春秋戰(zhàn)國(guó) 晉音樂(lè)史料 區(qū)域特色 出處:《山西大學(xué)》2013年碩士論文 論文類(lèi)型:學(xué)位論文


【摘要】:綜觀(guān)“中國(guó)音樂(lè)史”的研究方向,主要進(jìn)行了通史、斷代史、專(zhuān)題史等體例方面的研究,豐富的史料足以將中國(guó)音樂(lè)史的脈絡(luò)做的很清楚了,但對(duì)于歷史中不同地區(qū)音樂(lè)風(fēng)格之差異的原因未能很好的總結(jié),眾所周知,不同地區(qū)、民族的音樂(lè)均生長(zhǎng)于特定的社會(huì)環(huán)境中,其中包括地理、文化、宗教、信仰、風(fēng)俗、藝術(shù)等等眾多因素,若解決這一問(wèn)題,地方音樂(lè)史的研究日趨迫切,關(guān)于地方音樂(lè)史的研究,目前已經(jīng)是中國(guó)音樂(lè)通史當(dāng)中一個(gè)還未全面展開(kāi)的比較新的開(kāi)發(fā)課題,,它的研究對(duì)于我國(guó)現(xiàn)有的民族民間音樂(lè)的研究、地方音樂(lè)的色彩區(qū)的形成以及發(fā)展?fàn)顩r是一個(gè)追根尋源的一個(gè)過(guò)程,具有非常重要的意義。 山西地方音樂(lè)史是我國(guó)地方史中居特殊位置的一支。它的研究相對(duì)具有優(yōu)厚的研究條件,作為音樂(lè)史料與音樂(lè)遺跡極大豐富的文物大省,完全具備了寫(xiě)地方音樂(lè)史的條件;山西的音樂(lè)文化發(fā)展的比較好跟先秦時(shí)期的山西在整個(gè)中國(guó)歷史發(fā)展中具有舉足輕重的地位分不開(kāi),其中春秋戰(zhàn)國(guó)時(shí)期晉國(guó)霸業(yè)的建立,帶來(lái)了音樂(lè)文化的繁榮,以及對(duì)后世晉音樂(lè)文化的影響具有根源性研究的重要意義。因此春秋戰(zhàn)國(guó)時(shí)期晉音樂(lè)文化是當(dāng)今晉文化特色形成的基礎(chǔ)與發(fā)展根源。 本論文屬于待開(kāi)發(fā)的山西地方音樂(lè)史研究專(zhuān)題之一,目的在于深入探討晉文化特色的形成及對(duì)其后音樂(lè)藝術(shù)的影響。本論文將從四個(gè)章節(jié)對(duì)春秋戰(zhàn)國(guó)時(shí)期的晉文化進(jìn)行整體性的研究。 第一章,介紹春秋戰(zhàn)國(guó)時(shí)期晉音樂(lè)文化發(fā)展的社會(huì)環(huán)境以及晉文化的概況;第二章,從文獻(xiàn)史料和考古史料兩方面入手,對(duì)春秋戰(zhàn)國(guó)時(shí)期晉音樂(lè)文化的發(fā)展脈絡(luò)進(jìn)行梳理;第三章,根據(jù)前兩章節(jié)的內(nèi)容對(duì)春秋戰(zhàn)國(guó)時(shí)期的晉音樂(lè)文化進(jìn)行分期研究;第四章,是在前三章的基礎(chǔ)上對(duì)春秋戰(zhàn)國(guó)時(shí)期的晉文化特色以及傳承進(jìn)行總結(jié),本論文的創(chuàng)新之處就體現(xiàn)在本章節(jié),是全文的重點(diǎn)。 寫(xiě)好山西地方音樂(lè)史,不僅對(duì)研究山西音樂(lè)藝術(shù)風(fēng)格發(fā)展有重要意義;而且對(duì)山西非物質(zhì)音樂(lè)文化遺產(chǎn)的保護(hù)具有重要的學(xué)術(shù)價(jià)值。為促進(jìn)山西文化事業(yè)發(fā)展,建設(shè)山西文博大省提供有益的學(xué)術(shù)基礎(chǔ)。
[Abstract]:Looking at the research direction of "the History of Chinese Music", it mainly carries on the research of the general history, the history of dynasties, the history of special subjects and so on. The abundant historical data are enough to make the venation of the history of Chinese music very clear. However, the reasons for the differences in music styles in different regions of history have not been well summarized. As we all know, the music of different regions and ethnic groups all grow in specific social environment, including geography, culture, religion. Faith, customs, art and many other factors, if we solve this problem, the study of the history of local music is becoming more and more urgent, about the study of the history of local music. At present, it is a relatively new development subject in the general history of Chinese music that has not been carried out in an all-round way. Its research is about the study of folk music in China. The formation and development of local music color area is a process of seeking root and source, which is of great significance. Shanxi's local music history is one of the special parts in the local history of our country. Its research has excellent research conditions and is a great cultural relic province with abundant music historical data and remains. Fully equipped to write local music history; Shanxi's music and culture development is better than the pre-Qin period Shanxi has a pivotal position in the development of the entire history of China, including the Spring and Autumn warring States period of the establishment of Jin tyrants. It brings the prosperity of music culture, and the influence on the music culture of later Jin has the important significance of the root research. Therefore, the music culture of Jin during the Spring and Autumn period and warring States period is the foundation and the development root of the present Jin culture characteristic formation. This thesis belongs to one of the research topics of Shanxi local music history. The purpose of this paper is to probe into the formation of the cultural characteristics of Jin and its influence on the later music art. This paper will conduct a holistic study of Jin culture in the Spring and Autumn and warring States period from four chapters. The first chapter introduces the social environment of Jin music culture development in the Spring and Autumn and warring States period and the general situation of Jin culture. The second chapter, from the literature and archaeological historical data two aspects, to the Spring and Autumn warring States Jin music culture development context comb; The third chapter, according to the content of the first two chapters of the Spring and Autumn warring States period of Jin music culture stage study; Chapter 4th, on the basis of the first three chapters, summarizes the cultural characteristics and inheritance of Jin in the Spring and Autumn and warring States period. The innovation of this paper is reflected in this chapter, which is the focus of the full text. Writing the history of Shanxi local music is not only of great significance to the development of Shanxi musical art style; Moreover, it has important academic value for the protection of Shanxi's intangible music and cultural heritage, and provides a beneficial academic basis for promoting the development of Shanxi's cultural undertakings and building a large province of Shanxi's literary and cultural fields.
【學(xué)位授予單位】:山西大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類(lèi)號(hào)】:J609.2

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