本文關(guān)鍵詞： 黑衣壯 弄文屯 山歌文化 文化內(nèi)涵 審美價值　出處：《廣西師范大學(xué)》2005年碩士論文　論文類型：學(xué)位論文

【摘要】：審美人類學(xué)以全球化背景下,弱小民族和邊緣群體的審美文化的變遷和藝術(shù)實踐活動為研究對象。尤其是在現(xiàn)代經(jīng)濟、技術(shù)、文化的沖擊下,弱小民族和邊緣群體的傳統(tǒng)文化藝術(shù)面臨著巨大的挑戰(zhàn),其傳統(tǒng)與現(xiàn)代生活結(jié)合的可能性、方式、動因和機制是什么;在多元文化的語境中,少數(shù)民族的文化藝術(shù)的價值和意義何在;它們能否為自己贏得新的生存空間并發(fā)出本民族文化藝術(shù)的聲音等問題都是審美人類學(xué)所要探討的。審美人類學(xué)認(rèn)為少數(shù)民族藝術(shù)和審美活動與人民的現(xiàn)實生活經(jīng)驗密切聯(lián)系,審美價值還未從政治價值、經(jīng)濟價值、倫理價值中分離出來,只有在具體的社會變遷和文化語境中來考察,才能了解其豐富的文化內(nèi)涵和審美價值并重新找回審美活動與日常生活的聯(lián)系。 黑衣壯是廣西壯族的一個分支,長期以來其獨特的族群文化藝術(shù)未被世人知曉,但近年來,在現(xiàn)代政治、經(jīng)濟和大眾文化的影響下,其傳統(tǒng)文化藝術(shù)正經(jīng)歷著巨大的轉(zhuǎn)型和變遷,其獨特的族群文化逐漸引起人們的關(guān)注。本文在審美人類學(xué)的視野下,以黑衣壯山歌文化為研究對象,通過對黑衣壯山歌文化的田野調(diào)查,在獲得第一手資料的基礎(chǔ)上,對黑衣壯山歌藝術(shù)的源流、種類和歌唱習(xí)俗做了初步的研究。本文認(rèn)為山歌文化是一種審美意識形態(tài),山歌藝術(shù)的文化內(nèi)涵不是孤立地靜止地存在于藝術(shù)符號中,而是體現(xiàn)在整個歌唱活動的過程中。通過對歌唱活動的主體即歌手歌師的形成、歌唱的內(nèi)容即情歌的本質(zhì)和歌唱的場所即歌節(jié)及所產(chǎn)生的審美意義的分析,探討了黑衣壯歌唱活動豐富的文化內(nèi)涵。在現(xiàn)代化的進程中,黑衣壯山歌文化必然發(fā)生變遷,通過對其變遷軌跡和原因的分析,探討了黑衣壯山歌文化的現(xiàn)代審美價值。黑衣壯群眾利用山歌文化作為載體,在回憶和變遷中重構(gòu)黑衣壯族群意識并強化了文化認(rèn)同心理。在與外來文化的交流和互動中,黑衣壯群眾的文化自覺意識逐步增強,在反抗文化壓迫的過程中表現(xiàn)了特殊的文化競爭意識和特有的文化表達方式。他們還積極探索利用族群文化資源來推動黑衣壯社會發(fā)展的新途徑。 黑衣壯山歌文化的現(xiàn)代變遷表明,雖然文化的全球化是歷史的必然趨勢,但由于各民族和地區(qū)的經(jīng)濟、技術(shù)、文化的不平等性,在全球化的坐標(biāo)中所處的位置不同,參與的進程不同和受到的沖擊程度不同,所以,全球化/本土化,現(xiàn)代化/民族化并不構(gòu)成簡單的對立和沖突關(guān)系。事實上,在外來大眾文化的沖擊下,少數(shù)民族群眾并不是簡單的拋棄傳統(tǒng)、全盤接受外來文化。相反,通過與外來文化的交流,他們的族群意識和文化自覺意識得到增強,在繼承和吸收外來文化的過程中,表現(xiàn)出了一種創(chuàng)造性的生存智慧。同時,少數(shù)民族藝術(shù)中的某些積極強健的因素被激活,民族感情被激發(fā),這有利于民族文化的生產(chǎn)和再生產(chǎn),并促使民族藝術(shù)朝著更加個性鮮明的方向發(fā)展。在當(dāng)代文明沖突中和社會主義藝術(shù)生產(chǎn)方式的條件下,民族藝術(shù)、本土文化不是一個簡單的“他者”,它們有可能發(fā)揮審美意識形態(tài)在社會轉(zhuǎn)型和發(fā)展中的積極作用,表現(xiàn)出“邊緣文化”的活力,成為少數(shù)民族地區(qū)經(jīng)濟、社會、文化發(fā)展的一種牽引性的力量,是新文化建設(shè)的一種重要的文化資源。
[Abstract]:Aesthetic anthropology in the background of globalization, minorities and marginalized groups the changes of aesthetic culture and artistic practice as the research object. Especially in the modern economy, technology and culture under the impact of traditional culture and art of minorities and marginalized groups are facing great challenges and possibilities, combining the traditional and modern way of life and what is the motivation and mechanism; in a multicultural context, where the value and meaning of the culture and art of ethnic minorities; they can win for themselves a new living space and the issue of the national culture and art sound it is a question of aesthetic anthropology to explore. Aesthetic anthropology thought the national minority art and aesthetic activities and people's real life experience in close contact, yet from the aesthetic value of political value, economic value, ethical value is separated, and only in a specific social change and cultural language In order to understand the rich cultural connotation and aesthetic value, we can find out the relationship between the aesthetic activities and the daily life.
Heiyizhuang is a branch of Guangxi Zhuang, has its unique ethnic culture and art is not known, but in recent years, in the modern political, economic and popular culture, the traditional culture is experiencing great transformation and change, its unique Zu Qunwen gradually attracted people's attention in this paper. In the vision of aesthetic anthropology, with black clothes Zhuang folk song culture as the research object, through the field investigation of black clothes Zhuang's folk song culture, based on the first-hand data, the origin of black clothes Zhuang folk song art, singing types and customs to do a preliminary study. This paper argues that the folk culture is a kind of aesthetic ideology. The cultural connotation of folk art is not an isolated still exists in the art symbol, but reflected in the whole process of singing activities. Through the subject of singing activities that singers to sing The content analysis of essence and aesthetic significance of the place that singing songs and the Song Festival, discusses the Heiyizhuang singing activities rich cultural connotation. In the process of modernization, the inevitable changes of black clothes Zhuang's folk song culture, through the analysis of the changes and reasons, explore the modern aesthetic value of black clothes Zhuang folk songs the black clothes Zhuang culture. People use folk songs as a carrier in the memory and changes in group consciousness and strengthen the reconstruction of Heiyi Zhuang cultural identity in psychology. And foreign culture communication and interaction, cultural self-consciousness people gradually increase the performance of the special sense of cultural competition and culture in the process of cultural resistance in the oppression of expression. They also actively explore new ways of using ethnic cultural resources to promote the Heiyizhuang social development.
According to the modern changes of black clothes Zhuang's folk song culture, while the cultural globalization is the inevitable trend of history, but because of the national and regional economic, technical, cultural inequality, different place in global coordinate position, participate in the process and the impact of different degree is different, so, globalization / localization. The modernization / nationalization does not constitute a simple confrontation and conflict relations. In fact, in a foreign mass culture under the impact of the minority people and not simply abandon the traditional, accepting foreign cultures. On the contrary, with foreign cultural exchanges, their ethnic consciousness and cultural consciousness has been enhanced, in the process of inheritance and the absorption of foreign culture, showing the living wisdom of a creative. At the same time, ethnic art in some strong positive factors are activated, national feelings are excited, which is conducive to the people Cultural production and reproduction, and promote the national art in a more distinctive direction. In the contemporary cultural and artistic production under the condition of socialism, ethnic art, local culture is not a simple "otherness", they are likely to play a positive role in the aesthetic ideology in social transformation and development. Show the "edge culture" activity, become the minority area economy, society, a leading force in the development of culture, is an important cultural resource of new cultural construction.

【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2005
【分類號】：J642.211.8

【引證文獻】

相關(guān)碩士學(xué)位論文 前3條

1 何清新;滲透與守望[D];廣西大學(xué);2007年

2 楊荔斌;現(xiàn)代視野中黑衣壯文化的審美價值[D];廣西師范大學(xué);2006年

3 陸穎;論民歌藝術(shù)的當(dāng)代發(fā)展及其文化價值[D];廣西師范大學(xué);2007年

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本文編號：1490791