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  本文關(guān)鍵詞： 聲無哀樂 聲有哀樂 感情　出處：《西北師范大學》2006年碩士論文　論文類型：學位論文

【摘要】： 中國古代文化是以儒家思想為主導思想，這一時期的音樂理論家們一直主張“聲有哀樂”，直至魏晉南北朝時期，嵇康提出了“聲無哀樂”的樂論觀點，并成形于他的音樂理論作品《聲無哀樂論》，從此掀起了歷史上幾千年以來后人們對于“聲無哀樂”與“聲有哀樂”爭論與學習的浪潮…… 本文是抱以學習的態(tài)度探討、分析音樂家嵇康《聲無哀樂論》中所持的“聲無哀樂”觀點與“聲有哀樂”觀點之爭。分析、探討了嵇康《聲無哀樂論》形成的原因，列舉了《聲無哀樂論》一文中主要的例證觀點。追尋、查找著古人的足跡，，忠實地記錄了古人帶給我們的巨大的精神財富。 論文分為四部分： (一)緒論：概述了本論題的主要內(nèi)容，并說明“聲無哀樂”及“聲有哀樂”在中國音樂史上產(chǎn)生的重要影響。 (二)主體：論文的主體分為四個部分進行論述。 1、嵇康及其音樂思想：介紹了嵇康的生平與主要作品；嵇康的音樂思想及其形成的原因； 2、“聲無哀樂”與“聲有哀樂”：簡介了嵇康的《聲無哀樂論》；列舉了中外歷史上持“聲無哀樂”與“聲有哀樂”有代表性的觀點與音樂理論家；概述了嵇康在《聲無哀樂論》中所持“聲無哀樂”的幾點重要觀點并進行學習與分析：(1)音樂的本源問題；(2)關(guān)于音樂欣賞中主客體的關(guān)系問題；(3)關(guān)于音樂是否能“移風易俗”的問題； 3、從嵇康的《聲無哀樂論》引出音樂與感情的關(guān)系：詳述了音樂與感情是有聯(lián)系的，音樂能夠表達人的感情； 4、結(jié)語：通過對嵇康《聲無哀樂論》的學習與研究，闡述了作者不成熟的觀點，盡述了嵇康的“聲無哀樂”論的歷史意義。
[Abstract]:Ancient Chinese culture was dominated by Confucianism. Music theorists in this period always advocated that "there is sorrow and music", until the Wei, Jin, Southern and Northern dynasties, Ji Kang put forward the music theory of "sound without sorrow". And formed in his music theory work, "the Theory of Sound without sadness", from then on set off the history of thousands of years after people "no sad music" and "voice has sorrow" debate and study of the tide. This article is to discuss with the attitude of learning, and analyze the controversy between the viewpoint of "sound without sorrow" and the view of "sound has sorrow and joy" held by musician Ji Kang. This paper probes into the reasons for the formation of Ji Kang's Theory of No Sorrow and Music, and enumerates the main illustrative viewpoints in the essay "the Theory of Sound without sadness", which seeks to find the footprints of the ancients. Faithful record of the ancients brought us great spiritual wealth. The paper is divided into four parts: (1) introduction: this paper summarizes the main contents of this thesis, and explains the important influence of "sound without sorrow" and "sound with sorrow" on the history of Chinese music. (2) subject: the main body of the thesis is divided into four parts to discuss. 1. Ji Kang and his music thought: it introduces Ji Kang's life and main works, his music thought and the reason of its formation; (2) "Sound without sorrow" and "sound with sorrow": a brief introduction to Ji Kang's "the Theory of Sound without Sorrow"; This paper enumerates the representative views and music theorists in the history of China and foreign countries who hold "the voice has no sorrow" and "the sound has the sad music"; This paper summarizes some important viewpoints of Ji Kang in "Sound without sorrow" and studies and analyzes the origin of music. (2) the relationship between subject and object in music appreciation; (3) the question of whether music can "change the customs"; (3) the relationship between music and emotion is derived from Ji Kang's "the Theory of Sound without sadness": the relationship between music and emotion is described in detail, and music can express people's feelings; 4. Conclusion: through the study and research on Ji Kang's Theory of No Sorrow and Music, this paper expounds the author's immature viewpoint and expounds the historical significance of Ji Kang's theory of "No Sound without Sorrow".
【學位授予單位】：西北師范大學
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J609.2

【引證文獻】

相關(guān)碩士學位論文 前3條

1 賀林林;嵇康與阮籍音樂美學思想之比較[D];西安音樂學院;2011年

2 梅梅;嵇康與《聲無哀樂論》研究[D];內(nèi)蒙古師范大學;2011年

3 鄭偉;唐前嵇康現(xiàn)象研究[D];山東大學;2009年

本文編號：1479253