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  本文關(guān)鍵詞： 肖邦 和弦外音 美學(xué)意義 黃金分割　出處：《曲阜師范大學(xué)》2006年碩士論文　論文類型：學(xué)位論文

【摘要】：和弦外音是指不屬于和弦結(jié)構(gòu)的音,但外音不“外”,它以自己獨(dú)特的方式作用于音樂的外在形式與內(nèi)容表現(xiàn),成為建構(gòu)音樂的形式美與加強(qiáng)表情性方面的重要因素�？稍诤吐晫W(xué)研究領(lǐng)域,針對和弦外音的研究多是限于從和聲分析的角度來研究外音的不同表現(xiàn)形式與用法,或只是從旋律華彩與增添和聲緊張度與色彩方面去一般地看待外音在音樂作品中的意義,很少有人從美學(xué)的高度對外音之于音樂作品的形式構(gòu)成與內(nèi)容表現(xiàn)的重要意義進(jìn)行深入的個案研究。這在一定程度上影響了對于和弦外音重要性的認(rèn)識,同時也導(dǎo)致對有調(diào)性音樂作曲家創(chuàng)作技法的研究在外音領(lǐng)域的長期缺失。 本文試圖通過肖邦鋼琴作品中和弦外音應(yīng)用的系統(tǒng)研究,來了解外音在這位音樂歷史上最偉大、最具獨(dú)創(chuàng)性作曲家作品中從形式到內(nèi)容方面的美學(xué)意義。文章共分兩章,第一章論述了和弦外音的發(fā)展簡史,并從四個方面論述了外音在音樂作品中的一般美學(xué)意義。第二章是論文的主體部分,分別論述了和弦外音在建構(gòu)富有形式美的旋律線條、表現(xiàn)特定情感、體現(xiàn)作曲家特有的美學(xué)觀念等方面的重要作用。通過研究可以看出,從縱的方面,肖邦對于外音的應(yīng)用既有對前人的繼承,更有對前人的突破,并對后世音樂的發(fā)展產(chǎn)生了重要影響。從橫的方面,外音的應(yīng)用構(gòu)成了作曲家獨(dú)特創(chuàng)作個性的有機(jī)組成部分,在音樂作品中發(fā)揮著獨(dú)特而重要的作用,從旋律到和聲、從形式美的構(gòu)成到表情性的體現(xiàn)等皆閃耀著外音的美麗光輝。此課題的研究不但為肖邦作曲技法的研究打開了一個新的視角,有利于我們更加全面而客觀地來認(rèn)識這位作曲家在旋律學(xué)與和聲學(xué)等領(lǐng)域所做出的重要貢獻(xiàn),同時也利于我們更加深刻地認(rèn)識和弦外音在音樂表現(xiàn)中的重要作用。
[Abstract]:Chord external sound refers to the sound which does not belong to the chord structure, but the external sound is not "outside". It acts on the external form and content of music in its own unique way. It has become an important factor in the construction of formal beauty of music and the enhancement of facial expression. It can be used in the field of harmony and acoustics. The study of chord extraphonic is limited to the study of different forms and usage of external sound from the perspective of harmony analysis. Or just from the melodic splendor and add harmony intensity and color to generally look at the meaning of foreign sound in musical works. Very few people from the aesthetic height foreign sound to the musical work form constitution and the content expression important significance carries on the thorough case study, this to some extent has affected the understanding to the chord external sound importance. At the same time, it also leads to the long-term deficiency in the field of external sound. This paper attempts to study the application of chords in Chopin's piano works in order to understand the greatest in the music history of Chopin. Aesthetic significance from form to content in the works of the most original composers. The article is divided into two chapters. The first chapter discusses the development history of chord external sound. The second chapter is the main part of the thesis, and discusses the chord external sound in the construction of formal beauty of the melody lines, the performance of specific emotions. Through the study, we can see that Chopin's application of foreign sound not only inherits the predecessors, but also has a breakthrough to the predecessors. From the horizontal aspect, the application of external sound constitutes an organic part of the composer's unique creative personality, and plays a unique and important role in music works. From melody to harmony, from the composition of formal beauty to the embodiment of facial expression, all of them are shining with the beautiful brilliance of external sound. The research of this subject not only opens a new angle of view for Chopin's study of composing techniques. It is helpful for us to understand more comprehensively and objectively the important contributions made by this composer in the field of melotics and harmony. At the same time, it also helps us to understand the important role of chords in the performance of music.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J614.1

【引證文獻(xiàn)】

中國碩士學(xué)位論文全文數(shù)據(jù)庫 前2條

1 吳婕;肖邦夜曲中的Rubato節(jié)奏研究[D];湖南師范大學(xué);2011年

2 郝麗莎;論和弦外音及其演進(jìn)[D];西南交通大學(xué);2011年

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本文編號：1476239