本文關(guān)鍵詞： 石首地區(qū) 跳三鼓 語(yǔ)言 唱腔 唱法　出處：《武漢音樂(lè)學(xué)院》2006年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】： 風(fēng)俗歌指有特定民間風(fēng)俗背景的民歌,是我國(guó)民歌中富有特色和頗具影響的一類(lèi)。湖北位于長(zhǎng)江中游地區(qū),是荊楚文化的腹地和荊楚文化與巴蜀文化的混融地,歷史文化沉積特別深厚。表現(xiàn)在傳統(tǒng)民歌上,以各種風(fēng)俗活動(dòng)為背景的民歌種類(lèi)和數(shù)量特別豐富。湖北石首地區(qū)的跳三鼓歷史久遠(yuǎn),內(nèi)涵豐富,旋律有的起伏高昂,有的平穩(wěn)幽雅,曲調(diào)委婉,纏綿動(dòng)聽(tīng)。其節(jié)奏自由,舒展,再加上鑼鼓、鞭炮的渲染,更顯得歡快、熱鬧、氣氛熱烈。本文從民族音樂(lè)學(xué)和聲樂(lè)藝術(shù)的角度,對(duì)這一民歌體裁的歷史源流和演唱特點(diǎn)進(jìn)行梳理和研究,意欲重點(diǎn)聚焦于語(yǔ)言特征和演唱特色,總結(jié)歸納整理石首地區(qū)跳三鼓的演唱方法。同時(shí),將田野工作與聲樂(lè)教學(xué)結(jié)合,歌唱理論與演唱藝術(shù)實(shí)踐結(jié)合,探尋民族唱法如何體現(xiàn)民族性、科學(xué)性、藝術(shù)性的普遍原則,也是本研究的主要目的。并以期對(duì)石首跳三鼓的進(jìn)一步認(rèn)識(shí)和研究提供某些參考,為民族聲樂(lè)的演唱研究提供一些借鑒意義。具體研究過(guò)程中,筆者通過(guò)實(shí)地考察、錄音采樣、記錄分析等手段,對(duì)石首跳三鼓的歷史淵源、歌曲內(nèi)容及形式、音樂(lè)形態(tài)、歌詞唱腔、演唱方法及審美價(jià)值等進(jìn)行較為系統(tǒng)的研究和論述,通過(guò)現(xiàn)場(chǎng)學(xué)習(xí)和親身參與跳三鼓的演唱,增加了對(duì)跳三鼓的感性認(rèn)識(shí),豐富了自己的藝術(shù)體驗(yàn),這既構(gòu)成本文的研究基礎(chǔ),也為筆者今后的進(jìn)一步研究創(chuàng)造了條件。
[Abstract]:Custom songs refer to folk songs with specific folk customs background, which are characteristic and influential in Chinese folk songs. Hubei is located in the middle reaches of the Yangtze River and is the hinterland of Jingchu culture and the blend of Jingchu culture and Bashu culture. Historical and cultural deposition is particularly profound. It is manifested in the traditional folk songs, with a variety of custom activities as the background of folk songs and the number of particularly rich. Hubei Shishou area of the three drum dance history is long, rich in content. Melody some ups and downs high, some smooth elegant, melody euphemism, lingering beautiful. Its rhythm freedom, stretch, plus gongs, firecrackers rendering, more cheerful, lively. From the point of view of ethnomusicology and vocal music art, this paper combs and studies the historical origin and singing characteristics of this folk song genre, with the intention of focusing on the linguistic features and singing characteristics. At the same time, combining field work with vocal music teaching, combining singing theory with singing art practice, exploring how to reflect the nationality and scientific nature of the national singing method. The general principle of artistry is also the main purpose of this study. In the specific research process, the author through the field investigation, recording sampling, recording analysis and other means, the history of the Shishou dance three drum, song content and form. Music form, lyric singing, singing method and aesthetic value were systematically studied and discussed. Through on-the-spot study and personal participation in the singing of the three drums, the perceptual understanding of the three drum dancing was increased. It not only forms the research foundation of this paper, but also creates the conditions for the author to further study in the future.
【學(xué)位授予單位】：武漢音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類(lèi)號(hào)】：J616

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1 焦雙紅;湖北石首地區(qū)跳三鼓的演唱藝術(shù)研究[D];武漢音樂(lè)學(xué)院;2006年

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本文編號(hào)：1457389