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維瓦爾第及其小提琴協(xié)奏曲《四季》

發(fā)布時(shí)間:2018-01-23 04:21

  本文關(guān)鍵詞: 威尼斯 維瓦爾第 《四季》 標(biāo)題性 里托奈羅 出處:《西北師范大學(xué)》2006年碩士論文 論文類型:學(xué)位論文


【摘要】: 意大利作曲家、小提琴演奏家安東尼奧·維瓦爾第,對巴羅克協(xié)奏曲的發(fā)展作出了重要貢獻(xiàn)。他一生創(chuàng)作了大量的小提琴協(xié)奏曲,其中以《四季》尤為著名,這部作品具有標(biāo)題性音樂的特點(diǎn),是巴羅克協(xié)奏曲結(jié)構(gòu)形式的集中體現(xiàn),同時(shí)也是歐洲音樂史上上演率最高的作品之一。西方有關(guān)維瓦爾第的研究始于上個(gè)世紀(jì),在我國則更晚。近年來有關(guān)維瓦爾第的音樂研究和歷史文獻(xiàn)在逐漸的增多,其中以生平及創(chuàng)作的傳記式敘述居多,而專注于《四季》這部作品本身的分析研究較少。本文試圖以18世紀(jì)威尼斯歷史文化背景、維瓦爾第生平、創(chuàng)作及影響為基礎(chǔ),,從內(nèi)容與形式兩個(gè)方面對《四季》進(jìn)行分析,以便對這部小提琴經(jīng)典名作的創(chuàng)作內(nèi)涵和藝術(shù)手法有個(gè)整體的、較為詳盡的認(rèn)識(shí)。 全文共分四個(gè)部分: 第一部分緒論,綜述了已有的研究成果、并闡述了本文的寫作意圖。 第二部分描述了威尼斯歷史文化背景,對維瓦爾第的創(chuàng)作道路分為三個(gè)時(shí)期作簡要敘述,旨在通過對音樂家生平的了解進(jìn)一步解讀和分析作品。 第三部分由“創(chuàng)作背景”和“基于內(nèi)容與形式相結(jié)合的音樂分析”兩個(gè)部分組成。有關(guān)小提琴協(xié)奏曲《四季》的分析是本文的核心內(nèi)容。 “結(jié)語”部分歸納了這部作品最根本的藝術(shù)特色,即“標(biāo)題性特征”與“里托奈羅”的結(jié)構(gòu)形式。
[Abstract]:Italian composer and violinist Antonio Vivaldi made an important contribution to the development of Baroque Concerto. He wrote a lot of violin concertos throughout his life, especially the four Seasons. This work has the characteristic of title music and is the concentrated embodiment of Baroque Concerto's structure form. It is also one of the most popular works in the history of European music. Western research on Vivaldi began in 0th century. In recent years, the music research and historical literature about Vivaldi have gradually increased, among which the biographical narration of life and creation is the most. This paper attempts to base on the historical and cultural background of Venice in 18th century, the life, creation and influence of Vivaldi. This paper analyzes the four Seasons from the aspects of content and form in order to have a comprehensive and detailed understanding of the creative connotation and artistic techniques of this classical violin masterpiece. The full text is divided into four parts: The first part is introduction, summarizes the existing research results, and expounds the writing intention of this paper. The second part describes the historical and cultural background of Venice and briefly narrates Vivaldi's creative path in three periods in order to further interpret and analyze the works through the understanding of the life of musicians. The third part is composed of "background of creation" and "Music Analysis based on the combination of content and form". The analysis of Violin Concerto "four Seasons" is the core of this paper. The conclusion summarizes the most fundamental artistic features of the work, namely, the structural form of title feature and Ritonero.
【學(xué)位授予單位】:西北師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2006
【分類號】:J622.1

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

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2 孫佳賓;論音樂欣賞的感性方式與理性目標(biāo)[J];吉林藝術(shù)學(xué)院學(xué)報(bào);2004年01期



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