本文關(guān)鍵詞：王澄泉河南地方風格合唱藝術(shù)特征探究　出處：《內(nèi)蒙古師范大學》2014年碩士論文　論文類型：學位論文

  更多相關(guān)文章： 王澄泉 合唱 河南地方風格 藝術(shù)特征

【摘要】：在中國的音樂領域中,合唱藝術(shù)可以說是其中最為年輕的家族。這種藝術(shù)形式傳入我國只有一百多年的歷史。自清朝末期,由外國的傳教士所帶來的宗教性質(zhì)的“圣詠”開始；到學堂樂歌時期,海外留學歸來的音樂學者開始了中國本土合唱的探索；直至上世紀70年代,結(jié)合我國民族特色的合唱作品出現(xiàn),合唱走上了“民族化”的道路。 王澄泉先生是我國河南省作曲家中最杰出的代表人物之一,他積極進取、勇于創(chuàng)新,其作品數(shù)量多、體裁全、質(zhì)量優(yōu)。究其一生,創(chuàng)作了大量具有河南地方音樂特色的作品。在王澄泉先生的作品中,多見將地方音樂元素與現(xiàn)代作曲技法融合在一起的例子,這也是王先生一生的追求——將帶有濃郁河南風味的音樂作品推向全國各地乃至登上世界舞臺。 本文以王澄泉先生具有河南地方風味的合唱作品為研究對象,通過對這些作品的創(chuàng)作背景和音樂形態(tài)的分析,運用民族音樂學和音樂美學等學科的視角,對其合唱作品創(chuàng)作特征和藝術(shù)特點進行多層次、多角度的分析和概括,旨在對王澄泉先生合唱創(chuàng)作過程中是如何將地方音樂元素與現(xiàn)代作曲技法的融合進行規(guī)律性的提取和研究,并得出將地方因素與現(xiàn)代作曲技法進行有機的融合才能創(chuàng)作出真正帶有地方標簽的作品的結(jié)論。 本文共分四個部分：第一部分對王澄泉先生的生平進行概述；第二部分對其合唱作品創(chuàng)作的音樂特征和藝術(shù)特色進行規(guī)律性的總結(jié)和提��；第三部分是對其具有代表性的合唱作品進行具體分析；第四部分是對王澄泉先生創(chuàng)作思想的總結(jié)。 為使合唱這一具有群眾基礎的藝術(shù)形式更具有民族特色,合唱創(chuàng)作在“民族化”的道路上更能有所發(fā)展,需要社會各界的共同努力。若本文能夠給音樂同仁帶來一些思索,也就是這篇論文的價值所在。
[Abstract]:The China in the field of music, choral art can be said to be the youngest family for them. This form of art was introduced to China only more than 100 years of history. Since the end of the Qing Dynasty, the religious nature brought by foreign missionaries "began to chant"; Xuetangyuege period, Overseas Returned Scholars began to music the exploration of China local choir; until the last century in 70s, combined with our national characteristics of the chorus, the chorus embarked on the road of nationalization ".
Mr. Wang Chengquan is the most outstanding representative composer of Henan province of China in one of the characters, he actively enterprising, innovation, work quantity, genre, excellent quality. The life has created a lot of local music in Henan, featuring the works. In Mr. Wang Chengquan's works, see the local music and modern elements composing techniques together examples of music which is the pursuit of life, Mr. Wang will be with a strong flavor of Henan to all over the country and even on the world stage.
In this paper, Mr. Wang Chengquan has Henan local flavor of the choral works as the research object, through the analysis of these works creation background and music form, the use of ethnomusicology and music aesthetics perspective, multi-level of the choral works of creative features and artistic characteristics, analysis and generalization of multi angle, to Mr. Wang Chengquan the chorus creation process is how to extract and study the integration of local musical elements and modern composing techniques regularly, and get the local factors and modern composing techniques of organic integration to create a truly local label with the works of the conclusion.
This paper is divided into four parts: the first part of the life of Mr. Wang Chengquan are outlined; second part of music and artistic features of the chorus works are summarized and the extraction regularity; the third part is the detailed analysis of the representative of the chorus works; the fourth part is the summary of the ideas of Wang Chengquan's literary creation.
In order to make the mass base of chorus art form more national characteristics, more choral music can develop in the road of "nationalization", requires the joint efforts of the community. If the music can give Tongren bring some thoughts, also is the value of this paper lies.

【學位授予單位】：內(nèi)蒙古師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J605

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本文編號：1433854