本文關(guān)鍵詞：社會(huì)性別視角下女性意識(shí)在民族唱法中的體現(xiàn)　出處：《華中師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 民族唱法 女性意識(shí) 社會(huì)性別

【摘要】：民族唱法作為中國三大唱法之一,極具中國傳統(tǒng)音樂的特色、但卻又飽受爭議,如唱法的爭議、命名的爭議、演唱者表演單一的爭議,以及最為人熟知的“千人一聲”。隨著越來越多的女性選擇聲樂作為專業(yè)學(xué)習(xí)內(nèi)容,并登上各種類型的晚會(huì)以及比賽的舞臺(tái),這一現(xiàn)象背后的意識(shí)形態(tài)也日益凸顯。女性參與民族唱法與民族唱法的爭議性問題有著極為緊密的聯(lián)系,女性意識(shí)在其中也起到極大的影響。 女性意識(shí)的提出是隨著西方女權(quán)主義的發(fā)展而來的,由于西方女權(quán)主義運(yùn)動(dòng)不斷發(fā)展壯大,其日益完善的理論系統(tǒng)也隨之在世界范圍內(nèi)的學(xué)術(shù)領(lǐng)域得到認(rèn)可和借鑒,社會(huì)性別理論便是被運(yùn)用最為廣泛的理論之一,它給人們提供了一個(gè)全新的看待女性問題、女性意識(shí)問題的角度和方法。女性意識(shí)在聲樂中的體現(xiàn),不僅存在于聲樂作品當(dāng)中,還存在于學(xué)習(xí)、表演的行為當(dāng)中。聲樂作品蘊(yùn)含著一定的意識(shí)形態(tài),但如何表現(xiàn)作品,又受到表演者意識(shí)形態(tài)的影響,因此,分析民族唱法中的女性意識(shí),必須從多個(gè)角度來進(jìn)行觀察。 本文以民族唱法為研究對象,以女性意識(shí)在中國的變化作為背景,以社會(huì)性別理論作為研究的理論依據(jù),挖掘民族唱法中所體現(xiàn)的女性意識(shí)。具體將從作品、表演、創(chuàng)作等方面對民族唱法中女性意識(shí)的滲透進(jìn)行分析,文章主要分為以下幾個(gè)部分： (1)概念的商榷：文章選題名為“社會(huì)性別視角下女性意識(shí)在民族唱法中的體現(xiàn)”,從標(biāo)題上來看需要梳理清楚兩個(gè)概念,一個(gè)是“女性意識(shí)”,一個(gè)是“民族唱法”。“女性意識(shí)”是隨著婦女運(yùn)動(dòng)而出現(xiàn)的一個(gè)概念,在很多論文中的定義都不一樣,因此有必要綜合前人的解釋再一次為其釋義；雖然在青歌賽的比賽當(dāng)中,民族唱法屬于定義明確的唱法類別,但“民族唱法”這一名詞在很多研究民族聲樂的文章中卻也爭議頗多,因此有必要解釋清楚這一詞語在本論文中的所指范圍。 (2)女性意識(shí)發(fā)展的歷史梳理：簡要呈現(xiàn)世界女權(quán)主義運(yùn)動(dòng)以及中國婦女解放運(yùn)動(dòng)的標(biāo)志性事件,及其對女性意識(shí)的影響；以及民族唱法同女性緊密聯(lián)系的歷史背景、緣由。 (3)分析女性意識(shí)在民族唱法中的體現(xiàn)與缺席：主要對作品、學(xué)習(xí)和表演行為、音色處理等方面的女性意識(shí)的體現(xiàn)和缺失進(jìn)行分析。
[Abstract]:As one of the three major singing methods in China, the folk singing method has the characteristics of Chinese traditional music, but it is also controversial, such as the controversy of singing method, the controversy of naming, and the single controversy of singer performance. As more and more women choose vocal music as part of their professional studies, they are on the stage of all kinds of parties and competitions. The ideology behind this phenomenon is also increasingly prominent. There is a close relationship between women's participation in national singing and the controversial issue of ethnic singing, in which female consciousness also plays a great role. Women's consciousness is brought forward with the development of western feminism, because of the constant development of western feminist movement. Its increasingly perfect theoretical system has also been recognized and used for reference in the academic field worldwide. Gender theory is one of the most widely used theories. It provides a new perspective and method for people to look at the female problem and the problem of female consciousness. The embodiment of female consciousness in vocal music exists not only in vocal music works but also in learning. Among the acts of performance, vocal music works contain a certain ideology, but how to express the works is influenced by the performers' ideology. Therefore, this paper analyzes the female consciousness in the national singing method. Observation must be made from multiple angles. This article takes the folk singing method as the research object, takes the female consciousness change in China as the background, takes the social sex theory as the theoretical basis of the research, excavates the female consciousness embodied in the national singing method. Performance, creation and other aspects of the national singing in the penetration of female consciousness, the article is mainly divided into the following parts: Discussion of the concept: the title of the article is "the embodiment of female consciousness in ethnic singing from the perspective of social gender". From the title point of view, we need to sort out two concepts, one is "female consciousness". One is the "national singing method". "female consciousness" is a concept that appears with the women's movement, and the definition in many papers is different, so it is necessary to synthesize the previous explanations for its interpretation again; Although in the competition of the youth song competition, the folk singing method belongs to the clearly defined singing style category, but the term "national singing method" is also controversial in many articles of studying the national vocal music. Therefore, it is necessary to explain the scope of this term in this paper. (2) the history of the development of women's consciousness: a brief presentation of the iconic events of the world feminist movement and the Chinese women's liberation movement, and their influence on the female consciousness; As well as the historical background and reason of the close connection between ethnic singing and women. 3) to analyze the embodiment and absence of female consciousness in the folk singing: mainly to analyze the embodiment and lack of female consciousness in the aspects of work, study and performance behavior, timbre processing and so on.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J616.2

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