本文關(guān)鍵詞：四首“搖籃曲”體裁鋼琴作品的比較與分析　出處：《上海師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

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【摘要】：“搖籃曲”（cradlesong或lullaby)是一種廣泛存在于世界各地，藝術(shù)形式多樣，內(nèi)涵豐富的一種音樂體裁。 “搖籃曲”最初是指“哄孩了睡覺”所使用的催眠歌調(diào)。這種歌調(diào)一般在音樂上很平靜、曲調(diào)不斷反復(fù)、節(jié)奏平緩，以使孩子能夠安靜入睡。世界上各個(gè)民族幾乎都有自己的“搖籃曲”，而這種搖籃曲并無體裁上的規(guī)范，，歌調(diào)以即興創(chuàng)作、口授相傳為主。我們可以從很多民歌里找到相應(yīng)的作品。 隨著T吚值姆⒄�，它超詳囌b問�、忘S屏巳粘５墓δ�，变抽W巳嗣翹剿骶珁L層面、表達(dá)內(nèi)心的一種途徑。搖籃曲的創(chuàng)作目的已不是僅僅局限在“哄孩+入睡”這種功能性的層面了。還兼具了作曲者自身的精神寄托。 像任何一個(gè)古老的而又極具生命力的體裁一樣，搖籃曲經(jīng)歷了一個(gè)從簡(jiǎn)單到復(fù)雜，從單純到豐富的過程。最早的搖籃曲僅僅是一個(gè)人的清唱便能完成的，隨著這種形式的發(fā)展，慢慢加入了琉特琴、吉他進(jìn)行伴奏，再之后加入鋼琴伴奏成為了藝術(shù)歌曲。搖籃曲還被寫成了管弦樂作品、鋼琴作品，甚至出現(xiàn)在歌劇中。 除了用于演唱的搖籃曲之外，還有許多搖籃曲是純器樂演奏的，這些作品或是以器樂的方式模仿人聲的歌唱，或是發(fā)揮器樂的特點(diǎn)以使音樂更能達(dá)到撫慰心靈的作用。 19世紀(jì)的浪漫主義時(shí)期，涌現(xiàn)出一大批優(yōu)秀的鋼琴家和鋼琴作品�！稉u籃曲》作為這一時(shí)期鋼琴作品中結(jié)構(gòu)簡(jiǎn)單短小的一類，仍是現(xiàn)今音樂會(huì)上的常演曲目，在音樂專業(yè)、家庭、社會(huì)等領(lǐng)域中廣為流傳，可見其在鋼琴T吚腫髕分芯哂形蘅商媧牡匚�。本文通过浪漫主义时圃懩四位作曲家肖扳牎篮曲（左x稯p.57)、李斯特?fù)u籃曲（作品S174)、巴拉基列夫搖籃曲（作品Op.2)、柴可夫斯基搖籃曲(作品Op.72之2)的音樂分析，比較這四首“搖籃曲"體裁鋼琴作品的共同特征及不同點(diǎn)，并進(jìn)行深層次的分析提列，使人們對(duì)于這一體裁的鋼琴作品有一個(gè)明確的認(rèn)識(shí)，從而能夠更好地理解與演奏。
[Abstract]:crazyong or cralaby is a kind of music genre which is widely existed in various parts of the world and has various artistic forms and rich connotation . Microsoft.TeamFoundation . Modeling.dll The music was originally meant to " coax a child to sleep " . The song is generally calm in music , the tune is repeated , the rhythm is gentle , so that the child can sleep quietly . Almost all the people in the world have their own " rock basket " , and this kind of rock basketball does not have a decent standard , and the tune is based on improvisation and dictation . We can find the corresponding works from many folk songs . With the value of T _ ( 9 ) , the author asked Jian ( 9 ) Huang Ping ' s five tomb 未 ~ ( 6 ) , and expressed his innermost thoughts . The purpose of the music was not confined to the level of " kid + sleep " . It also has the spiritual sustenance of composer itself . Like any old and very viable genre , the rock basket experienced a process from simple to complex , from simple to rich . The earliest rock basket was only one person ' s singing , and as the form of development , it was slowly added to the guitars , the guitars , and then the piano accompaniment became an art song . The rock was also written into orchestral works , piano works , and even in opera . In addition to the rock music used for singing , there are a lot of rock baskets that are played by pure instrumental music . These works either imitate the singing of the human voice in an instrumental manner , or play the characteristics of instrumental music so that the music can achieve the effect of soothing the mind . In the 19th century , a large number of excellent pianist and piano works emerged during the Romantic period in the 19th century . As a kind of simple and short structure in the piano works of this period , the music analysis of the music major , family , society and so on , it is still the common feature and different points of the four " music professional , family , society , etc . " , which makes it possible to make a clear understanding of this genre ' s piano works so as to better understand and play .

【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J624.1

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