本文關(guān)鍵詞：王強(qiáng)小提琴協(xié)奏曲《零號(hào)》分析與研究　出處：《南京師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 王強(qiáng) 小提琴協(xié)奏曲《零號(hào)》 曲式結(jié)構(gòu) 演奏分析

【摘要】：小提琴協(xié)奏曲《零號(hào)》是著名的女作曲家王強(qiáng)完成于1998年的一首作品,并于2000年、2002年和2004年經(jīng)過(guò)三次修改于香港創(chuàng)作完成。協(xié)奏曲《零號(hào)》的作曲手法新穎創(chuàng)新,作曲家運(yùn)用小提琴演奏的多種技巧展現(xiàn)出一部風(fēng)格獨(dú)特的三樂(lè)章大型器樂(lè)作品。該作品于2002年在上海首演,由小提琴演奏家鄭煒珉擔(dān)當(dāng)獨(dú)奏,取得巨大的成功。至今,《零號(hào)》在香港、廈門、北京、臺(tái)灣等地舉辦的多場(chǎng)音樂(lè)會(huì)中演出均得到業(yè)界的一致好評(píng)。 本論文分為三個(gè)部分。第一章介紹作曲家王強(qiáng)本人及其相關(guān)作品,王強(qiáng)的經(jīng)歷與其相關(guān)的社會(huì)活動(dòng),詳細(xì)描述小提琴協(xié)奏曲《零號(hào)》的創(chuàng)作緣由。第二章對(duì)該作品的第一樂(lè)章的曲式結(jié)構(gòu)進(jìn)行詳細(xì)分析,探究該作品創(chuàng)作的相關(guān)特點(diǎn)。第三章結(jié)合筆者本人實(shí)際的演奏經(jīng)驗(yàn),對(duì)該作品演奏的相關(guān)問(wèn)題前要分析并提出一些心得體會(huì)。最后一部分是結(jié)語(yǔ)部分。 本文力圖通過(guò)對(duì)作曲家王強(qiáng)的介紹和對(duì)作品本身曲式結(jié)構(gòu)、演奏特點(diǎn)的淺要探究與分析,讓更多的人了解、研究該作品、演奏該作品。
[Abstract]:Violin Concerto No. 0 < > Wang Qiang is a famous female composer of the song was completed in 1998, and in 2000, 2002 and 2004 after the three amendment was completed in the creation of Hongkong Concerto No. 0. < > the composing technique of novel innovation, the composer uses various violin performance skills show a unique style of the three movement of large instrumental works. The work premiered in Shanghai on 2002, by Zheng Weimin as a solo violinist, achieved great success. So far, < > zero in Hongkong, Xiamen, Beijing, Taiwan and other places a lot of concerts held in performances were received by the industry alike.
This paper is divided into three parts. The first chapter introduces the composer Wang Qiang and his works, Wang Qiang's experience and related social activities, creation reasons of detailed description of the Violin Concerto No. 0 < >. The detailed analysis of the second chapter of the first movement of musical structure of the work, the relevant characteristics of studying the works of creation. Third chapter based on my actual playing experience, to analyze the issues related to the work performance before and put forward some experience. The last part is the conclusion.
This article tries to make more people understand and study the work and play the works through the introduction and analysis of the composer Wang Qiang and the performance characteristics of his own musical form.

【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J622.1

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本文編號(hào)：1371949