【摘要】： 本文以中國當代手風琴音樂發(fā)展史為基本依據(jù),以中國當代手風琴音樂傳播方式及受眾為主要研究對象,試圖依憑傳播學的研究方法,從社會文化的角度,對中國當代手風琴音樂傳播概況進行分析,進一步探討中國當代手風琴音樂傳播的特征。 全文共分為三章: 第一章中國當代手風琴音樂傳播情況概述。本章主要選取了兩個音樂傳播較為集中且影響力較大的階段(新中國成立后的“五六十年代”與改革開放后的“八九十年代”)對中國當代手風琴音樂傳播情況進行了總結。 第二章中國當代手風琴音樂傳播方式及受眾。本章分析和探討中國當代手風琴音樂的傳播方式,受眾范疇、受眾特點及受眾參與對手風琴音樂傳播產(chǎn)生的影響。 第三章中國當代手風琴音樂傳播的總結與展望。探討中國當代手風琴音樂傳播的特征,并對今后中國手風琴音樂該如何傳播提出一些建議。 中國當代手風琴音樂傳播是特定社會環(huán)境下的產(chǎn)物,手風琴憑借便攜性、表現(xiàn)力豐富等優(yōu)勢不僅適應了時代發(fā)展,而且其作品的民族性、演奏形式的多樣性、教育和娛樂功能也滿足了人民大眾精神生活的需要。本文認為未來中國手風琴音樂需要在重視音樂教育發(fā)展的基礎上,建立多元化的傳播理念,同時創(chuàng)建出具有傳播效應的名人形象以進一步推動中國手風琴音樂的傳播和發(fā)展。
[Abstract]:Based on the development history of Chinese contemporary accordion music, and taking the communication mode and audience of Chinese contemporary accordion music as the main research object, this paper tries to analyze the general situation of Chinese contemporary accordion music communication from the perspective of social culture and further explore the characteristics of Chinese contemporary accordion music communication according to the research methods of communication. The full text is divided into three chapters: the first chapter is an overview of the spread of Chinese contemporary accordion music. This chapter mainly selects two stages of music communication which are concentrated and influential (the 1950s and 1960s after the founding of the people's Republic of China and the 1980s and 1990s after the reform and opening up) to summarize the music dissemination of the contemporary accordion in China. The second chapter is about the communication mode and audience of Chinese contemporary accordion music. This chapter analyzes and discusses the communication mode, audience category, audience characteristics and the influence of audience participation on accordion music dissemination in contemporary Chinese accordion music. The third chapter is the summary and prospect of Chinese contemporary accordion music dissemination. This paper probes into the characteristics of the dissemination of Chinese contemporary accordion music, and puts forward some suggestions on how to spread Chinese accordion music in the future. The spread of Chinese contemporary accordion music is the product of a specific social environment. Accordion not only adapts to the development of the times by virtue of its portability and rich expressive force, but also meets the needs of the people's spiritual life by virtue of the nationality of its works, the diversity of playing forms, and the functions of education and entertainment. This paper holds that in the future, Chinese accordion music needs to establish a diversified communication concept on the basis of paying attention to the development of music education, and at the same time create a celebrity image with communication effect in order to further promote the dissemination and development of Chinese accordion music.
【學位授予單位】：河南大學
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：J624.3

【引證文獻】

相關碩士學位論文 前2條

1 姚妍;謝苗諾夫巴揚作品〈狂想曲—致勃拉姆斯〉研究[D];天津音樂學院;2011年

2 莫yN;中國手風琴教學的歷史回顧與現(xiàn)狀研究[D];南京藝術學院;2010年

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本文編號：2504041