【摘要】：云南明代遺存的安魂套曲"勃石細哩",充滿纏綿悱惻、哀傷凄婉之情,常用于納西族喪葬儀式中�，F(xiàn)仍傳承于納西族的有9首器樂歌舞曲牌。其來源與族屬眾說紛紜,目前暫無定論。筆者認為"勃石細哩"源起于明代,它的創(chuàng)作及形成,與憑吊納、普米(西番)之戰(zhàn)或納、藏(吐蕃)之戰(zhàn)雙方陣亡將士之陰魂有關(guān),同時,也在逐漸的完善過程中,融入了蒙古族帶來麗江的一些樂器及音樂調(diào)式風(fēng)格,后又經(jīng)吸收了東巴文化及大量的漢族音樂(如明清曲牌、道教音樂)等,最終形成的。最早流行地是麗江的白沙。
[Abstract]:The soul set of Ming Dynasty in Yunnan Province is full of sentimental and sad feelings, which is often used in the funeral ceremony of Naxi nationality. At present, there are still 9 instrumental songs and dance cards still passed on to the Naxi nationality. There are different opinions on its origin and ethnic origin, and there is no final conclusion at present. The author believes that "Boshi Xiolii" originated in the Ming Dynasty, and its creation and formation are related to the ghost of the fallen soldiers on both sides of the battle of Pumi (Xifan) or Na, Tibet (Tubo). At the same time, it is also in the process of gradual improvement. It integrates some musical instruments and musical styles brought by Mongolians to Lijiang, and then absorbs Dongba culture and a large number of Han music (such as Ming and Qing music, Taoist music), which was finally formed. The earliest popular place was the white sand of Lijiang.
【作者單位】： 云南藝術(shù)學(xué)院;
【分類號】：J607

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