【摘要】：偉大的俄羅斯現(xiàn)實主義作曲家柴科夫斯基于1878年創(chuàng)作了這首《G大調(diào)鋼琴奏鳴曲》,在創(chuàng)作中他使用豐富的俄羅斯民歌曲調(diào),結(jié)合大量樂隊寫作手法將鋼琴作品樂隊化,同時巧妙、縝密的設(shè)計和布局了作品的結(jié)構(gòu),使作品氣勢恢宏且富有一氣呵成之感。結(jié)合柴可夫斯基當(dāng)時所處的社會歷史背景,文化歷史背景,和作曲家本人的生活經(jīng)歷,與其很多作品相似,柴可夫斯基在這首《G大調(diào)鋼琴奏鳴曲中》依然滲入了大量發(fā)自他內(nèi)心的“悲情主義”色彩,使作品內(nèi)涵厚重、富有寓意。雖然作品可能不為大多人所熟知,但是對鋼琴理論、演奏和教學(xué)來說卻有著極其重要的地位,是不容忽視的。 本論文將從該作品的創(chuàng)作背景、作品分析及作品中所蘊含的“悲情主義”因素等方面入手,用理論分析的方法來證明《G大調(diào)鋼琴奏鳴曲》的重要性及其地位,通過論證更加明確作曲家的創(chuàng)作意圖,從而更準確的把握作品風(fēng)格,有助于實際演奏。
[Abstract]:The great Russian realist composer Tchaikovsky wrote this piano sonata in G major in 1878. In his creation, he used rich Russian folk songs, combined with a large number of band writing techniques, to team up piano works. At the same time, ingenious, meticulous design and layout of the structure of the work, making the work magnificent and full of a sense of success. Combined with Tchaikovsky's social and historical background, cultural and historical background, and the composer's own life experience, he is similar to many of his works. Tchaikovsky's piano sonatas in G major still permeate a great deal of "pessimism" from his heart, which makes his works rich in connotation and meaning. Although the works may not be well known to most people, they play a very important role in piano theory, performance and teaching, and can not be ignored. This thesis will prove the importance and position of the piano sonata in G major by means of theoretical analysis from the aspects of the creation background, the analysis of the works and the "tragic" factors contained in the works, and so on, and this thesis will prove the importance and position of the sonata in G major by means of theoretical analysis. By demonstrating more clearly the composer's creative intention, thus more accurate grasp of the style of the work, help the actual performance.
【學(xué)位授予單位】：西安音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J614

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 曹金歌;情之切 樂之悲[D];遼寧師范大學(xué);2012年

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本文編號：2438602