【摘要】： 莫扎特的《安魂曲》是古典主義時(shí)期合唱作品重要代表之一,不僅代表了莫扎特的創(chuàng)作風(fēng)格,充分體現(xiàn)了古典主義時(shí)期宗教合唱的風(fēng)格特征。本文結(jié)合莫扎特的生平,莫扎特創(chuàng)作《安魂曲》的歷史背景對(duì)《安魂曲》進(jìn)行分析研討,并追溯合唱發(fā)展的歷史,進(jìn)而研究古典主義時(shí)期合唱發(fā)展過程中的重要特征。首先,文章簡要介紹了莫扎特以及創(chuàng)作《安魂曲》的歷史背景,并結(jié)合具體譜例對(duì)《安魂曲》進(jìn)行分析研究,然后是闡述古典主義時(shí)期合唱的歷史背景,介紹莫扎特與海頓,貝多芬緊密的聯(lián)系。最后通過莫扎特《安魂曲》與海頓和貝多芬的作品進(jìn)行比較研究尋找共通點(diǎn)進(jìn)而總結(jié)出古典主義時(shí)期合唱發(fā)展變化過程中所呈現(xiàn)的特征。
[Abstract]:Mozart's Requiem is one of the important representatives of classical choral works, which not only represents Mozart's writing style, but also fully embodies the style characteristics of religious chorus in classical period. Based on the life of Mozart and the historical background of Mozart's creation of Requiem, this paper analyzes and discusses Requiem, traces back the history of chorus development, and then studies the important characteristics in the development of chorus during the classical period. First of all, the article briefly introduces Mozart and the historical background of his creation of Requiem, and analyzes and studies Requiem with specific examples, and then expounds the historical background of classical chorus, and introduces Mozart and Haydn. Beethoven was closely connected. Finally, through the comparative study of Mozart's Requiem with Haydn and Beethoven's works, the author finds out the common points and summarizes the characteristics of the development and change of chorus during the classicism period.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J605

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相關(guān)期刊論文 前1條

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本文編號(hào)：2403129