【摘要】： 舒伯特是19世紀初浪漫主義音樂的代表人物,他的鋼琴作品中奏鳴曲不僅數(shù)量最多,也最能代表其音樂風(fēng)格。因此,對于研究早期浪漫主義時期的音樂大師舒伯特來說,他的鋼琴奏鳴曲有著不可替代的重要價值。 本文以舒伯特奏鳴曲創(chuàng)作中期的第一首作品《a小調(diào)鋼琴奏鳴曲》(D.784)作為研究對象,運用音樂分析學(xué)的方法,并結(jié)合自己的演奏心得,分兩章從“音樂分析”、“音樂風(fēng)格”、“演奏探析”幾個角度對此作品進行了較為全面的研究。第一章運用音樂分析的方法對作品的曲式結(jié)構(gòu)、調(diào)性、主題進行了描述性分析;第二章從音樂風(fēng)格入手,對此作品三個樂章在音樂形象的詮釋及風(fēng)格把握等方面進行闡述。 這部作品的三個樂章風(fēng)格迥異,又不失統(tǒng)一。形式與情感上的平衡、樂思展開、鋼琴技巧等方面的特點都顯現(xiàn)出舒伯特日趨成熟的個人風(fēng)格。通過本文的研究,筆者總結(jié)歸納出關(guān)于《a小調(diào)鋼琴奏鳴曲》(D.784)在音樂風(fēng)格和演奏處理等方面的特點,并期以此對舒伯特鋼琴奏鳴曲演奏風(fēng)格的把握提供一定價值的參考。
[Abstract]:Schubert is the representative figure of romantic music in the early 19th century. His piano works not only have the largest number of sonatas, but also represent his musical style. Therefore, his piano sonatas are of irreplaceable importance to the study of Schubert, the music master of the early Romantic period. In this paper, the first work of Schubert Sonata in A minor (D. 784) is taken as the object of study. Using the method of music analysis and combining with one's own experience, this paper divides two chapters from "Music Analysis". The musical style and the analysis of performance have made a comprehensive study on this work. The first chapter uses the method of music analysis to describe the structure, tonality and theme of the works, and the second chapter starts with the music style, and expounds the interpretation and style of the three movements in the music image. The three movements in this work are very different in style and uniform. The balance between form and emotion, the development of music and piano skills all show Schubert's increasingly mature personal style. Through the research of this paper, the author sums up the characteristics of the piano sonata in < a minor] (D. 784) in the aspects of music style and performance processing, etc. In this period, Schubert piano sonata style to grasp the grasp of a certain value of reference.
【學(xué)位授予單位】：武漢音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J624.1

【引證文獻】

中國期刊全文數(shù)據(jù)庫 前1條

1 陳默默;;舒伯特的奏鳴曲創(chuàng)作風(fēng)格解讀——以《a小調(diào)鋼琴奏鳴曲》(D.784)為例[J];吉林廣播電視大學(xué)學(xué)報;2012年06期

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本文編號：2377938