中國少數(shù)民族音樂史研究的新視野和新思路——《中國少數(shù)民族音樂史》讀后感
發(fā)布時(shí)間:2018-11-17 16:07
【摘要】:中國音樂史學(xué)源起已久,但能查閱到的史料多是與漢族有關(guān)的,《中國少數(shù)民族音樂史》是一部學(xué)術(shù)視野相當(dāng)開闊、史料翔實(shí)、論證縝密的著作,本書以"史"的眼光建構(gòu)起整個(gè)框架,同時(shí)以"史料"展開其章節(jié)細(xì)部的構(gòu)造,是我國音樂史學(xué)研究的一項(xiàng)重大收獲。
[Abstract]:The history of Chinese music history has a long history, but most of the historical materials that can be consulted are related to the Han nationality. "the History of Chinese Minority Music" is a book with a very broad academic horizon, rich historical data, and meticulous argumentation. It is a great achievement in the study of music history that the book constructs the whole frame with the view of history and the structure of chapters and details with historical materials.
【作者單位】: 山東藝術(shù)學(xué)院音樂學(xué)院;
【分類號(hào)】:J609.2
[Abstract]:The history of Chinese music history has a long history, but most of the historical materials that can be consulted are related to the Han nationality. "the History of Chinese Minority Music" is a book with a very broad academic horizon, rich historical data, and meticulous argumentation. It is a great achievement in the study of music history that the book constructs the whole frame with the view of history and the structure of chapters and details with historical materials.
【作者單位】: 山東藝術(shù)學(xué)院音樂學(xué)院;
【分類號(hào)】:J609.2
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1 劉東興,余親珍;談開設(shè)中國音樂史課的必要性[J];衡水師專學(xué)報(bào);2004年03期
2 楊燕迪;學(xué)人反思、學(xué)科自覺與學(xué)術(shù)建設(shè)——2004上!耙魳穼W(xué)學(xué)科回顧與展望”研討會(huì)總結(jié)發(fā)言[J];音樂藝術(shù)-上海音樂學(xué)院學(xué)報(bào);2005年01期
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