【摘要】： 王志信把人們耳聞詳述的中國地方民歌、戲曲藝術(shù)的音樂元素和優(yōu)秀的文學(xué)歷史題材進行加工提煉,運用到新民族歌曲的創(chuàng)作中。他積極借鑒西方作曲技法,使得作品結(jié)構(gòu)宏大,增強了民族歌曲的敘述性和音樂的戲劇性成份。他的民族聲樂作品引起了音樂界、音樂教育界、聲樂界和社會的普遍關(guān)注。相比較與施光南民族聲樂作品的異同,王志信民族聲樂作品既有自身的創(chuàng)作和演唱特點,又具有民族聲樂創(chuàng)作的普遍性。 本文主要通過對王志信一些較有代表性的民族聲樂作品進行教學(xué)分析,結(jié)合本人的教學(xué)實踐,著重從聲音的韻律感、潤腔的藝術(shù)處理、風(fēng)格的把握、曲目的層次劃分幾方面闡釋。由此窺見到王志信的民族聲樂作品具有“聲訓(xùn)”、“藝訓(xùn)”、“美訓(xùn)”各層次相互結(jié)合的特點,對于進一步探討和研究民族聲樂教學(xué)具有一定意義。
[Abstract]:Wang Zhixin refined the music elements of Chinese local folk songs, opera art and excellent literary and historical themes, and applied them to the creation of new folk songs. He actively drew lessons from western composition techniques, making the structure of the works grand, enhancing the narrative of national songs and the dramatic elements of music. His national vocal music works aroused the general concern of music, music education, vocal music and society. Comparing with Shi Guangnan's national vocal music works, Wang Zhixin's national vocal music works not only has its own characteristics of creation and singing, but also has the universality of national vocal music creation. Through teaching and analysis of Wang Zhixin's representative national vocal music works, combining with his teaching practice, this paper focuses on the rhythm of sound, the artistic treatment of moistening the tone, and the grasp of style. The level division of the track is explained in several aspects. From this, we can see that Wang Zhixin's national vocal music works have the characteristics of "sound training", "art training" and "beauty training", which are of certain significance for further exploring and studying the teaching of national vocal music.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J616

【引證文獻】

相關(guān)碩士學(xué)位論文 前2條

1 邢星;試論王志信民族聲樂作品藝術(shù)特色與演唱風(fēng)格把握[D];曲阜師范大學(xué);2012年

2 張弛;歷史與神話題材之當(dāng)代創(chuàng)作歌曲論略[D];上海音樂學(xué)院;2012年

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本文編號：2333814