【摘要】：資興市位于湖南省東南部,地處湘粵贛三省交界處。這里歷史悠久,人杰地靈。千百年來,瑤族同胞陸續(xù)遷入資興,扎根在這塊土地上。因特殊的地理環(huán)境,瑤族同胞的生活方式自成一體,代代相傳,保持并傳承著其民族特色的文化傳統(tǒng)�，幾逋芨枭莆�,善于用歌聲來表達愛戀,抒發(fā)情懷�？梢哉f,瑤族社會的歷史進程、社會心理狀況,以及人們日常生活的喜怒哀樂,都包含在瑤族民歌中。 本課題對資興瑤族民歌的生態(tài)背景及曲譜資料進行剖析,從音樂文化學、人類學的視角來闡釋瑤族民歌的音樂文化形態(tài),有利于我們認識資興瑤族民歌的音樂文化面貌。 本文以資興瑤族民歌作為主要的研究對象,先從其民族歷史、民俗文化等方面考察民歌的生態(tài)背景,再對瑤族民歌的音樂特征、文化形態(tài)進行分析和闡釋,探討其藝術特征和音樂文化特征,從而進一步探析瑤族音樂文化的發(fā)展規(guī)律。 全文由緒言、正文和結語三部分構成。正文為主體部分,分三章： 第一章,資興瑤族民歌的生態(tài)環(huán)境。主要從資興瑤族歷史淵源、遷徙流變,居住的自然地理環(huán)境、人文環(huán)境等多方面進行闡述,論證資興瑤族民歌產生和發(fā)展的背景原因。 第二章,資興瑤族民歌的基本形態(tài)。從民族音樂學的視角對現(xiàn)存資興民歌的典型范例進行深入分析,揭示瑤族民歌的音樂藝術特征、演唱特征和歌詞的文學特征。 第三章,資興瑤族民歌的文化闡釋。從民歌與其相依附的瑤族社會文化關系入手,探討民歌的音樂文化意義；然后從意識、行為和形態(tài)三個維度對民歌音樂文化存在方式進行分析,揭示瑤族民歌在三個方面所表現(xiàn)出來的特征,并進一步探討瑤族音樂文化發(fā)展的內在規(guī)律。
[Abstract]:Zixing City is located in the southeast of Hunan Province, is located at the junction of Hunan, Guangdong and Jiangxi provinces. Here has a long history, outstanding people. For thousands of years, Yao compatriots have moved into Zixing, rooted in this land. Due to the special geographical environment, the life style of the Yao compatriots is integrated and handed down from generation to generation, maintaining and inheriting the cultural tradition of their national characteristics. Yao compatriots can sing and dance, good at singing to express love, express feelings. It can be said that the history of Yao society, the social psychological situation, and the daily life of people are included in the Yao folk songs. This paper analyzes the ecological background and music spectrum of the Yao folk songs in Zixing, explains the musical culture form of the Yao folk songs from the perspective of music culture and anthropology, which is helpful for us to understand the musical and cultural features of the Yao folk songs in Zixing. In this paper, Zixing Yao folk songs as the main research object, from its national history, folk culture and other aspects of the ecological background of folk songs, and then the Yao folk songs music characteristics, cultural forms of analysis and interpretation. This paper probes into its artistic characteristics and musical cultural features, and further explores the development law of Yao's musical culture. The full text consists of three parts: introduction, text and conclusion. The main body is divided into three chapters: the first chapter, the ecological environment of Zixing Yao folk songs. This paper mainly expounds the origin of the Yao nationality in Zixing, the evolution of migration, the natural geographical environment and the humanistic environment of living, and proves the background reasons for the emergence and development of the folk songs of the Yao nationality in Zixing. The second chapter, the basic form of Zixing Yao folk songs. From the perspective of ethnomusicology, this paper makes a thorough analysis of the typical examples of the extant Zixing folk songs, and reveals the musical artistic characteristics, singing characteristics and literary characteristics of the lyrics of Yao folk songs. The third chapter, the cultural interpretation of Zixing Yao folk songs. Starting with the social and cultural relationship between folk songs and their dependent Yao nationality, this paper probes into the musical and cultural significance of folk songs. Then from the consciousness, behavior and form of three dimensions of folk music culture analysis, reveal the Yao folk songs in the three aspects of the characteristics, and further explore the Yao music culture development of the internal law.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J607

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