【摘要】： 軍旅歌曲——聲樂(lè)藝術(shù)百花園里一朵耀眼的奇葩,它有著與其它歌曲的共性特征,更有其自己獨(dú)特的不可替代的特性。它內(nèi)容豐富,旋律激昂又不失優(yōu)雅,它伴隨著軍隊(duì)的成長(zhǎng),為軍旅生活增光添彩,也為豐富我國(guó)歌壇做出了一定的貢獻(xiàn)。在戰(zhàn)爭(zhēng)年代軍旅歌曲承擔(dān)了宣傳思想、鼓勵(lì)士氣與凝聚戰(zhàn)斗力的雙重任務(wù),在近代歷史發(fā)展的長(zhǎng)河中，，產(chǎn)生的軍旅歌曲難以計(jì)數(shù),為中國(guó)革命發(fā)展,取得革命戰(zhàn)爭(zhēng)的最后勝利,起到了特殊作用。而今在和平年代,由于軍隊(duì)在這一時(shí)期歷史任務(wù)的變遷,軍旅歌曲也隨之發(fā)生了前所未有變化,這一變化最為突出的特點(diǎn)便是：軍旅歌曲以空前的規(guī)模、豐富的內(nèi)容和多元的情感,取得了令人矚目的成績(jī),無(wú)論從內(nèi)容、體裁、形式還是風(fēng)格上,都在與時(shí)俱進(jìn),特別是人性化的內(nèi)容滲透,和諧發(fā)展觀理念的指導(dǎo),唱出戰(zhàn)士真情、大膽唱出真愛(ài),一群有血、有肉、有情、有愛(ài)的和平年代鮮活的軍人形象呈現(xiàn)在人們面前,同時(shí)在音樂(lè)創(chuàng)作上與地方音樂(lè)元素、與時(shí)代結(jié)合,創(chuàng)作出了大量的優(yōu)秀聲樂(lè)作品,無(wú)論高校聲樂(lè)教材的選用、大型晚會(huì)、大型聲樂(lè)比賽中軍旅歌曲都是引領(lǐng)著時(shí)代的潮流,特別是一些軍旅作曲家如：印青、劉青、孟衛(wèi)東、王祖皆、張卓婭等他們的優(yōu)秀作品,展現(xiàn)出改革開(kāi)放后軍旅歌曲的別樣精彩,呈現(xiàn)出一道亮麗的風(fēng)景線,而且是從未有的新局面。 本論文以軍旅歌曲發(fā)展為線索,著重論述了軍旅歌曲在和平年代尤其是在改革開(kāi)放30年的進(jìn)程中,它的內(nèi)容、體裁、形式、風(fēng)格上的歷史變遷。 第一章主要簡(jiǎn)述了軍旅歌曲的發(fā)展脈絡(luò),以年代的不同為主線,簡(jiǎn)述軍旅歌曲的輝煌歷程,呈現(xiàn)形式特點(diǎn)及其作用。 第二章論述的主題為,改革開(kāi)放時(shí)期30年來(lái)軍旅歌曲與時(shí)俱進(jìn)的變遷,本章力求從四個(gè)方面(1)內(nèi)容、(2)體裁、(3)風(fēng)格、(4)形式上解析軍旅歌曲的變遷綜述。 第三章論述則是展望21世紀(jì)軍旅歌曲的發(fā)展前景,分別從軍人本色、時(shí)代精神、審美多元、民族特色予以預(yù)示。 通過(guò)研制本論文,使我們對(duì)軍旅歌曲在和平年代,特別是改革開(kāi)放30年有了更新、更加深刻地認(rèn)識(shí),這支鮮艷的奇葩,無(wú)論是在過(guò)去的戰(zhàn)爭(zhēng)時(shí)期還是如今的和平年代,依然的絢麗,總是引領(lǐng)著音樂(lè)藝術(shù)的潮流,我們相信,軍旅歌曲的發(fā)展和未來(lái)會(huì)穿越時(shí)光的隧道,持久的延伸自己久遠(yuǎn)的生命力。
[Abstract]:Military song, a dazzling flower in the garden of vocal music art, has the common features with other songs, and has its own unique irreplaceable characteristics. It is rich in content, melody and elegant, it accompanied with the growth of the army, for the military life, but also for the enrichment of the music industry made a certain contribution. During the war years, military songs took on the dual tasks of propaganda and ideology, encouraging morale and rallying combat effectiveness. In the long river of modern history, the military songs produced were incalculable, and they contributed to the development of the Chinese revolution and to the final victory of the revolutionary war. Played a special role. Now, in peacetime, because of the changes in the military's historical tasks during this period, military songs have also undergone unprecedented changes. The most prominent feature of this change is that military songs are on an unprecedented scale. Rich content and multi-emotional, has made remarkable achievements, whether from the content, genre, form or style, are advancing with the times, especially the infiltration of humanized content, the guidance of the concept of harmonious development, singing the true feelings of soldiers, Boldly sing out true love, a group of blood, flesh, affection, love, a group of living soldiers in a peaceful era presented in front of people, at the same time in music creation and local music elements, combined with the times, created a large number of excellent vocal music works, Regardless of the choice of college vocal music teaching materials, large-scale evening parties, large-scale vocal music competitions, military songs are leading the trend of the times, especially some military composers such as Inqing, Liu Qing, Meng Weidong, Wang Zujie, Zhang Zhuoya and other excellent works. After the reform and opening up to the outside world, the military songs show a beautiful scenery, and it has never been a new situation. Based on the development of military songs, this paper focuses on the historical changes in its content, style, form and style in the peaceful times, especially in the process of reform and opening up for 30 years. The first chapter mainly describes the development of military songs, taking the different ages as the main line, briefly describes the brilliant course of military songs, presents the form characteristics and their functions. The theme of the second chapter is the changes of military songs in the 30 years of reform and opening up. This chapter tries to analyze the changes of military songs from four aspects: (1) content, (2) genre, (3) style, and (4) formal analysis of the changes of military songs. The third chapter discusses the prospect of the development of military songs in the 21st century, respectively from the soldiers' true character, the spirit of the times, the aesthetic diversity, the national characteristics to foreshadow. Through the development of this paper, we have updated our military songs in peacetime, especially in the 30 years of reform and opening up, and have a deeper understanding of this brilliant flower, whether in the past war period or in today's peaceful era. Still gorgeous, always leading the trend of music art, we believe that the development and future of military songs will pass through the tunnel of time, lasting extension of their long life force.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類(lèi)號(hào)】：J605

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 高焱;“戰(zhàn)斗精神隊(duì)列歌曲”研究[D];南京藝術(shù)學(xué)院;2012年

本文編號(hào)：2285688