發(fā)布時(shí)間：2018-10-20 12:32

【摘要】： 道情是一種古老的藝術(shù)形式,派生于道教,產(chǎn)生的初衷是為宣傳道教教義理念和爭(zhēng)取更多的信徒,及至后來(lái)由于人們對(duì)這一藝術(shù)形式的喜愛,使道情藝術(shù)得以蓬勃發(fā)展,并與地域民俗文化相結(jié)合派生出許多各有特色的分支流派,陜北道情即是其中一支。陜北道情作為與陜北民歌、陜北說(shuō)書齊名的一個(gè)民間藝術(shù)種類,自身的特色是非常鮮明的。本文著重研究的是陜北道情唱腔音樂的曲體結(jié)構(gòu)、調(diào)式、旋法等,全文共分四部分: 緒論概述陜北道情的淵源、分類及其發(fā)展過(guò)程,陜北道情研究學(xué)術(shù)背景和現(xiàn)狀、本文的研究方法。 第一章分為四個(gè)部分,分別從陜北道情唱腔曲調(diào)的分類、曲體結(jié)構(gòu)、內(nèi)部特點(diǎn)及組合規(guī)律加以闡述。 第二章分為三個(gè)部分,第一節(jié)闡述陜北道情唱腔音樂的調(diào)式音階;第二節(jié)從調(diào)式入手分析了陜北道情唱腔音樂的主要調(diào)式為徵調(diào)式;第三節(jié)就轉(zhuǎn)調(diào)問題進(jìn)行了初步的探討。 第三章分別從“先抑后揚(yáng)”的上行曲頭、波浪環(huán)繞式的旋律下行及潤(rùn)腔三個(gè)方面分析陜北道情唱腔音樂的旋法特點(diǎn),進(jìn)一步明確了陜北道情的特色所在。 結(jié)語(yǔ)主要總結(jié)了本文研究?jī)?nèi)容并對(duì)陜北道情的保護(hù)和發(fā)展發(fā)出了倡議。
[Abstract]:Taoism is an ancient art form derived from Taoism, which was originally intended to promote Taoist doctrine and to win more believers. But later, due to people's love for this art form, Taoist love made the art of Taoism flourish. And combined with regional folklore culture to derive many branches with their own characteristics, Northern Shaanxi is one of them. As a kind of folk art with the folk songs of Northern Shaanxi and the narratives of Northern Shaanxi, its own characteristics are very distinct. This paper focuses on the music structure, mode and rotation of Northern Shaanxi Daoqing Music. The whole paper is divided into four parts: the introduction summarizes the origin, classification and development process of Northern Shaanxi Daoqing. The academic background and present situation of the research on the situation of Northern Shaanxi Province, the research method of this paper. The first chapter is divided into four parts. The second chapter is divided into three parts, the first section expounds the tone scale of Northern Shaanxi Taoism singing music, the second section analyzes the main mode of the Northern Shaanxi Taoism singing music from the mode of modulation, and the third section makes a preliminary discussion on the problem of the change of tune. The third chapter analyzes the characteristics of the singing music of Northern Shaanxi from the following three aspects: the uplink head of "first suppressing and then rising", the downlink of wave surround melody and the moistening cavity, and further clarifies the characteristics of Northern Shaanxi Taoism. The conclusion summarizes the research content of this paper and gives some suggestions to the protection and development of the situation in Northern Shaanxi.
【學(xué)位授予單位】：延安大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J605

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 孫福軒;“道情”考釋[J];中國(guó)道教;2005年02期

2 張澤洪;;論道教的唱道情[J];世界宗教研究;2006年03期

，

本文編號(hào)：2283193