發(fā)布時間：2018-10-16 22:30

【摘要】： 作為多聲音樂中國化的一部分,當代中小型合唱創(chuàng)作不但作品數(shù)量眾多,而且在創(chuàng)作觀念、手法、題材、風格和民族音樂元素運用等方面也有較多變化,其中既有成功經(jīng)驗又有深刻教訓,在當代專業(yè)和群眾音樂文化生活中發(fā)揮重要作用,群眾合唱、民歌合唱、少兒合唱、藝術合唱和流行合唱是其中的主要類型。 “前十七年”音樂發(fā)展中對歌曲的重視促進了中小型合唱創(chuàng)作的較快發(fā)展,同時,音樂觀念上的理解偏差也帶來較大阻力;“文革”時期,在音樂極權話語的控制下,中小型合唱創(chuàng)作的整體水平嚴重下降;新時期以后,在觀念更新的推動下,中小型合唱創(chuàng)作逐漸回歸審美本位,作品類型不斷豐富,音樂語言風格也呈現(xiàn)出多元化的發(fā)展態(tài)勢,但其影響力卻反而逐漸降低。
[Abstract]:As part of the Sinicization of multi-tone music, contemporary small and medium-sized choral creation not only has a large number of works, but also has many changes in terms of creative concepts, techniques, themes, styles and the use of elements of national music, etc. Among them, there are both successful experiences and profound lessons, which play an important role in the contemporary professional and mass music and cultural life. Mass chorus, folk chorus, children's chorus, artistic chorus and pop chorus are the main types. In the music development of "the first seventeen years", the attention paid to the songs promoted the rapid development of the small and medium-sized choral creation, at the same time, the deviation of the musical concept also brought great resistance. During the "Cultural Revolution", under the control of the musical totalitarian discourse, After the new period, promoted by the renewal of ideas, the medium and small choral composition gradually returned to the aesthetic standard, the types of works were constantly rich, and the style of music language also showed a diversified development trend. But its influence has gradually diminished.
【學位授予單位】：南京藝術學院
【學位級別】：博士
【學位授予年份】：2010
【分類號】：J609.2

【引證文獻】

相關期刊論文 前1條

1 周國歧;;當今中國流行風格合唱現(xiàn)狀探究[J];北方音樂;2012年11期

相關碩士學位論文 前1條

1 張浩;楊鴻年童聲合唱改編手法探微[D];陜西師范大學;2012年

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本文編號：2275826